Roland FR-7, FR-5 owner manual Volume, Panpot, Reverb, Chorus, Velocity, Expression

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FR-7/FR-5V-Accordion

MIDI functions MIDI parameters for the various sections/parts

Note: When you set the “12.2 Ext. Seq. Playback” parameter to “On”, the FR-7/FR-5’s registers no longer transmit the sound selection clusters you have programmed here. Instead, they transmit their “Std” values. This will return to normal operation when you set “12.2 Ext. Seq. Playback” back to “Off”.

Volume

(Off, 0~127, Default setting: 100) This parameter allows you to specify the volume value (CC07) the register should send to an external device whenever you press it. That way, the MIDI instrument you are controlling is automatically set to the desired level. Remember that selecting “0” silences the receiving MIDI instrument. Select “Off” if the register should not transmit this message. Note that the FR-7/FR-5 does not execute this message if it is returned to the FR-7/FR-5 via the external device’s “Soft Thru” func- tion.

Panpot

(Off, 0~127, Default setting: 64) This parameter allows you to specify the Pan value (CC10) the regis- ter should send to an external device whenever you press it. That way, the MIDI instrument you are con- trolling automatically selects the desired stereo posi- tion. “0” correspond to hard left, “64” to dead center, and “127” to hard right. Note that the FR-7/FR-5 does not execute this message if it is returned to the FR-7/FR-5 via the external device’s “Soft Thru” func- tion. Select “Off” if the register should not transmit this message.

Reverb

(Off, 0~127, Default setting: 40) This parameter allows you to specify the Reverb Send Level value (CC91) the register should send to an external device whenever you press it. Selecting “0” will set the receiving MIDI instrument to “dry” (no reverb), while “127” represents the maximum Reverb Send level. Select “Off” if the register should not transmit this message.

Note: If there is no audible change, you may have to check the reverb effect settings on the receiving MIDI instrument. Note: Not all MIDI instruments have a reverb effect, and even if they do, they may not support this control change number (this is especially true of older instruments).

 

Chorus

 

(Off, 0~127, Default setting: 0) This parameter allows

 

you to specify the Chorus Send Level value (CC93) the

 

register should send to an external device whenever

 

you press it. “0” will set the receiving MIDI instrument

 

to “dry” (no chorus), while “127” represents the maxi-

r

mum Chorus Send level. Select “Off” if the register

should not transmit this message.

 

 

Note: If there is no audible change, you may have to check the

 

chorus effect settings on the receiving MIDI instrument.

 

Note: Not all MIDI instruments have a chorus effect, and even

 

if they do, they may not support this control change number

 

(this is especially true of older instruments).

Velocity

(On, 1~127) Your FR-7/FR-5 is velocity sensitive. That is a very learned term for the fact that the volume and brightness of the notes you play on the Treble or Bass keyboard depend on how hard (or fast) you press the keys/buttons. The accordion sounds do not respond to these playing dynamics, but the Orchestra (Treble, Bass, Chord, Free Bass) sounds do and so do most MIDI-compatible sound modules.

Even though the MIDI standard recognizes 128 dif- ferent velocity values, only 127 can actually be used for expression purposes. That explains why the set- ting range is 1~127. Value “0” is usually used to sig- nal the end of a note (i.e. when you release a key or button).

This parameter allows you to specify whether the velocity values corresponding to the strength with which you press a key/button should be transmitted (“On”) or whether your playing dynamics should not be translated as such.

In the latter case, you need to select a value (1~127) that will be applied to all notes that are transmitted via MIDI. “64” is still relatively soft. Even lower values are probably not what you want in most cases. Fixed velocity values can be useful for playing organ sounds on an external module.

Note that the setting you select here has no effect when the “Note” parameter is set to “Off”, because note numbers are always transmitted along with a velocity value (any value different from “0” also means “start playing this note”). Sending only a velocity value without specifying the note to which it applies doesn’t make sense.

Expression

(Off, Bellows, Pedal) You probably noticed that the strength/speed with which the bellows is pressed or pulled influences the sound – which corresponds to an acoustic accordion’s response.

This effect can be translated into a MIDI message most external instruments understand. The MIDI standard provides a message (“control change”) for remotely controlling the volume of an external instrument: CC11. It is chiefly used for expression purposes (similar to the way in which a guitarist or organ player uses a volume pedal).

If you want to use the bellows for expressive pur- poses, set this parameter to “Bellows”.

If you don’t (because the external instrument is too sensitive and therefore changes its volume too often), select “Off”.

If you purchased an optional EV-5 expression pedal, which you connected to the FBC-7’s EXPRESSION PEDAL socket, you can also control the relative vol- ume by foot. In that case, set this parameter to “Pedal”.

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Contents FR-7/FR-5 OS VersionImportant Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes Strap holder precaution FR-7/FR-5V-Accordion Important notes Important notesPanel descriptions Treble control panelBass control panel Display and master bar Connection panelConnection panel of the FBC-7 Setting up Connecting the FR-7/FR-5 to the supplied FBC-7Using the Output sockets ConnectionsSwitching the power on and off If you are using the FBC-7Switch it on Switch on the receiving audio deviceSwitch on the FR-7/FR-5 Listening to the demo songsFirst steps FR-7/FR-5V-Accordion Setting up First stepsSections of your FR-7/FR-5 Selecting Easy or Full mode Press the EXIT÷JUMP button to return to the MainAbout the Main Typical Main page display looks like thisTouring the FR-7/FR-5’s sections Treble sectionBassoon Master Bandon Accord Oboe ViolinUsing the FR-7/FR-5’s digital effects InstrumentBass section Bass section can be played via the Stradella but- tonsHere is what the caps look like Press another register to change the soundSimultaneously press the three registers labeled Free Bass Playing in Free Bass modeDisplay now briefly responds with Using the orchestral sounds Orchestral sounds for the Treble sectionFR-7/FR-5’s Orchestra functionality actually com Orchestra and three for the Bass buttons called RegistersSelecting the Orchestra mode Here is how the drone function worksNitely If you press a single gray key see the illustrationAgain play a few notes and listen to the result Setting the volume of the Treble orchestral soundReturn to the Main page by pressing EXIT÷JUMP Switching off the Orchestra part Switching off the Orchestra Bass partFR-7/FR-5V-Accordion Setting up Using the orchestral sounds Orchestral sounds for the Bass sectionSwitching off the Orch Chord part This is not necessary if you are already in Free Bass modeOrchestral sounds for the Chord section Orchestral sounds for the Free Bass sectionSwitching off the Orch Free BS part Simultaneously press the three registers in the moddlePress the Down button four times Display now responds with ValueOther practical functions General remarkPitch-related functions TransposeScale Tuning Noise Edit Valve & ButtonVolume-related functions Using the FBC-7 Connecting the FBC-7Using the footswitches Connecting an optional expression pedalGeneral remarks about the battery Charging the batteryUse BP-24-45 batteries, part no. K2568101 Recharging the battery on the FBC-7 FR-7/FR-5V-Accordion About the FBC-7 Charging the batteryIf the battery fails to last 8 hours or slightly less Using the recharged batterySelecting parameters using the Jump function Editing soundsSelecting parameters Easy and Full modesProceed with Setting parameter values Selecting parameters via the menuSetting parameter values Parameter for editingButtons to change the value Function groupTuning parameters Master TuneTranspose ScaleScale Assign FR-7/FR-5V-Accordion Editing sounds 1. Tuning parametersPress MENU÷WRITE again to jump to the following Introduction Treble Edit parametersIng them Reed Type Hold down UP for a whileRegister plays Register into a different instruReed Volume RegisterTreble Octave Valve NoiseReverb Send, 2.9 Chorus Send Delay Send Bellows DetuneAftertouch Pitch Bass LinkOrchestra Chord Link Orchestra LinkOn the Main page, links are indicated as follows Treble Midi TX CHD-AcGuitar, CHD-AcPianoFBS-Flute, FBS-PercOrgan FBS-AcGuitar, FBS-AcPianoBass Edit parameters ThemButton Noise Knob to select the desired reedOptions are 16’, 8’, 8’-4’, 4’, 2’ Ume balance for the active reeds see the RegisterReverb Send, 3.8 Chorus Send Delay Send Reed GrowlBass Midi TX, 3.11 Chord Midi TX Std~40Important notes Free Bass Edit parametersSaving them Options are ALL both reeds simultaneously, 16’, 8’ Reverb Send, 4.8 Chorus Send Delay Send Free Bass Midi TXLowest Note ORC Bass Edit parametersWithout saving them Reverb Send, 5.5 Chorus Send Delay Send Orc Bass VolumeOrc Bass Midi TX ORCH. Edit parameters Orchestra VolumeOrchestra Octave Reverb Send, 6.5 Chorus Send Delay Send Orchestra Midi TXRecognition Messages or only one of themOrc Chord Volume ORC CHD Edit parametersReverb Send, 7.3 Chorus Send Delay Send Orc Chord Midi TXReverb Send, 8.3 Chorus Send Delay Send Orc FreeBs VolumeORC FBS Edit parameters Orc FreeBs Midi TX SET Common parameters Reverb Macro TypeAbout the effects parameters If necessary, select another Set by turningChorus Macro Type Reverb ParametersAvailable options are Chorus Parameters Chorus knobDelay Macro Type Delay ParametersSystem parameters NameMaster Bar Recall IconLCD Contrast Pedal ControllerFR-7/FR-5V-Accordion Editing sounds 10. System parameters Less strength the X stands for extra. StandardBass & Chord Mode Bass & Chord ModeFree Bass Mode Stereo WidthAuto Power OFF Free Bass ModeStartup Startup NameOrchestra Touch Orch. Bs&Ch TouchBattery Status Utility parametersTreble Release T Copy ALL EffectsCopy Reverb, 11.4 Copy Chorus Copy Delay Effects settings, these three parameCopy SET Bulk Dump ALL, 11.8 Bulk Dump SETRestore SET Treble Reg. on current SetEdit simultaneously Select this parameter 11.11 Bass Reg. onCurrent Set Ter to be edited for all Bass registersFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main Midi functions About MidiWorking with a sequencer and other tone generators FR-7/FR-5’s sections use the following Midi chan- nelsMidi data always go from OUT to Sending program changesGlobal Midi parameters Final note regarding sequencersPress register 1 to select the following Channel you want to setFreeBs, Basic Ch, and Control Ch Be set toSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Procedure for setting these parameters Midi parameters for the various sections/partsImportant remarks SectionsOctave CC00, CC32, PCVolume PanpotReverb ChorusArchiving your settings via Midi Bulk Dump Archiving your settings with a sequencerSwitch off the sequencer’s Midi Echo or Soft Thru function AfterT only for the Treble and Orchestra sectionsSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Saving settings using the Write function Miscellaneous functionsUsing Write Press the DATA÷ENTER knob to jump to Selected functionRestoring the factory defaults Switch on the FR-7/FR-5 while holding downTroubleshooting My settings have changed MIDI-related issuesAt power-on, the FR-7/FR-5 displays the follow- ing message Supplied accessories SpecificationsBattery for FR-5, spare part for FR-7 Pedal Board Soft Bag Parameter list 100 Miscellaneous functions Parameter list101 Orchestra Edit102 UtilityFactory Sets 103Demo Songs 104 Rêve d’amour by L. Bruti Luigi BrutiMidi implementation 105106 Midi implementation Bulk Dump107 Midi Implementation Chart 108Information 109Index 110Numerics Bulk111 112 User 1~3Avis 602.00.0152