Roland FR-5, FR-7 owner manual Charging the battery, General remarks about the battery

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The reason why the Treble and Bass sections do not respond to this pedal is that you can control their vol- ume via the strength with which you press and pull the bellows (like on any accordion).

V-Accordion r

Charging the battery

The expression pedal can be used to fade the Orchestra part in and out, which is probably most effective in DUAL mode (see p. 26). When the expression pedal is all the way up (heel down), the Orchestra part does not sound. Press the expression pedal down (toe down) to increase the Orchestra section’s volume.

Note: The expression pedal can also transmit CC11 messages via MIDI. See page 88.

Charging the battery

The FR-7 comes with one Ni-Mh battery that can recharged when it is depleted. Such a battery is optional for the FR-5. If you decide to purchase one (to play with a wireless system and no cables on stage), you should also read the following.

General remarks about the battery

Be sure to dispose of used batteries in accordance with local regulations.

First, read the precautions on page 9 and following.

The FR-7’s battery is fully charged (and installed in the FR-7’s battery compartment). It can be used right away.

Be sure to fully deplete the battery (wait until the FR-7/FR-5 goes off) before recharging it for the first time. It would actually be a good idea to repeat this the first three times to avoid the dreaded “memory effect”.

A fully charged battery should last about 8 hours (continuous use).

When the battery is fully drained, the following mes- sage appears and the FR-7/FR-5 goes off:

Note: The FR-7/FR-5 contains an energy saving function that switches off the instrument when it is left unattended for more than 10 minutes. You may therefore have to switch it on again from time to time. You can specify how long the FR-7/ FR-5 should wait before powering off automatically. See “10.8 Auto Power OFF” on p. 71.

Never try to insert other batteries into the FR-7/FR-5 than the one it came with (or suitable replacement batteries purchased from your Roland dealer). Only

use “BP-24-45” batteries, part no. K2568101.

Warning: The battery body may become hot during and after charge. Handle it with care to avoid burns.

About the BATTERY CHARGER and EXTERNAL BATTERY CHARGER indicators

The FBC-7 has two buttons ([BATTERY¥CHARGER] and [EXTERNAL¥BATTERY¥CHARGER]) that light or flash in various ways to indicate the current status. Here is how to “decode” those indications:

Lights red: The battery is being charged. Depending on the button that lights, this refers to the battery in the FR-7/FR-5 (BATTERY) or the battery attached to the FBC-7 (EXTERNAL BATTERY).

Lights green: The battery is fully charged and can be used again.

Flashes yellow right away: The charging operation cannot be started because the ambient temperature lies outside the 0°~40°C range. This is nothing to worry about: just take the FBC-7 to a place where the ambient temperature is acceptable, wait a little, and repeat the charging operation.

Flashes yellow after a while: If the indicator first lights red and then starts flashing yellow after a while, the battery is overheating. Disconnect the FR-7/FR-5 (or the battery) from the FBC-7 and use the battery until it is depleted. Then, recharge it.

Flashes red: The battery cannot be fully recharged, i.e. it takes more time than expected to reach full charge. If this happens once, wait at least half an hour, then try charging it again.

If the button again flashes red, the battery may have reached the end of its life cycle. Replace it with a new one if the button keeps flashing red.

Recharging the battery without removing it from the FR-7/FR-5

There is no need to remove the battery from the FR-7/ FR-5 in order to recharge it. Recharging the battery takes ±3~5 hours and is therefore not something you should do a few minutes before you intend to use the FR-7/FR-5.

(1)Connect the FR-7/FR-5 to the FBC-7 using the supplied 19-pin cable.

(2)Connect the FBC-7 to a suitable wall outlet.

(3)Switch on the FBC-7 by pressing its [POWER¥ON] button (its red POWER ON indicator lights).

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Contents OS Version FR-7/FR-5Important Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes FR-7/FR-5V-Accordion Important notes Important notes Strap holder precautionTreble control panel Panel descriptionsBass control panel Connection panel Display and master barConnection panel of the FBC-7 Connections Setting upConnecting the FR-7/FR-5 to the supplied FBC-7 Using the Output socketsSwitch on the receiving audio device Switching the power on and offIf you are using the FBC-7 Switch it onListening to the demo songs Switch on the FR-7/FR-5Sections of your FR-7/FR-5 FR-7/FR-5V-Accordion Setting up First stepsFirst steps Press the EXIT÷JUMP button to return to the Main Selecting Easy or Full modeTypical Main page display looks like this About the MainAccord Oboe Violin Touring the FR-7/FR-5’s sectionsTreble section Bassoon Master BandonInstrument Using the FR-7/FR-5’s digital effectsPress another register to change the sound Bass sectionBass section can be played via the Stradella but- tons Here is what the caps look likeDisplay now briefly responds with Playing in Free Bass modeSimultaneously press the three registers labeled Free Bass Orchestra and three for the Bass buttons called Registers Using the orchestral soundsOrchestral sounds for the Treble section FR-7/FR-5’s Orchestra functionality actually comIf you press a single gray key see the illustration Selecting the Orchestra modeHere is how the drone function works NitelyReturn to the Main page by pressing EXIT÷JUMP Setting the volume of the Treble orchestral soundAgain play a few notes and listen to the result Orchestral sounds for the Bass section Switching off the Orchestra partSwitching off the Orchestra Bass part FR-7/FR-5V-Accordion Setting up Using the orchestral soundsOrchestral sounds for the Free Bass section Switching off the Orch Chord partThis is not necessary if you are already in Free Bass mode Orchestral sounds for the Chord sectionValue Switching off the Orch Free BS partSimultaneously press the three registers in the moddle Press the Down button four times Display now responds withTranspose Other practical functionsGeneral remark Pitch-related functionsNoise Edit Valve & Button Scale TuningVolume-related functions Connecting an optional expression pedal Using the FBC-7Connecting the FBC-7 Using the footswitchesUse BP-24-45 batteries, part no. K2568101 Charging the batteryGeneral remarks about the battery FR-7/FR-5V-Accordion About the FBC-7 Charging the battery Recharging the battery on the FBC-7Using the recharged battery If the battery fails to last 8 hours or slightly lessEasy and Full modes Selecting parameters using the Jump functionEditing sounds Selecting parametersSelecting parameters via the menu Proceed with Setting parameter valuesFunction group Setting parameter valuesParameter for editing Buttons to change the valueScale Tuning parametersMaster Tune TransposePress MENU÷WRITE again to jump to the following FR-7/FR-5V-Accordion Editing sounds 1. Tuning parametersScale Assign Ing them Treble Edit parametersIntroduction Register into a different instru Reed TypeHold down UP for a while Register playsValve Noise Reed VolumeRegister Treble OctaveBass Link Reverb Send, 2.9 Chorus Send Delay SendBellows Detune Aftertouch PitchOn the Main page, links are indicated as follows Orchestra LinkOrchestra Chord Link FBS-AcGuitar, FBS-AcPiano Treble Midi TXCHD-AcGuitar, CHD-AcPiano FBS-Flute, FBS-PercOrganThem Bass Edit parametersUme balance for the active reeds see the Register Button NoiseKnob to select the desired reed Options are 16’, 8’, 8’-4’, 4’, 2’Std~40 Reverb Send, 3.8 Chorus Send Delay SendReed Growl Bass Midi TX, 3.11 Chord Midi TXSaving them Free Bass Edit parametersImportant notes Options are ALL both reeds simultaneously, 16’, 8’ Free Bass Midi TX Reverb Send, 4.8 Chorus Send Delay SendWithout saving them ORC Bass Edit parametersLowest Note Orc Bass Midi TX Orc Bass VolumeReverb Send, 5.5 Chorus Send Delay Send Orchestra Octave Orchestra VolumeORCH. Edit parameters Messages or only one of them Reverb Send, 6.5 Chorus Send Delay SendOrchestra Midi TX RecognitionORC CHD Edit parameters Orc Chord VolumeOrc Chord Midi TX Reverb Send, 7.3 Chorus Send Delay SendORC FBS Edit parameters Orc FreeBs VolumeReverb Send, 8.3 Chorus Send Delay Send Orc FreeBs Midi TX If necessary, select another Set by turning SET Common parametersReverb Macro Type About the effects parametersAvailable options are Reverb ParametersChorus Macro Type Chorus knob Chorus ParametersDelay Parameters Delay Macro TypeIcon System parametersName Master Bar RecallLess strength the X stands for extra. Standard LCD ContrastPedal Controller FR-7/FR-5V-Accordion Editing sounds 10. System parametersBass & Chord Mode Bass & Chord ModeStereo Width Free Bass ModeFree Bass Mode Auto Power OFFOrch. Bs&Ch Touch StartupStartup Name Orchestra TouchCopy ALL Effects Battery StatusUtility parameters Treble Release TBulk Dump ALL, 11.8 Bulk Dump SET Copy Reverb, 11.4 Copy Chorus Copy DelayEffects settings, these three parame Copy SETTreble Reg. on current Set Restore SETTer to be edited for all Bass registers Edit simultaneouslySelect this parameter 11.11 Bass Reg. on Current SetFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main About Midi Midi functionsSending program changes Working with a sequencer and other tone generatorsFR-7/FR-5’s sections use the following Midi chan- nels Midi data always go from OUT toFinal note regarding sequencers Global Midi parametersBe set to Press register 1 to select the followingChannel you want to set FreeBs, Basic Ch, and Control ChSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Sections Procedure for setting these parametersMidi parameters for the various sections/parts Important remarksCC00, CC32, PC OctaveChorus VolumePanpot ReverbAfterT only for the Treble and Orchestra sections Archiving your settings via Midi Bulk DumpArchiving your settings with a sequencer Switch off the sequencer’s Midi Echo or Soft Thru functionSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Miscellaneous functions Saving settings using the Write functionPress the DATA÷ENTER knob to jump to Selected function Using WriteSwitch on the FR-7/FR-5 while holding down Restoring the factory defaultsTroubleshooting MIDI-related issues My settings have changedAt power-on, the FR-7/FR-5 displays the follow- ing message Battery for FR-5, spare part for FR-7 Pedal Board Soft Bag SpecificationsSupplied accessories Parameter list Miscellaneous functions Parameter list 100Orchestra Edit 101Utility 102Demo Songs 103Factory Sets Rêve d’amour by L. Bruti Luigi Bruti 104105 Midi implementationMidi implementation Bulk Dump 106107 108 Midi Implementation Chart109 InformationBulk Index110 Numerics111 User 1~3 112Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.