ENGLISH
Preset Voice List
Voice Name | Stereo | Touch | Dynamic |
| Voice Descriptions | |||||||||
Sampling | Response | Sampling*1 | Sampling*2 | |||||||||||
|
| |||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
| Recorded samples from a full concert grand piano. Also | |
|
|
|
|
|
|
|
|
|
|
|
|
| includes three levels of dynamic sampling, sustain samples, | |
GRANDPIANO 1 |
|
|
|
|
|
|
|
|
|
|
|
| and | |
|
|
|
|
|
|
|
|
|
|
|
|
| grand piano sound. Perfect for classical compositions as | |
|
|
|
|
|
|
|
|
|
|
|
|
| well as any other style that requires acoustic piano. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| Warm and mellow piano. Good for classical compositions. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
GRANDPIANO 2 |
|
|
|
|
|
|
|
|
|
|
|
| Spacious and clear piano with bright reverb. Good for popu- | |
|
|
|
|
|
|
|
|
|
|
|
| lar music. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| Bright, spacious piano. Good for popular or rock music. | |
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
GRANDPIANO 3 |
|
|
|
|
|
|
|
|
|
|
|
| A very bright piano sound good for rock music. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| A | |
|
|
|
|
|
|
|
|
|
|
|
| the grand piano voices. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| An electronic piano sound created by FM synthesis. | |
E.PIANO 1 |
|
|
|
|
|
|
|
|
|
|
|
| Extremely “musical” response with varying timbre according | |
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
| to keyboard dynamics. Good for standard popular music. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| A | |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| in popular music. Used in the DUAL mode it blends well with | |
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
| an acoustic piano voice. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| The sound of an electric piano using | |
E.PIANO 2 |
|
|
|
|
|
|
|
|
|
|
|
| “tines”. Soft tone when played lightly, and an aggressive | |
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
| tone when played hard. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| A slightly different electric piano sound often heard in rock | |
|
|
|
|
|
|
|
|
|
|
|
| and popular music. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| The definitive instrument for baroque music. Since harpsi- | |
HARPSICHORD |
|
|
|
|
|
|
|
|
|
|
|
| chord uses plucked strings, there is no touch response. | |
|
|
|
|
|
|
|
|
|
|
|
| There is, however, a characteristic additional sound when | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
| the keys are released. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| Mixes the same voice an octave higher for a more brilliant | |
|
|
|
|
|
|
|
|
|
|
|
| tone. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VIBRAPHONE |
|
|
|
|
|
|
|
|
|
|
|
| Vibraphone played with relatively soft mallets. The tone | |
|
|
|
|
|
|
|
|
|
|
|
| becomes more metallic the harder you play. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
CHURCH ORGAN |
|
|
|
|
|
|
|
|
|
|
|
| This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). | |
|
|
|
|
|
|
|
|
|
|
|
| Good for sacred music from the Baroque period. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| This is the organ's full coupler sound often associated with | |
|
|
|
|
|
|
|
|
|
|
|
| Beach’s “Toccata and Fugue”. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
JAZZ ORGAN |
|
|
|
|
|
|
|
|
|
|
|
| The sound of a “tonewheel” type electric organ. Often heard | |
|
|
|
|
|
|
|
|
|
|
|
| in jazz and rock idioms. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| Uses a rotary speaker effect with a different speed. The vari- | |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| ations speed is faster. If the variation is selected while hold- | |
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
| ing a chord, the speed of the effect will gradually change. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
STRINGS |
|
|
|
|
|
|
|
|
|
|
|
| reverb. Try combining this voice with piano in the DUAL | |
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
| mode. | |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| Spacious strings ensemble with a slow attack. Try combining | |
|
|
|
|
|
|
|
|
|
|
|
| this voice with a piano or electric piano in the DUAL mode. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
CHOIR |
|
|
|
|
|
|
|
|
|
|
|
| A big, spacious choir voice. Perfect for creating rich harmo- | |
|
|
|
|
|
|
|
|
|
|
|
| nies in slow pieces. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
VARIATION |
|
|
|
|
|
|
|
|
|
|
|
| A choir voice with a slow attack. Try combining this voice | |
|
|
|
|
|
|
|
|
|
|
|
| with a piano or electric piano in the DUAL mode. | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
|