Korg X50 manuals

TV and Video > Universal Remote

When we buy new device such as Korg X50 we often through away most of the documentation but the warranty. Very often issues with Korg X50 begin only after the warranty period ends and you may want to find how to repair it or just do some service work. Even oftener it is hard to remember what does each function in Universal Remote Korg X50 is responsible for and what options to choose for expected result. Fortunately you can find all manuals for Universal Remote on our side using links below.

Korg X50 Manual

194 pages3.69 Mb

iii
2 About this manual
- How to read the Parameter Guide
- Conventions in this manual
- - (example)
- PROG 3: EdLFOs
  - 31: OS1LFO1
  - iv
- 3 Table of Contents
  - 2. Combination mode ................. 33
  - 1. Program mode........................... 1
  - 4
  - v
  - 3. Multi mode ...............................55
  - 5
  - vi
  - 6. Effect Guide.............................. 97
  - 5. Demo Song............................... 95
  - 4. Global mode............................. 75
  - 6
  - vii
    - Mono Chain............................ 135
    - Mono
    - Reverb ................................................... 133
    - ER/Delay ................................................127
    - Mod./P.Shift ..........................................122
    - Pitch/Phase Mod................................... 113
  - 7
  - viii
  - 7. Appendices ............................ 151
    - 123456789
8 1. Program mode
- PROG PAGE MENU
- PROG 0: Play
  - 01: Program
    - 01a: Bank, Program Select, Category, Cat. Hold, 10s Hold, (Tempo)
      - Bank X50: [Bank A...D, G, g(d)] microX: [Bank A...E, G, g(d)]
      - X50:
      - 9microX:
      - X50: [(AD)0127: name, (G, g(d))1128: name] microX:
        [(AE)0127: name, (G, g(d))1128: name]
      - Category [00...15: name]
      - X50: Cat. HOLD (Category Hold)
      - microX: Category & Bank
      - X50: 10s HOLD
    - 123456789
      - (Tempo) [040...240, EXT]
      - X50:
      - microX:
    - 01b: Program Information
      - X50:
      - microX:
      - X50:
      - Write Program
      - X50:
  - 1002: P .Edit
    - 02a: Bank, Program Select, (Tempo)
    - 02b: Performance Editor
      - 11Octave [03...+00...+03]
      - Stretch (Pitch Stretch) [12...+00...+12]
      - OSC Bal (OSC Balance) [10+00+10]
      - Level (Amp Level) [10+00+10]
      - Attack (Attack Time) [10+00+10]
      - Decay (Decay Time) [10+00+10]
      - IFX Bal (IFX Balance) [10+00+10]
      - MFX Bal (MFX Balance) [10+00+10]
    - 123456789
  - 1203: Arp
    - 03a: Arpeggiator
      - Keyboard [Off, On]
  - microX: 04: Ext. Control
    - 04a: External Control
- 13PROG 1: EdBasic
  - 11: Basic
    - 11a: Oscillator
      - Mode (Oscillator Mode) [Single, Double, Drums]
    - 11b: Voice Assign
      - Mode (Voice Assign Mode) [Poly, Mono]
      - Hold [Off, On]
      - Single Trigger [Off, On]
      - Legato [Off, On]
      - Priority [Low, High, Last]
    - 11c: Scale
      - Type (Scale Type) [Equal TemperamentUser Octave 15]
    - 123456789
      - Copy Oscillator
      - X50:
      - Swap Oscillator
  - 1412: OSC1
    - X50: microX:
    - 12a: OSC1 Multisample
      - Velocity SW LH [001...127]
    - 12b: High, Low
      - High: High Multisample X50: [000...469] microX: [000...641]
      - S.Ofs (High Start Offset) [Off, On]
    - 1512c: Octave, Tr anspose, Tune, Delay
    - 12d: OSC1 Drum Kit
    - 12: UTILITY
    - 123456789
  - 1613: OSC2
  - 14: V .Zone
    - 14a: OSC 1/2 Velocity Zone
      - OSC1 Bottom [001...127]
      - OSC1 Top [001...127]
      - OSC2 Bottom [001...127]
      - OSC2 Top [001...127]
      - X50:
    - 14: UTILITY
  - 15: Audition
    - 15a: Audition Riff, Transpose
      - Audition Riff [000: Off...383: name]
      - Transpose [24...+24]
    - 15: UTILITY
- 17PROG 2: EdPitch
  - 21: OSC1
    - 21a: Pitch
      - Pitch Slope [1.0+2.0]
      - Ribbon (#16) [12+12]
      - X50: PBend + [60+12]
      - microX: JS (+X) [60+12]
      - X50: PBend [60+12]
      - microX: JS (X) [60+12]
      - AMS (Pitch AMS) [Off, (FEG, AEG, EXT)]
      - Intensity (AMS Intensity) [12.00+12.00]
    - 21b: Pitch EG
      - Intensity [12.00+12.00]
    - 123456789
      - AMS (Pitch EG AMS) [Off, (KT, EXT)]
      - Intensity (AMS Intensity) [12.00+12.00]
    - 21c: Portamento
      - X50:
      - Enable (Porta. Enable) [Off, On]
      - Fingered (Porta. Fingered) [Off, On]
      - Time (Porta. Time) [000...127]
  - 1822: OS1lfo
    - 22a: Pitch LFO1/2 Modulation
      - LFO1: Intensity (LFO1 Intensity) [12.00+12.00]
      - X50: Mod.Whl Int. (LFO1 Mod.Whl+Int.) [12.00+12.00]
      - microX: JS+Y Int. (LFO1 JS+Y Int.) [12.00+12.00]
      - AMS (LFO1 AMS)
  - 1923: OSC2
  - 24: OS2lfo
  - 25: EG
    - 25a: Pitch EG
    - 20 123456789
    - 25b: Level Mod. (Level Modulation)
      - AMS1 (Level Mod. AMS1) [Off, (KT, EXT)]
      - X50:
      - microX:
      - S (AMS1 SW Start) [, 0, +]
      - AMS2 (Level Mod. AMS2) [Off, (KT, EXT)]
      - S (AMS2 SW Start) [, 0, +]
    - 25c: Time Mod. (Time Modulation)
      - AMS (Time Mod. AMS) [O ff, (KT, EXT)]
      - D (AMS SW Decay) [, 0, +]
    - 25: UTILITY
- 21PROG 3: EdLFOs
  - 31: OS1LFO1
    - 31a: OSC1 LFO1
      - Waveform [Triangle 0Random6 (Vect.)]
      - Frequency [0099]
      - Ofs (Offset) [99+99]
      - Fade [0099]
      - Dly (Delay) [0099]
    - 31b: Freq.Mod (Frequency Modulation)
      - AMS1 (Freq. AMS1) [Off, (PEG, FEG, AEG, LFO2, KT, EXT)]
      - Int (AMS1 Intensity) [99+99]
      - X50:
      - microX:
    - 123456789
      - AMS2 (Freq. AMS2) [Off, (PEG, FEG, AEG, LFO2, KT, EXT)] Int (AMS2 Intensity) [99+99]
    - 31c: MIDI/Tempo Sync. (Frequency MIDI/Tempo Sync.)
      - Sync. (MIDI/Tempo Sync.) [Off, On]
    - 31: UTILITY
      - Swap LFO 1&2
  - 2232: 1 LFO2
  - 33: 2 LFO1
  - 34: 2 LFO2
- 23PROG 4: EdFilter1
  - 41: Basic
    - 41a: Filter1
      - Type (Filter1 Type) [Low Pass Resonance, Low Pass & High Pass]
      - Trim [0099]
    - 41b: A (Filter A)
      - Frequency (A Frequency) [0099]
      - Resonance (A Resonance) [0099]
      - Reso.AMS (Resonance AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)]
      - Intensity (AMS Intensity) [99+99]
    - 41c: B (Filter B)
      - Frequency (B Frequency) [0099]
    - 123456789
  - 2442: Mod.1
    - 42a: Keyboard Track
      - Key:
      - X50:
      - Low (KBDTrk Key Low) [C1G9]
      - High (KBDTrk Key High) [C1G9]
      - Ramp (Ramp Setting):
      - Low (KBDTrk Ramp Low) [99+99] High (KBDTrk Ramp High) [99+99]
      - Int. to A (KBDTrk Int. to A) [99...+99]
      - Int. to B (KBDTrk Int. to B) [99...+99]
    - 42b: Filter EG
      - Int. to A (Intensity to A) [99+99]
      - Int. to B (Intensity to B) [99+99]
      - Vel to A (Velocity to A) [99+99]
      - Vel to B (Velocity to B) [99+99]
    - 42c: AMS, Into to A, Int to B
      - AMS (Filter EG AMS) [Off, (EXT)]
      - Int. to A (AMS Int. to A) [99+99]
      - Int. to B (AMS Int. to B) [99+99]
  - 2543: Mod.2
    - 43a: Filter-A Modulation
      - AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)]
      - Intensity (A AMS1 Intensity) [99+99]
      - X50:
      - microX:
      - AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)] Intensity (A AMS2 Intensity) [99+99]
    - 43b: Filter-B Modulation
  - 44: lfoMod
    - 44a: Filter LFO1 Modulation
      - Intensity to A (LFO1 Int. to A) [99+99]
      - Intensity to B (LFO1 Int. to B) [99+99]
      - JSY Int. to A (LFO1 JSY Int. to A)[99+99] X50:
    - 123456789
    - 44b: Filter LFO2 Modulation
    - 44: UTILITY
  - 2645: EG
    - 45a: Filter1 EG
      - S (Slope Time) [0099]
      - R (Release Time) [0099]
    - 2745b: Level Mod. (Level Modulation)
      - AMS (Level Mod. AMS) [Off, (KT, EXT)]
      - S (AMS SW Start) [, 0, +]
      - B (AMS SW Break) [, 0, +]
    - 45c: Time Mod. (Time Modulation)
      - AMS1 (Time Mod. AMS1) [Off, (KT, EXT)]
      - D (AMS1 SW Decay) [, 0, +]
      - S (AMS1 SW Slope) [, 0, +]
      - R (AMS1 SW Release) [, 0, +]
    - 123456789
      - AMS2 (Time Mod. AMS2) [Off, (KT, EXT)]
      - D (AMS2 SW Decay) [, 0, +] S (AMS2 SW Slope) [, 0, +] R (AMS2 SW Release) [, 0, +]
    - 45: UTILITY
      - Sync Both EGs
- 28PROG 5: EdFilter2
  - 51: Basic 52: Mod.1 53: Mod.2 54: lfoMod 55: EG
- PROG 6: EdAmp1/2
  - 61: Lvl/Pan
    - 61a: Amp1 Level
      - Level (Amp1 Level) [000127]
    - 61b: Pan
      - Pan (Amp1 Pan) [Random, L001C064R127]
      - Use DKit Setting [Off, On]
    - 61c: AMS, Intensity
    - 61: UTILITY
  - 2962: Mod.
    - 62a: Keyboard Track
    - 62b: Amp Mod., LFO1 Mod., LFO2 Mod.
    - 62c: AMS, Int.
    - 123456789
      - AMS (LFO1 AMS)
      - Int. (AMS Intensity) [99+99]
      - AMS (LFO2 AMS)
      - Int. (AMS Intensity) [99+99]
    - 62: UTILITY
  - 3063: EG
    - 63a: Amp1 EG
      - L (Level parameters): S (Start Level) [0099]
      - A (Attack Level) [0099]
      - B (Break Point Level) [0099]
      - S (Sustain Level) [0099]
      - T (Time parameters): A (Attack Time) [0099]
      - D (Decay Time) [0099]
      - S (Slope Time) [0099]
      - R (Release Time) [0099]
    - 63b: Level Mod. (Level Modulation)
      - AMS (Level Mod. AMS) [Off, (KT, EXT)]
      - S (AMS SW Start) [, 0, +]
      - B (AMS SW Break) [, 0, +]
    - 3163c: Time Mod. (Time Modulation)
      - AMS1 (Time Mod. AMS1) [Off, (EXT, KT)]
      - D (AMS1 SW Decay) [, 0, +]
      - S (AMS1 SW Slope) [, 0, +]
      - R (AMS1 SW Release) [, 0, +]
      - AMS2 (Time Mod. AMS2) [Off, (EXT, KT)]
      - D (AMS2 SW Decay) [, 0, +] S (AMS2 SW Slope) [, 0, +] R (AMS2 SW Release) [, 0, +]
    - 123456789
    - 63: UTILITY
      - Sync Both EGs
  - 64: Lvl/Pan 65: Mod. 66: EG
- 32PROG 7: EdArp/Ctrls
  - X50:
  - microX:
  - 71: Setup
    - 71a: Arpeggiator Setup
      - Pattern* [Preset-0...Preset-4, U000...U250]
      - X50:
      - Octave* [1, 2, 3, 4]
      - Reso (Resolution)* [ , , , , , ]
      - Gate [000...100(%), Step]
      - Velocity [001...127, Key, Step]
      - Swing [100...+100(%)]
      - Sort* [Off, On]
      - Latch* [Off, On]
      - Key Sync.* [Off, On]
      - Keyboard* [Off, On]
    - 3371b: Arpeggiator Tempo
    - 71: UTILITY
      - Copy Arpeggiator
      - X50:
    - 123456789
  - 3472: Zone
    - 72a: Scan Zone
    - 72: UTILITY
  - 73: Controls
    - 73a: Knob B Assign
    - X50: 73b: SW1/2 Assign
    - 73: UTILITY
- 35PROG 8: EdInsertFX
  - 81: BUS
    - 81a: BUS
      - BUS Select: BUS Select (All OSCs) [L/R, IFX, 1, 2, 1/2, Off]
      - MFX Send: OSC1 Send1 [000...127]
      - OSC1 Send2 [000...127]
      - OSC2 Send1 [000...127] OSC2 Send2 [000...127]
    - 81b: Use DKit Setting
      - Use DKit Setting [Off, On]
    - 81: UTILITY
      - X50:
    - 123456789
  - 3682: Setup
    - 82a: InsertFX Setup
      - IFX On/Off [Off, On]
      - Pan(CC#8) (Post IFX Pan CC#8) [L000...C064...R127]
    - 82b: Routing
    - 82: UTILITY
  - 83: IFX
    - 83: UTILITY
- 37PROG 9: EdMasterFX
  - 91a: Master Effect Setup
    - MFX1 On/Off, MFX2 On/Off [Off, On]
    - Master Effect 1, 2 [00...89: name]
    - Rtn 1, 2 (Return 1, 2) [000...127]
  - 91b: Chain
    - MFX Chain [Off, On]
    - Direction (Chain Direction) [MFX1MFX2, MFX2MFX1]
    - Signal (Chain Signal)[L/R Mix, L Only, R Only]
    - Level (Chain Level) [000...127]
    - Low [18.0...+18.0] Mid [18.0...+18.0] High [18.0...+18.0]
    - X50:
  - 3892: MFX 1 93: MFX 2
    - 123456789
402. Combination mode
- COMBI PAGE MENU
- COMBI 0: Play
  - 01: Combi
    - 01a: Bank, Combi Select, Category, Cat.Hold, 10s Hold, (Tempo)
      - Bank (Bank Select) [Bank AC]
      - X50:
      - microX:
      - Combi Select (Combination Select) [0...127: name]
      - Category [00...15: name]
      - microX: Category & Bank
      - X50: Cat.HOLD
      - X50: 10s HOLD
      - X50:
      - microX:
    - 4101b: Combination Information
      - X50:
      - microX:
      - Write Combination
      - Solo Selected Timbre
    - 123456789
  - 4202: Prog
    - 02a: Bank, Combi Select, Cat.Hold, 10s Hold, (Tempo)
    - 02b: Timbre Number & Category
      - Timbre Number & Category 1...8
    - 02c: Program Select, Program Name
      - Program Select [A000...g128]
      - Program Name
    - 02d: Selected Timbre Information
      - Timbre No.: Bank No., Prog No.: and name
      - Status (INT, Off, EXT, EX2)
      - Ch (01...16, Gch)
      - (Combi/Category, Prog T1...T8/Category)
  - 4303: Mix
    - 03a: Pan, Volume
      - Pan [RND, L001...C064...R127]
      - Volume [000...127]
    - 123456789
      - Hold Balance
  - 4404: Arp. A 05: Arp. B
    - 04(5)a: Arpeggiator Run, Timbre assign
      - Arpeggiator Run A, B (Run A, B) [Off, On]
      - Timbre assign
    - 04(5)b: Arpeggiator A(B)
      - Keyboard [Off, On]
    - 04(5): UTILITY
  - microX: 06: Ext. Control
    - 06a: External Control
    - 06: UTILITY
- COMBI 1:
- 45EdTone Adjust
  - 11: Prog
    - 11a: Program Select, Program Name
      - Program Name
  - 12: Mix
    - 12a: Pan, Volume
      - Pan
      - Volume
    - 12: UTILITY
  - 13: TA1 14: TA2 15: TA3
    - 13(4)(5)a: Destination 16, Value 16
      - Destination 16 [LPF FcReverse]
      - Value 16 [99+99, 12.00+12.00, 1200+1200, OffOn]
      - Destination 16 and Value 16
        LPF Fc (Low Pass Filter Cutoff Frequency) [99+00+99]
    - 46 123456789
    - 13(4)(5): UTILITY
  - 47COMBI 2: EdTimbre Param
    - 21: MIDI
      - 21a: Status, MIDI Channel, Bank(EX2) MSB/LSB
        Status [INT, Off, EXT, EX2]
        Bank(EX2) MSB [000:000...127:127] Bank(EX2) LSB [000:000...127:127]
    - 22: OSC
      - 22a: Force OSC Mode, OSC Select, Porta- mento
        Force OSC Mode [PRG, Poly, Mono, LGT]
        OSC Select [Both, OSC1, OSC2]
        Portamento [PRG, Off, 001...127]
      - 123456789
    - 4823: Pitch
      - 23a: Transpose, Detune, Bend Range
        Transpose [24+24]
        Detune (BPM Adj.) [1200...+1200]
        Bend Range [PRG, 24...+24]
      - 23: UTILITY
        Detune BPM Adjust
    - 24: Other
      - 24a: Delay [ms], Use Progs Scale
        Delay [ms] [00005000, KeyOff]
        Use Progs Scale [Off, On]
      - 24b: Combis Scale, Key, Random
        Type (Combis Scale) [Equal Temperament...User Octave15]
      - 24: UTILITY
- 49COMBI 3: EdMIDI Filter1
  - 31: MIDI 11
    - 31a: Program Change, After Touch
      - Program Change [Off, On]
      - After Touch [Off, On]
    - 31: UTILITY
    - 123456789
  - 5032: MIDI 12
    - 32a: Damper CC#64, Portamento SW CC#65
    - 32: UTILITY
  - 33: MIDI 13
    - 33a: JS+Y/M.Whl CC#01, JSY CC#02
    - 33: UTILITY
  - 34: MIDI 14
    - 34a: JSX/PBend as AMS, Ribbon CC#16
    - 34: UTILITY
- 51COMBI 4: EdMIDI Filter2
  - X50:
  - 43: MIDI 23
    - 41: MIDI 21
      - 41a: Real-time Control Knob 1, 2
        Knob1 [Off, On]
        Knob2 [Off, On]
    - 42: MIDI 22
      - 42a: Real-time Control Knob 3, 4
        Knob3 [Off, On]
        Knob4 [Off, On]
    - X50: 43: MIDI 23 (MIDI Filter23)
      - 43a: SW1, SW2
        SW1, SW2 [Off, On]
    - X50: 44: MIDI 24 (MIDI Filter 24) microX:
      - (MIDI Filter23)
      - 123456789
      - FootPedal/Switch [Off, On]
      - Other Ctrl Change [Off, On]
      - X50: 44/microX: 43: UTILITY
  - 52COMBI 5: EdKey Zone
    - 51: Key
      - 51a: Key Zone Map (1)
      - 51b: Top Key, Bottom Key
        Top Key [C1...G9]
        Bottom Key [C1...G9]
        X50:
      - 51: UTILITY
    - 52: Slope
      - 52a: Top Slope, Bottom Slope
        Top Slope [00...72]
        Bottom Slope [00...72]
      - 52: UTILITY
    - 53: Review
      - 53a: Key Zone Map (All)
        T1...T8
      - 53: UTILITY
  - 53COMBI 6: EdVel Zone
    - 61: Vel
      - 61a: Velocity Zone Map (1)
      - 61b: Top V elocity , Bottom Velocity
        Top Velocity [1127]
        Bottom Velocity [1127]
        X50:
      - 61: UTILITY
      - 123456789
    - 62: Slope
      - 62a: Top Slope, Bottom Slope
        Top Slope [000120]
        Bottom Slope [000120]
      - 62: UTILITY
    - 63: Review
      - 63a: Velocity Zone Map (All)
        T1...T8
      - 63: UTILITY
  - 54COMBI 7: EdArp/Ctrls
    - X50:
    - microX:
    - 71: Setup
      - 71a: Arpeggiator Run, (Tempo)
        Arpeggiator Run A, B (Run A, B) [Off, On]
      - 71b: Assign
        Assign [Off, A, B]
      - 71: UTILITY
        Copy Arpeggiator
    - 5572: Arp. A 73: Arp. B
      - 72(3)a: Arpeggiator-A(B) Setup
      - 123456789
      - 72(3)b: (Tempo)
      - 72(3): UTILITY
    - 5674: Zone
      - 74a: Scan Zone A/B
      - 74: UTILITY
    - 75: Controls
      - 75a: Knob B Assign
      - X50: 75b: SW1/2 Assign
      - 75: UTILITY
  - 57COMBI 8: EdInsertFX
    - 81: BUS
      - 81a: BUS Select, Send1(MFX1), Send2(MFX2)
        BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off]
      - 123456789
      - 81: UTILITY
        DKit IFX Patch (DrumKit IFX Patch)
    - 5882: Setup
      - 82a: EdInsertFX Setup
        IFX On/Off [Off, On]
        Pan(CC#8) [L000...C064...R127]
      - 82b: Control Channel
        Control Channel [Ch01...16, G ch, All Rt.]
      - 82c: Routing Map, BUS Select
        Routing Map
        T01...8: BUS Sel [DKit, L/R, IFX, 1, 2, 1/2, Off]
      - 82: UTILITY
    - 83: IFX
      - 83a: UTILITY
  - 59COMBI 9: EdMasterFX
    - 91a: MasterFX Setup
    - 91b: MasterFX Chain
    - 123456789
    - 91d: MEQ Ctrl
      - MEQ Ctrl (MEQ Control Ch) [Ch01...16, G ch]
    - 6092: MFX1 93: MFX2
      - 123456789
623. Multi mode
- 01a:
- MULTI PAGE MENU
- MULTI 0: Play
  - 01: Multi
    - Multi Select, Control Track, (Tempo)
      - Multi Select [000127: name]
      - 63Control Track [ T01T16: name]
      - (Tempo) [040240, EXT]
      - X50:
      - microX:
      - Multi Information X50:
      - microX:
      - Write Multi
      - Copy From Combi (Copy from Combination)
      - 123456789
        GM Initialize
        Rename Track
  - 6402: Prog..8 03: Prog..16
    - 02(3)a: Track Number & Category
      - Track Number & Category
    - 02(3)b: Program Select
      - X50: [AD 000...127, G...g 001...128: name] microX: [AE 000...127, G...g 001...128: name]
      - PLAY/MUTE [PLAY, MUTE]
    - 02(3)c: Selected Track Information
      - Selected Track Information
    - 02(3): UTILITY
  - 6504: Mix..8 05: Mix..16
    - 04(5)a: Pan, Volume
      - Pan [RND, L001...C064...R127]
      - Volume [000...127]
    - 123456789
    - 04(5): UTILITY
  - microX: 06: Ext. Control
    - 06a: External Control
    - 06: UTILITY
- 66MULTI 1: Tone Adjust
  - 11: TA1..8 12: TA1..16 13: TA2..8 14: TA2..16 15: TA3..8 16: TA3..16
    - 11(2)(3)(4)(5)(6)a: Destination 16, Value 16
      - Destination 16 [LPF FcReverse]
      - Value 16 [99+99, 12.00+12.00, 1200+1200, OffOn]
      - 67Destination 16 and Value 16
    - 123456789
      - Reverse [Off, PRG, On]
    - 11(2)(3)(4)(5)(6): UTILITY
- 68MULTI 2: Track Param
  - 21: MIDI..8 22: MIDI..16
    - 21(2)a: Status, MIDI Channel, Bank(EX2) MSB/LSB
      - Status [INT, Off, BTH, EXT, EX2]
      - MIDI Channel [0116]
      - Bank(EX2) MSB [000...127] Bank(EX2) LSB [000...127]
    - 21(2): UTILITY
  - 6923: OSC..8 24: OSC..16
    - 23(4)a: Force OSC Mode, OSC Select, Portamento
      - Force OSC Mode [PRG, Poly, Mono, LGT]
      - OSC Select [Both, OSC1, OSC2]
      - Portamento [PRG, Off, 001...127]
    - 23(4): UTILITY
  - 25: Ptch..8 26: Ptch..16
    - 25(6)a: Transpose, Detune, Bend Range
      - Transpose [24...+24]
      - Detune (BPM Adj.) [1200... +1200]
      - Bend Range [PRG, 24...+24]
    - 123456789
    - 25(6): UTILITY
      - Detune BPM Adj. (Detune BPM Adjust)
  - 7027: Othr..8 28: Othr..16
    - 27(8)a: Delay [ms] , Use Progs Scale
      - Delay [ms] [0000...5000, KeyOff]
      - Use Progs Scale [Off, On]
    - 27(8)b: Scale
      - Type (Multis Scale) [Equal Temperament...User Octave15]
    - 27(8): UTILITY
- 71MULTI 3: MIDI Filter1
  - 31: M11..8 32: 11..16
    - 31(2)a: Program Change, After Touch
      - Program Change [Off, On]
      - After Touch [Off, On]
    - 31(2): UTILITY
  - 33: 12..8 34: 12..16
    - 33(4)a: Damper CC#64, Portamento SW CC#65
      - Damper CC#64 [Off, On]
      - Portamento SW CC#65 [Off, On]
    - 33(4): UTILITY
  - 35: 13..8 36: 13..16
    - 35(6)a: JS+Y/M.Whl CC#01, JSY CC#02
      - JS+Y/M.Whl CC#01 [O ff, On] X50:
      - microX:
      - JSY CC#02 [Off, On] X50:
      - microX:
    - 123456789
    - 35(6): UTILITY
  - 37: 14..8 38: 14..16
    - 37(8)a: JSX/PBend as AMS, Ribbon CC#16
      - JSX/PBend as AMS [Off, On] X50:
      - microX:
      - Ribbon CC#16 [Off, On]
    - 37(8): UTILITY
- 72MULTI 4: MIDI Filter2
  - X50:
  - 41: M21..8 42: 21..16
    - 41(2)a: Realtime Control Knob 1, 2
      - Knob1 [Off, On]
      - Knob2 [Off, On]
    - 41(2): UTILITY
  - 43: 22..8 44: 22..16
  - X50:
  - microX:
  - X50:
  - microX:
  - 7345: 23..8
  - 47: 24..8
    - 46: 23..16
  - 48: 24..16
    - 45: 23..8
      - X50:
        43(4)a: Realtime Control Knob 3, 4
  - 46: 23..16
    - X50:
      - Knob3 [Off, On]
      - Knob4 [Off, On]
      - 43(4): UTILITY
        (MIDI Filter23 T0108)
        (MIDI Filter23 T0916)
      - 45(6)a: SW1, SW2
        SW1, SW2 [Off, On]
      - 45(6): UTILITY
        (MIDI Filter24 T0108)
        (MIDI Filter23 T0108)
        (MIDI Filter24 T0916)
        (MIDI Filter23 T0916)
      - X50: 47(8)a/microX: 45(6)a: Foot Pedal/ Switch, Other Control Change
        Foot Pedal/Switch [Off, On]
        Other Ctrl Change [Off, On]
      - X50: 47(8)/microX: 45(6): UTILITY
      - 123456789
- 74MULTI 5: Key Zone
  - 51: Key..8 52: Key..16
    - 51(2)a: Key Zone Map (1)
    - 51(2)b: Top Key, Bottom Key
      - Top Key [C1...G9]
      - Bottom Key [C1...G9]
      - X50:
    - 51(2): UTILITY
  - 53: Slp..8 54: Slp..16
    - 53(4)a: Top Slope, Bottom Slope
      - Top Slope [00...72]
      - Bottom Slope [00...72]
    - 53(4): UTILITY
  - 55: Review
    - 55a: Key Zone Map (All)
      - T1...T16
    - 55: UTILITY
  - 75MULTI 6: Vel Zone
    - 61: Vel..8 62: Vel..16
      - 61(2)a: Velocity Zone Map (1)
      - 61(2)b: Top V elocity , Bottom Velocity
        Top Velocity [001127]
        Bottom Velocity [001127]
        X50:
      - 61(2): UTILITY
    - 63: Slp..8 64: Slp..16
      - 63(4)a: Top Slope, Bottom Slope
        Top Slope [000120]
        Bottom Slope [000120]
      - 63(4): UTILITY
    - 65: Review
      - 65a: Velocity Zone Map (All)
        T1...T16
      - 65: UTILITY
      - 123456789
- 76MULTI 7: Arp/Ctrls
  - 71(2)a: Arpeggiator Run,
  - 71: Set..8 72: Set..16
    - (Tempo)
      - Arpeggiator Run A, B (Run A, B)
      - (Tempo) [040...240, (EXT)]
      - 71(2)b: Assign
        Assign [Off, A, B]
      - 71(2): UTILITY
  - 7773: Arp. A 74: Arp. B
    - 73(4)a: ArpeggiatorA (B) Setup
    - 73(4): UTILITY
  - 75: Zone
    - 75a: Scan Zone A/B
    - 75: UTILITY
    - 123456789
  - 7876: Controls
    - 76a: Knob B Assign
    - X50: 76b: SW1/2 Assign
    - 76: UTILITY
- 79MULTI 8: InsertFX
  - 81: BUS..8 82: BUS..16
    - 81(2)a: BUS Select, Send1(MFX1), Send2(MFX2)
      - BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off]
    - 81(2): UTILITY
  - 83: Setup
    - 83a: Insert FX Setup
      - IFX1 [Off, On]
      - Chain [ (Off), (ON)] Pan(CC#8) [L000...C064...R127]
    - 123456789
    - 83b: Control Channel
      - Control Channel [Ch01...16, All Rt.]
    - 83c: Routing Map, BUS Select
      - Routing Map
      - T01...16: BUS Sel[DKit, L/R, IFX, 1, 2, 1/2, Off]
    - 83: UTILITY
  - 84: IFX
    - 84: UTILITY
- 80MULTI 9: MasterFX
  - 91a: Master FX Setup
    - MFX1, 2 Control Ch [Ch01...16, G ch]
  - 91b: Master FX Chain
    - Low [18.0...+18.0] Mid [18.0...+18.0] High [18.0...+18.0]
  - 91d: MEQ Ctrl
    - MEQ Ctrl (MEQ Control Ch) [Ch01...16, G ch]
  - 8192: MFX1 93: MFX2
    - 123456
824. Global mode
- GLOBAL PAGE MENU
- GLOBAL 0: System
  - 01: Basic
    - 01a: Basic
      - Master Tune (Master Tune [Cent]) [50cent (427.47Hz)+50cent (452.89Hz)]
      - Key Transpose [12+12]
      - Velocity Curve [18]
      - microX: OCTAVE Keys [/]: Use Prog/ Combi/Multis Octave [Off, On]
    - 8301b: FX SW
      - IFX Off [Off, On]
      - MFX1 Off [Off, On]
      - MFX2 Off [Off, On]
    - 01c: Auto Arp. (Auto Arpeggiator)
      - Program (Auto Arp. Program) [Off, On]
      - Combi (Auto Arp. Combi) [Off, On]
      - Write Global Setting
      - 84Load Preload Data
      - microX:
      - Change all bank references
      - Half Damper Calibration
  - 8502: Pref.
    - 02a: System Preference
      - Multi Mode [for Ext-Seq, for Master]
      - Bank Map [KORG, GM]
      - X50:
      - microX:
      - Power On Mode [Reset, Memorize]
      - Page Menu Style [Icon, List]
    - 86 123456
      - LCD Contrast [062]
    - 02b: Memory Protect
      - Program [Off, On]
      - Combi (Combination) [Off, On]
      - Multi [Off, On]
      - Drum Kit [Off, On]
      - Arp. UsrPat (Arp. User Pattern) [Off, On]
      - microX: Ext. Control Setup [Off, On]
  - 8703: Foot
    - 03a: Damper/Assignable Foot Switch, Pedal
      - Foot SW Assign [Off...Tap Tempo]
      - Foot Pedal Assign [Off...Knob4]
      - Damper Polarity [() KORG Standard, (+)]
      - Foot Switch Polarity [() KORG Standard, (+)]
    - 123456
- 88GLOBAL 1: MIDI
  - 11: MIDI
    - 11a: MIDI Setup
      - MIDI Channel [0116]
      - About MIDI reception
      - MIDI transmission when this instruments controllers are operated
      - Note Receive [All, Even, Odd]
      - MIDI Clock [Internal, Ext-MIDI, Ext-USB, Auto]
      - RT (Realtime Command) [Off, On]
      - Convert Position [PreMIDI, PostMIDI]
      - Local Control On [Off, On]
    - 8911b: MIDI Filter
      - Enable Program Change [Off, On]
      - Bank (Bank Change) [Off, On]
      - Combi (Combi Change) [Off, On]
      - 90AfterT (After Touch) [Off, On]
      - Ctrl Change (Control Change) [Off, On]
      - Exclusive [Off, On]
      - Transmission
        Data dump transmission procedure
      - 91Reception
      - Data dump reception procedure
    - 123456
- 92GLOBAL 2: User Scale
  - 21: Octave
    - 21a: User Octave Scale
      - User Octave [00...15]
      - Tune [99+99]
      - X50:
      - Copy Scale
  - 22: All Notes
    - 22a: User All Notes Scale
      - Tune [99+99]
      - X50:
      - Key Select [C1...G9]
- 93GLOBAL 3: Category Name
  - 31: P .0..7 32: P .8..15 33: C.0..7 34: C.8..15
    - 31 (...4)a: Category
    - 31 (...4): UTILITY
- GLOBAL 4: DKit
  - 41: High
    - 41a: Drum Kit, Key, Assign, Level H, Level L, Vel. SW LH
    - 94 123456
      - Key [C1...G9]
      - X50:
      - Assign [Off, On]
      - Level H (Level High) [99...+99] Level L (Level Low) [99...+99]
      - Vel. SW LH (Velocity SW LoHi)[001...127]
      - X50:
    - 41b: High (High Sample)
      - Drumsample X50: [000517: name] microX: [000...928: name]
      - S.Ofs (Start Offset) [Off, On]
      - Rev (Reverse) [Off, On]
      - Trans (Transpose) [64...+63]
      - Tune [99...+99]
      - Fc (Cutoff) [64...+63]
      - Reso (Resonance) [64...+63]
      - At (Attack) [64...+63]
      - Dc (Decay) [64...+63]
  - 9542: Low
    - 42a: Low (Low Sample)
  - 43: Voice
    - 43a: Voice Assign Mode/Mixer
    - 123456
      - Enable Note On (Note On Receive)
      - Enable Note Off (Note Off Receive)
      - Mixer: Pan [Rndm, L001...C064...R127]
      - BUS (Bus Select) [L/R, IFX, 1, 2, 1/2, Off]
      - S1 (Send1 (MFX1)) [000...127] S2 (Send2 (MFX2)) [000...127]
    - 43: UTILITY
- 96GLOBAL 5: Arp.Pattern
  - 51: Setup
    - 51a: Arp, Pat (Pattern), (Tempo)
      - Arp (Arpeggio Select) [A, B]
      - Pat (Pattern) [Preset-0...Preset-4, U000...U250]
    - 9751b: Lgth, Reso, Oct, Sort, Latch, K.Sync, Kbd
      - Lgth (Length) [01...48]
      - Reso (Resolution) [ , , , , , ] Oct (Octave) [1, 2, 3, 4]
      - K.Sync (Key Sync.) [Off, On] Kbd (Keyboard) [Off, On]
    - 51c: Arpeggio Pattern Setup
      - Type (Arpeggio Type)[As Played...Up&Down]
        Example)
      - Octave Motion [Up, Down, Both, Parallel]
    - 51d: Fixed Note, Mode, Tone No., Fixed Note No.
      - Fixed Note [Off, On]
      - Mode (Fixed Note Mode) [Trigger As Played, Trigger All Tones]
        Example)
    - 123456
      - Tone No. [00...11]
      - Fixed Note No. [C1...G9]
      - X50:
    - 51: UTILITY
      - Write Arpeggio Patterns
      - Rename Arpeggio Pattern
      - Copy Arpeggio Pattern
  - 9852: Edit
    - 52a: Step, Ptch, Gt, Vel, Flam
      - Step (Step No.) [01...48]
      - X50:
      - Ptch (Pitch Offset) [48...+48]
      - Gt (Gate) [Off, 001...100%, LGT]
      - Vel (Velocity) [001...127, Key]
      - Flam [99...+99]
    - 99 52: UTILITY
      - Initialize Steps
      - Copy Step
      - Delete Step
      - Insert Step
      - Rotate Step
    - 123456
- 100microX: GLOBAL 6: Ext. Control
  - 61: A 62: B 63: C
    - 61(2)(3)a: Knob AB
    - 61(2)(3)b: Knob 1A1C, Knob 2A2C, Knob 3A3C, Knob 4A4C
      - CC Assign [Off, 000...119]
    - 61(2)(3): UTILITY
      - Write Ext. Control Setups
      - Reset Ext. Control Setup
    - DEMO
1025. Demo Song
- Demo Song
  - X50:
  - microX:
  - 01a: Location
    - Location
  - 01b:Demo Song Select, Play Mode, Repeat All
    - Demo Song Select [000... : name]
    - Play Mode [Continue to next song, Stop at end of selected song]
    - Repeat All [Off, On]
  - 01c: START, STOP
1046. Effect Guide
- Overview
  - 1. Effects in each mode
  - 2. Dynamic modulation
    - (p.104).
    - function (p.108).
  - 3. Effect I/O
    - Combination mode Multi mode
- 105Insert Effect
  - 1. In/Out
  - 2. Routing
    - 21. Program mode
    - 22. Combination, Multi mode
  - 1063. Mixer
    - 31. Pan (CC#8)
    - 32. BUS Select
    - 33. Send level
  - 4. Controlling the Insert Effects via MIDI
    - 41. Program mode
    - 42. Combination mode
    - 43. Multi mode
- 107Master Effects
  - 1. In/Out
  - 1082. Routing
    - 21. Program mode
    - 22. Combination, Multi mode
  - 1093. Mixer
    - 31. Rtn (Return1, Return2)
    - 32. MFX Chain
    - 33. Chain Direction
    - 34. Chain Signal
    - 35. Chain Level
    - 36. Master EQ Gain[dB]
  - 4. Controlling the Master Effects via MIDI
- 110Master EQ
  - MFX2
    - Chain
    - Oscillator 2
    - = L/R
  - Master EQ
    - Return1 / 2
  - Combination, Multi mode
- Individual Outputs
  - Pan Oscillator 1
  - Send1
  - IFX BUS
  - IFX MFX2
  - MFX1
    - (MAIN OUTPUT) L/MONO, R
    - IFX / Indiv.Out
    - Insert Effect Post IFX Pan(CC#8) BUS Select
    - Send2
    - Master Effects
    - (INDIVIDUAL OUTPUT) 1/2
    - = IFX
  - Effect / Mixer Block Diagram in Program Mode
    - PROG 8: Insert Effect
    - Post IFX Send1 / 2
    - PROG 9: Master Effect
    - MFX1
    - Master EQ
  - Effect / Mixer Block Diagram in Combination / Multi Mode
- 111Filter/Dynamic
  - Filter and dynamics control effects
  - 00: No Effect
  - 01: St.Amp Sim
    - (Stereo Amp Simulation)
  - 02: St.Compressor
    - (Stereo Compressor)
      - a: Envelope
      - b: Sensitivity, d: Level
      - c: Attack
      - This parameter controls the attack level.
  - 03: St.Limiter
    - a: Envelope
    - b: Ratio, c: Threshold, i: G.Adj
    - d: Attack, e: Release
    - f: Side PEQ Insert, h: EQ, h: Q, h: G
    - g: Trigger Monitor
  - 11204: Mltband Limit
    - (Multiband Limiter)
      - e: Low Offset, f: Mid Offset, g: High Offset
  - 11305: St.Gate
    - a: Envelope, b: Env. Dmod Src
    - f: Polarity
    - c: Threshold, d: Attack, e: Release
    - g: Delay
  - 06: OD/HiGain Wah
    - (Overdrive/Hi.Gain Wah)
      - a: Wah
      - The Wah parameter switches the wah effect on/off.
        a: (Sw)
      - Selects a lter type for Band 1 and 4.
      - b: SweepRng, b: Src
      - d: Drive, e: Level
      - d: Pre Low-cut
      - g: Q, h: Q
  - 11407: St.Para.4EQ
    - (Stereo Parametric 4-Band EQ)
      - b: B1 Type, c: B4 Type
      - d: B2 Dyn.G Src, d: (Amount), f: G
      - You can control the gain of Band 2 using the modulation source.
  - 11508: St.Graphic7EQ
    - (Stereo Graphic 7-Band EQ)
      - a: Type
  - 09: St.Wah/AutoW
    - (Stereo Wah/Auto Wah)
      - a: FreqBottm, a: FreqTop
      - b: Swp Mode
      - d: Envelope Sens
      - e: Envelope Shape
      - This parameter determines the sweep curve for auto-wah.
        f: lfoF, g: BPM/MIDI Sync
      - g: BPM, g: Base, g: Times
  - 11610: St.Rndm Filter
    - (Stereo Random Filter)
      - a: LFO Wave, c: Freq, d: Step
      - When LFO Wave is set to Random, the Step parameter uses a random LFO cycle.
      - f: BPM, g: StepBase, g: Times
      - j: W/D
  - 11711: St.Exct/Enhcr
    - (Stereo Exciter/Enhancer)
      - a: Blend
      - b: Point
      - c: Enh Dly L, d: Enh Dly R
  - 12: St.Sub OSC
    - (Stereo Sub Oscillator)
      - a: OSC Mode, b: Note Interval, c: Fine
      - e: Envelope Pre LPF
      - D
  - 11813: Talking Mod
    - d: Top, d: Center, d: Bottom
    - e: Formant Shift
    - h: Resonance
  - 11914: St.Decimator
    - a: Pre LPF
    - d: Resolution, e: Output Level
  - 15: St.AnalogRecd
    - (Stereo Analog Record)
      - b: Flutter
      - This parameter enables you to set the depth of the modulation caused by a warped turntable.
        h: ClickLvl
- 120Pitch/Phase Mod.
  - Pitch/phase modulation effects
  - 16: St.Chorus
    - e: L Dly, e: R Dly
    - Setting the left and right delay time individually allows you to control the stereo image.
  - 17: St.HarmnicCho
    - (Stereo Harmonic Chorus)
      - e: Hi/Lo Split
      - g: Feedback
  - 12118: MltTap ChoDly
    - (Multitap Chorus/Delay)
  - 19: Ensemble
    - c: Shimmer
  - 12220: St.Flanger
    - a: Shape
    - Changing the LFO waveform shape controls the peak sweep of anging effects.
      - g: Feedback, i: W/D
    - h: High Damp
  - 21: St.Rndm Flang
    - (Stereo Random Flanger)
  - 12322: St.Env.Flanger
    - (Stereo Envelope Flanger)
      - e: Swp Mode, e: Src
      - f: EG Attack, g: EG Decay
      - Attack and Decay speed are the only adjustable parameters on this EG.
  - 23: St.Phaser
    - g: Resonance, i: W/D
    - h: High Damp
  - 12424: St.Rndm Phasr
    - (Stereo Random Phaser)
  - 25: St.Env.Phaser
    - (Stereo Envelope Phaser)
  - 12526: St.BiphaseMod
    - (Stereo Biphase Modulation)
  - 27: St.Vibrato
    - b: LFO Freq Mod, f: AUTOFADE Src, g: Fade Rate, g: Dly
  - 12628: St.AutoFd Mod
    - (Stereo Auto Fade Modulation)
  - 29: 2Voice Reso
  - 12730: Doppler
  - 12831: Scratch
- 129Mod./P.Shift
  - Other modulation and pitch shift effects
  - 32: St.Tremolo
    - a: LFO Wave
  - 33: St.Env.Tremlo
    - (Stereo Envelope Tremolo)
      - e: Freq, e: (Envelope Amount), f: Depth, f: (Envelope Amount)
  - 13034: St.Auto Pan
    - a: Shape
    - You can change the panning curve by modifying the LFO wave- form.
    - You need to input different sounds to each channel in order for this parameter to be effective.
  - 35: St.Phasr+Trml
    - (Stereo Phaser + Tremolo)
      - a: Type, b: LFO Phase
      - f: P W/D, i: W/D
  - 13136: St.Ring Mod
    - (Stereo Ring Modulator)
      - a: Pre LPF
      - b: OSC Mode
      - This parameter determines whether or not the oscillator fre- quency follows the note number.
        c: F
      - This parameter sets the oscillator frequency when OSC Mode is set to Fixed.
        d: Note Offset, d: Fine
  - 13237: Detune
    - This parameter sets the dynamic modulation of the input level.
      - e: InLvl Mod, e: Src
  - 38: Pitch Shifter
    - a: Mode
    - b: Shift, b: (Source), b: (Amount), c: Fine, c: (Amount)
    - e: Feedback Position, f: Feedback
  - 13339: PitchShft Mod
    - (Pitch Shift Modulation)
      - a: Pitch Shift [cent], e: Depth
      - These parameters set the amount of pitch shift and amount of modulation by means of the LFO.
        f: Pan, g: W/D
  - 40: Rotary SP
    - a: (Sw)
- 134ER/Delay
  - Early reection and delay effects
  - 41: Early Reect
  - 13542: Auto Reverse
    - a: Rec Mode, b: Reverse Time
    - c: Envelope, c: Src, d: Threshold
    - When recording is completed, reverse playback starts immedi- ately.
  - 43: LCR Delay
    - e: HiDamp, e: LoDamp
    - g: Spread
  - 13644: St/Cross Dly
  - 45: St.MltTap Dly
    - (Stereo Multitap Delay)
      - a: Mode
      - d: Tap1 Level
  - 13746: St.Mod. Delay
    - (Stereo Modulation Delay)
      - b: Dmod
      - e: LFO Sync, e: Src, f: L Phase, f: R Phase
  - 47: St.DynamicDly
    - (Stereo Dynamic Delay)
      - a: Ctrl Target
      - a: Pol, b: Threshold, b: Offset, c: Attack, d: Release
  - 13848: St.AutoPanDly
    - (Stereo Auto Panning Delay)
      - This stereo delay effect pans the delay sound left and right using the LFO.
  - 49: LCR BPM Delay
    - (L/C/R BPM Delay)
      - a: BPM, b: L Bs, b: Times, c: C Bs, c: Times, d: R Bs, d: Times
      - f: Time Over? >
  - 13950: St.BPM Delay
    - This stereo delay enables you to set the delay time to match the song tempo.
      - f: Time Over? L >, f: R >
  - 51: Sequence Dly
    - This four-tap delay enables you to select a tempo and rhythm pattern to set up each tap.
      - a: BPM, a: Rhythm
- 140Reverb
  - Reverb effects
    - These effects simulate the ambience of reverberation in con- cert halls.
  - 52: Rev Hall
    - This hall-type reverb simulates the reverberation of mid-size concert halls or ensemble halls.
  - 53: Rev Smth. Hall
    - (Reverb Smooth Hall)
  - 54: Rev W et Plate
    - This plate reverb simulates warm (dense) reverberation.
  - 55: Rev Dry Plate
    - This plate reverb simulates dry (light) reverberation.
      - c: Pre Delay, d: Pre Delay Thru
      - The Pre Delay sets the delay time to the reverb input, allowing you to control spaciousness.
  - 14156: Rev Room
  - 57: Rev Brt. Room
    - (Reverb Bright Room)
      - g: ER Level, h: Reverb Level
- 142Mono Mono Chain
  - Effects that combine two mono effects con- nected in series
  - 58: P4EQExciter
    - (Parametric 4-Band EQ Exciter)
      - This effect combines a mono-type four-band parametric equalizer and an exciter.
  - 59: P4EQWah
    - (Parametric 4-Band EQ Wah/Auto Wah)
  - 14360: P4EQCho/Fl
    - (Parametric 4-Band EQ Chorus/Flanger)
      - This effect combines a mono-type four-band parametric equalizer and a chorus/anger.
        h: Out
  - 61: P4EQPhaser
    - (Parametric 4-Band EQ Phaser)
      - This effect combines a mono-type four-band parametric equalizer and a phaser.
  - 14462: P4EQM.Dly
    - (Parametric 4-Band EQ Multitap Delay)
      - This effect combines a mono-type four-band parametric equalizer and a multitap delay.
  - 63: CompWah
    - (Compressor Wah/Auto Wah)
      - This effect combines a mono-type compressor and a wah. You can change the order of the connection.
  - 14564: CompAmpSim
    - (Compressor Amp Simulation)
  - 65: CompOD/HG
    - (Compressor Overdrive/Hi.Gain)
  - 66: CompP4EQ
    - (Compressor Parametric 4-Band EQ)
  - 14667: CompCho/Fl
    - (Compressor Chorus/Flanger)
      - g: Out, h: [Routing]
  - 68: CompPhaser
    - (Compressor Phaser)
  - 14769: CompM.Dly
    - (Compressor Multitap Delay)
  - 70: LimitP4EQ
    - (Limiter Parametric 4-Band EQ)
  - 14871: LimitCho/Fl
    - (Limiter Chorus/Flanger)
  - 72: LimitPhaser
    - (Limiter Phaser)
  - 14973: LimitM.Dly
    - (Limiter Multitap Delay)
  - 74: ExctComp
  - 75: ExctLimiter
  - 15076: ExctCho/Fl
    - (Exciter Chorus/Flanger)
      - This effect combines a mono-type limiter and a phaser.
      - This effect combines a mono-type limiter and a chorus/ anger.
  - 77: ExctPhaser
  - 78: ExctM.Dly
    - (Exciter Multitap Delay)
      - This effect combines a mono-type exciter and a multitap delay.
  - 15179: OD/HGAmpSim
    - (Overdrive/Hi.Gain Amp Simulation)
      - tortion and an amp simulation. You can change the order of the effect connection.
  - 80: OD/HGCho/Fl
    - (Overdrive/Hi.Gain Chorus/Flanger)
      - tortion and a chorus/anger. You can change the order of the effect connection.
  - 15281: OD/HGPhaser
    - (Overdrive/Hi.Gain Phaser)
      - tortion and a phaser. You can change the order of the effect connection.
  - 82: OD/HGM.Dly
    - (Overdrive/Hi.Gain Multitap Delay)
      - tortion and a multitap delay.
  - 15383: WahAmpSim
    - (Wah/Auto Wah Amp Simulation)
  - 84: DeciAmpSim
    - (Decimator Amp Simulation)
  - 85: DeciComp
    - (Decimator Compressor)
  - 15486: AmpSimTrml
    - (Amp Simulation Tremolo)
      - This effect combines a mono-type amp simulation and a trem- olo.
  - 87: Cho/FlM.Dly
    - (Chorus/Flanger Multitap Delay)
      - This effect combines a mono-type chorus/anger and a mult- itap delay.
  - 15588: PhasrCho/Fl
    - (Phaser Chorus/Flanger)
      - This effect combines a mono-type phaser and a chorus/ anger.
  - 89: ReverbGate
    - This effect combines a mono-type reverb and a gate.
      - g: Envelope, g: Src, f: In Rev Mix, h: Threshold
- 156Master EQ
  - Master EQ
    - Use the 94 MasterFX MEQ page in the Program, Combina- tion, and Multi modes
1587. Appendices
- Alternate Modulation Source (AMS)
  - Alternate Modulation
  - About Alternate Modulation
  - About Alternate Modulation Sources
  - 159AMS (Alternate Modulation Source) List
    - X50: M.Whl&AT/2 microX: JS+Y&AT/2 (Joy Stick +Y & After Touch/2)
    - 160X50:
    - microX:
      - JSY&AT/2 (Joy StickY & After Touch/2)
    - X50:
    - microX:
      - Pedal #04 (Foot Pedal: CC#04)
      - SW 1 #80 (SW1 Mod.: CC#80) SW 2 #81 (SW2 Mod.: CC#81)
    - X50:
      - Foot SW #82 (Foot Switch: CC#82)
  - 161Alternate Modulation settings
    - Notes for the table on the lower right
  - The effect of alternate modu- lation on various parameters, and example applications
    - Pitch (PROG 21a)
    - Pitch EG Intensity (PROG 21b)
    - Pitch LFO1/2 Intensity (PROG 22a)
    - 162Filter (Cutoff) Frequency (PROG 41b, 51b)
    - Resonance (PROG 41b)
    - Filter EG Intensity (PROG 42b)
    - Filter LFO 1/2 Intensity (PROG 44a)
    - 163Amp (PROG 62(5)b)
    - Amp LFO 1/2 Intensity (PROG 62(5)b)
    - Pan (PROG 61(4)b)
    - EG Level Pitch EG (PROG 25b) Filter EG (PROG 45b, 55b) Amp EG (PROG 63b)
    - EG Time Pitch EG (PROG 25c) Filter EG (PROG 45c, 55c) Amp EG (PROG 63c)
    - LFO Frequency (PROG 31b)
- 164Dynamic Modulation Source (Dmod)
  - D
  - 165Dynamic Modulation Source List
    - Gate1, G1+Dmp (Gate1+Damper)
    - Gate2, G2+Dmp (Gate2+Damper)
    - Pdl#4 (Foot Pedal: CC#04)
    - SW1#80 (SW1 Mod.: CC#80) SW2#81 (SW2 Mod.: CC#81)
    - 166X50:
      - FSW#82 (Foot Switch: CC#82)
      - Tempo
  - 167About the BPM/MIDI SYNC function
    - Example 1. LFO
    - Example 2. Delay Time
- 168X50: SW1/2 Assign
  - SW1, SW2 Assign List
    - SW1 Mod.(CC#80) (SW1 Modulation:CC#80) SW2 Mod.(CC#81) (SW2 Modulation:CC#81)
    - Porta.SW(CC#65) (Portamento Switch:CC#65)
    - Pitch Bend Lock
- 169Knob 1...4 B Assign
  - Realtime Control Knobs B Assign List
- 171Foot Switch Assign
  - Foot Switch Assign List
    - Portamento SW (CC#65)
- 172Foot Pedal Assign
  - Foot Pedal Assign List
- 173MIDI transmission when the X50/microXs control- lers are operated
  - Combination mode
  - Multi mode
- 175X50/microX operations when control changes are transmitted/received
  - movements on this instrument
  - 176CC#70: Sustain level
  - CC#71: Filter resonance level/High pass lter cutoff frequency
  - CC#72: Release time
  - CC#73: Attack time
  - CC#74: Low pass lter cutoff frequency
  - CC#75: Decay time
  - CC#76: LFO1 speed
  - CC#77: LFO1 depth (pitch LFO1 intensity)
  - CC#78: LFO1 delay
  - CC#79: Filter EG intensity
- 178MIDI applications
  - Messages transmitted and received by this instrument
    - MIDI channels
      - Program mode
      - Combination mode
      - Multi mode
    - Note on/off
      - Note-on [9n, kk, vv] Note-off [8n, kk, vv]
    - Program Change/Bank Select
      - Changing the program/bank
        Program change [Cn, pp]
        Bank select MSB (CC#0) [Bn, 00, mm], Bank select LSB (CC#32) [Bn, 20, bb]
        Program mode
        Combination, Multi mode
      - Selecting combinations
    - 179 After touch
      - Channel after touch [Dn, vv]
      - Polyphonic key pressure [An, kk, vv]
    - Pitch bender
      - Pitch bend change [En, bb, mm]
      - X50:
      - microX:
    - Control change
      - [Bn, cc, vv]
      - Selecting program/combination banks
        Bank select (CC#00, CC#32)
      - Using the [MOD] wheel, joystick to apply modulation
        Modulation 1 depth (CC#01) [Bn, 01, vv]
      - X50:
      - microX:
        Modulation 2 depth (CC#02) [Bn, 02, vv]
      - X50:
      - 180microX:
      - Controlling the portamento effect
        Portamento time (CC#05) [Bn, 05, vv]
        Portamento switch (CC#65) [Bn, 41, vv]
      - Controlling the volume
        Volume (CC#07) [Bn, 07, vv]
        Expression (CC#11) [Bn, 0B, vv]
      - Controlling panning (stereo position)
        Pan (CC#10) [Bn, 0A, vv]
        Post insert effect pan (CC#08) [Bn, 08, vv]
      - Effect control
        Effect control 1 (CC#12) [Bn, 0C, vv] Effect control 2 (CC#13) [Bn, 0D, vv]
        Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv] Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]
      - 181Using various controllers for control
        Foot controller (CC#04) [Bn, 04, vv]
        Controller (CC#83) [Bn, 53, vv]
        SW1 modulation (CC#80) [Bn, 50, vv] SW2 modulation (CC#81) [Bn, 51, vv]
      - X50:
      - microX:
        Foot switch (CC#82) [Bn, 52, vv]
        Damper pedal (CC#64) [Bn, 40, vv]
        Sostenuto (CC#66) [Bn, 42, vv]
        Soft pedal (CC#67) [Bn, 43, vv]
      - Using the controllers of a connected MIDI instrument such as the TRITON Extreme
        Ribbon Controller (CC#16) [Bn, 10, vv]
        Controller (CC#18) [Bn, 12, vv]
      - Controlling the tone/envelope of a program
      - Silencing all notes on a specic channel
        All note off (CC#123) [Bn, 7B, 00] (value 00)
        All sound off (CC#120) [Bn, 78, 00] (value 00)
      - Resetting all controllers on a specic channel
        Reset all controllers (CC#121) [Bn, 79, 00] (value 00)
    - 182 Using RPN to edit
      - Tuning
        RPN ne tune [Bn, 65, 00, 64, 01]
      - Transposing
        RPN coarse tune [Bn, 65, 00, 64, 02]
      - Changing the pitch bend range
        RPN pitch bend range [Bn, 64, 00, 65, 00]
    - 183 Controlling the arpeggiator (NPRN)
      - NRPN arpeggiator on/off [Bn, 63, 00, Bn, 62, 02, Bn, 06, mm]
      - NRPN arpeggiator gate control [Bn, 63, 00, Bn, 62, 0A, Bn, 06, mm]
      - NRPN arpeggiator velocity control [Bn, 63, 00, Bn, 62, 0B, Bn, 06, mm]
    - About system exclusive messages
      - Universal system exclusive
        GM system on [F0, 7E, nn, 09, 01, F7]
        Master volume [F0, 7F, nn, 04, 01, vv, mm, F7]
        Master balance [F0, 7F, nn, 04, 02, vv, mm, F7]
        Master ne tuning [F0, 7F, nn, 04, 03, vv, mm, F7]
        Master coarse tuning [F0, 7F, nn, 04, 04, vv, mm, F7]
      - 184Transmitting sound settings data (Data Dump)
      - Editing sounds etc.
        Parameter changes
        Drum kit parameter change/User arpeggio pattern parameter change
    - 185 If notes are stuck
    - Playing the X50/microX multi-timbrally from an external device
    - Synchronizing the playback of the arpeggiator
      - Using this instrument as master and the computer as slave
      - Using the computer as master and this instrument as slave
    - Recording the arpeggiator on an external MIDI sequencer/computer
      - Setting example 1
      - Setting example 2
    - 186 About GM/GS/XG
      - Converting the GS/XG bank/program maps to the GM2 bank/program map
      - Support for GS/XG part mode exclusive mes- sages
      - Support for NRPN messages used in GS/XG music data
    - About standard MIDI les
- 187Various messages
  - A
    - Are you sure?
  - C
    - Cant calibrate Completed
  - M
    - Memory protected MIDI data receiving error
  - N
    - Now Writing into internal memory
    - Now receiving MIDI data
    - Now transmitting data
      - 188X50, microX MUSIC SYNTHSIZER MIDI IMPLEMENTATION
- 191Index
  - Numerics
  - A
  - B
  - C
  - D
  - E
  - F
  - G
  - 192H
  - I
  - K
  - L
  - M
  - O
  - P
  - R
  - 193S
  - T
  - U
  - V
  - W
  - X
  - 194IMPORTANT NOTICE TO CONSUMERS

132 pages4.11 Mb

ii
2 Precautions
- CE mark for European Harmonized Standards
- THE FCC REGULATION WARNING (for U.S.A.)
- Keeping foreign matter out of your equipment
- Keep this manual
- Care
- Handling
- Interference with other electrical devices
- Power supply
- Location
3About this manual
- MIDI-related explanations
- Example screen displays
- Note
- Symbols , ,
- Procedure steps 1. 2. 3.
- Abbreviations for the manuals OG, PG
- Conventions in this manual
  - Parameter Guide
  - Operation Guide
- iii
- The owners manuals and how to use them
- iv
4 Table of Contents
- .57
- Playing and Editing Combinations
- Playing and Editing Programs.......37
- Setup................................................23
- Introduction ......................................9
- Quick Start.........................................1
- 5
- Using and Editing Multi sets.......... 69
  - Saving data ............................................... 115
- Appendices...................................115
- Other functions ............................ 111
- Using Drum Kits............................ 107
- Arpeggiator settings...................... 91
- Global Mode ................................... 87
- Effects settings ............................... 79
  - MIDI considerations ................................... 69
- v
7 Quick Start
- Setup
- - 2
- 8
  - Selecting programs by bank and number
- Playing programs and combinations
  - - 123 5 4
  - 9
  - electing programs by category
    - S
  - 3
  - - 31 42
  - 104
  - Selecting combinations by bank and number
    - Selecting combinations by category
    - 123 4
  - 11
    - REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
    - [PITCH] wheel, [MOD] wheel
  - 5
  - Using controllers to modify the sound
  - 137
  - Using the arpeggiator
    - Using the realtime controllers to control the arpeggiator
    - Changing the arpeggio pattern
  - 8
- 14Listening to the demo songs
  - 12, 3
  - 4.154.2
  - Changing the play mode
  - 9
15Introduction
- Main features
  - High-quality sound featuring the HI synthesis system
    - Tone generator section:
    - Filter/synthesis section:
    - Effect section:
    - Alternate Modulation and Effect Dynamic Modulation:
  - A great selection of 512 programs
    - Programs using multisamples that pro- vide a broad range of sounds
    - Drum programs that support any style of rhythm part
  - 1610
  - 384 different combinations let you freely combine programs
  - Effects that can creatively manipu- late the sound or generate subtle ambience
  - 4 channel audio outputs
  - Multi mode plays multiple tracks of data from an external sequencer
  - Dual polyphonic arpeggiator
  - Direct USB connection to your com- puter
  - X50 Plug-In Editor supports editing from within your DAW software
- 17Front and rear panel
  - Front panel
    - 181. [PITCH] wheel, [MOD] wheel
    - 2. [SW1], [SW2]
    - 3. [VOLUME] slider
    - 4. REALTIME CONTROLS
      - [SELECT] button [1][4] knob
    - 5. Arpeggiator
      - [ARP ON/OFF] button
    - 6. MODE
      - [COMBI] button [PROG] button [GLOBAL] button [MULTI] button
    - 7. Display
    - 8. CATEGORY
      - [CATEGORY] button
    - 9. AUDITION, Demo Song Player
      - [AUDITION] button
      - Demo song player
    - 10. VAL UE controllers
      - [VALUE] dial
    - [INC], [DEC] buttons Numeric buttons [0][9], [] button, [./HOLD] button, [ENTER] button
      - Front panel
    - 1911. PAGE, CURSOR
      - [PAGE+][PAGE] buttons
      - ClickPoint
      - [MENU/OK] button
      - [EXIT/CANCEL] button
    - 12. BANK SELECT
      - PROG BANK [A], [B], [C], [D], [GM] buttons COMBI BANK [A], [B], [C] buttons
    - 13. UTILITY, COMPARE
      - [UTILITY] button
      - [COMPARE] button
    - 14. Headphone jack
  - 20Rear panel
    - 4 35
      - 1. AUDIO OUTPUT
      - 2. PEDALS
      - 3. MIDI
      - 4. USB
      - 5. Power supply
    - 1 2
      - Objects in the Display and their functions
  - 21Objects in the Display and their functions
    - a: Current page
    - b: Tab
    - c: Parameters
    - d: Edit cell
    - e: Check box
    - * Utility menu
    - * Dialog boxes
    - * Text dialog box
    - * Function buttons
    - 22* Scroll bar
    - * Page menu
    - * Other objects
      - Basic Information
- 23Basic Information
  - About the X50 modes
    - Program mode
    - Combination mode
    - Multi mode
    - Global mode
      - 24PROGRAM MODE
      - MULTI MODE
      - COMBINATION MODE GLOBAL MODE
      - Basic operations
    - 19
  - 25Basic operations
    - 1. Selecting modes
    - 2. Selecting pages
      - Selecting a page
        Using the page menu to move
        Using the [MENU/OK] button + [PAGE+][PAGE] buttons to move
    - 2620
      - Using the [MENU/OK] button + numeric buttons [0][9] buttons to move
      - [EXIT/CANCEL] button
      - Selecting tabs
        [PAGE+][PAGE] buttons
    - 3. Selecting a parameter and editing the value
      - VALUE controllers
        [VALUE] dial
        [INC], [DEC] buttons
        ClickPoint
        Numeric buttons [0][9], [] button, [./HOLD] button, [ENTER] button
        Basic operations
    - 2721
      - [ENTER] button + keyboard (note name or velocity input)
      - PROG BANK [A], [B], [C], [D], [GM] buttons COMBI BANK [A], [B], [C] buttons
      - [COMPARE] button
    - 4. Selecting and executing a Utility function
    - 2822
    - 5. Writing (saving)
29Setup
- Turning the power on/off
  - Connecting the AC adapter
  - Turning the power on
  - 30Turning the power off
    - Connections
    - 25
- 31Connections
  - Basic connections
    - Connecting audio output devices
      - Connecting the MAIN OUTPUT L/MONO and R
      - Connecting INDIVIDUAL OUTPUT 1 and 2
    - 26
      - Headphones
  - 32Connecting a damper pedal, foot switch, or foot pedal
    - Connecting a damper pedal
    - Connecting a foot switch
    - 27
    - Connecting a foot pedal
  - 33Connecting a computer
    - Operating requirements for the KORG USB-MIDI Driver and the edi- tor software
      - Contents of the CD-ROM
        Please note before use
      - KORG USB-MIDI Driver operating requirements
        Windows:
    - 3428
      - Macintosh:
      - X50 Editor/Plug-In Editor operating requirements
        Windows:
        Macintosh:
    - Windows XP: Installing the KORG USB-MIDI Driver and the editor software
      - microX/X50 application installation
      - 35Setting up the KORG USB-MIDI Driver
    - 3630
      - About the X50 and driver ports
      - Setting up the X50 Editor/Plug-In Editor
    - Mac OS X: Installing the KORG USB-MIDI driver and editor software
      - Installing the KORG USB-MIDI Driver
    - 3731
      - About the X50 and driver ports
      - Installing the X50 Editor/Plug-In Editor
      - Setting up the X50 Editor/Plug-In Editor
    - Connecting via the X50s USB con- nector, and setting-up
      - USB connector (for connecting to com- puter)
    - Connecting to your computer via MIDI
    - 3832
    - Global mode settings on the X50
      - Local Control On settings
      - MIDI Filter Exclusive setting
      - The Convert Position setting
      - 39Multi Mode setting
      - Making settings in Global mode
    - 34
    - Example connections when using the X50 Editor/Plug-In Editor
  - 40Connecting MIDI devices
    - About MIDI
    - MIDI connectors
      - MIDI IN:
      - MIDI OUT:
    - Controlling an external MIDI tone generator from X50
      - Connecting MIDI devices
    - 4135
    - Controlling X50s tone generator from an external MIDI device
    - Controlling two or more external MIDI tone generators from X50
    - Connecting an external MIDI sequencer
    - 37
43Playing and Editing Programs
- Whats a Program?
- Playing programs
  - Selecting programs
    - Selecting programs from the front panel
    - 4438
      - Auditioning the sound
      - Overview: Program Banks
    - Selecting by Category
      - Selecting programs by category
      - Using Cat.HOLD to select by category
        Selecting programs
    - 4539
    - Using 10s HOLD to select programs
    - Using a footswitch to select Pro- grams
    - Using MIDI program change mes- sages to select programs
      - MIDI channel setting
    - 4640
      - Selecting programs
    - Keyboard
      - Velocity
        Using Controllers
    - 4741
      - Note Number
    - [PITCH] wheel, [MOD] wheel
    - SW1, SW2
    - REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
    - 4842
    - Using the pedals for control
      - Damper Pedal (Sustain)
        Damper Switch vs. Half-Damper
      - Assignable Foot Switch
      - Assignable Foot Pedal
    - Sending MIDI information from the various controllers
      - Simple program editing
- 49Simple program editing
  - Performance Edit
  - REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
    - 5044
    - A-mode controls
      - LPF
      - Knob [1]: LPF CUTOFF
      - Knob [2]: RESONANCE/HPF
      - Knob [3]: EG-INTENSITY
      - Knob [4]: EG-RELEASE
        Saving your edits
    - 5145
    - B-mode controls
    - C-mode control
- 52Detailed Editing with Programs
  - Before you begin editing
    - The three attributes of sound: pitch, tone, and volume
    - The X50s oscillator, lter , and amp
    - EG, LFO, keyboard tracking, AMS, Dmod, controllers
    - OSC 1/2
    - EFFECTS
      - Basic oscillator settings
    - 47
      - ARPEGGIATOR
    - Comparing (original and edited
  - 53Basic oscillator settings
    - Program type setting (single, dou- ble, drum kit)
      - Polyphony
    - 5448
    - Polyphonic/monophonic playing
    - Working with Multisamples
      - What is a multisample?
      - Multisamples and Drum Kits
      - Selecting Multisamples
        Basic oscillator settings
    - 5549
      - Reverse check box
        this.
      - Using oscillators 1 and 2 to create a detuned sound
      - Using velocity to switch between oscil- lator 1 and 2
    - Copying settings between OSC1 & OSC2
    - Assigning a drum kit
      - What is a drum kit?
    - 50
      - Selecting a drum kit
    - 56Using LFOs and Envelopes (EGs)
      - Using LFOs
        Basic LFO settings
        Using Alternate Modulation
      - 51
        Frequency Modulation
        MIDI/Tempo Sync.
      - EGs (Envelope Generators)
  - 57Using Alternate Modulation
    - Suggestions on using AMS
  - Controlling Pitch
    - Varying the pitch according to key- board position (Pitch Slope)
    - 52
    - Modulating the pitch
      - Pitch bend
      - Portamento
      - Creating Vibrato
      - Pitch EG
  - 58Using Filters
    - Using Filters
    - 5953
    - Filter Types
      - Low pass lter
      - High pass lter
    - Resonance
    - Selecting a lter to modify the tone
    - 6054
    - Modulating the lters
      - Keyboard Track
      - Filter EG
      - LFO modulation
      - AMS modulation
        Using the Amp section
    - 55
  - 61Using the Amp section
    - Setting the basic amp level
    - Applying modulation to the amp
      - Keyboard Track
      - Velocity (Amp Modulation)
      - LFO1/2 Mod.
    - Amp EG (Amp Envelope Generator)
      - 62Pan AMS and Intensity
      - Pan - Use DKit Setting
    - 57
63Playing and Editing Combinations
- Whats a Combination?
- Playing combinations
  - Selecting combinations
    - Selecting combinations from the front panel
    - 6458
      - Auditioning the sound
      - Overview: Combination Banks
    - Selecting by Category
    - Using 10s HOLD to select combina- tions
    - Using a footswitch to select Combi- nations
    - Using MIDI program changes to select combinations
      - Switching combinations via MIDI
      - Switching the program of a timbre via MIDI
        Using Controllers
    - 6559
    - Sending MIDI information from the various controllers
    - 60
- 66Simple combination editing
  - Changing the programs within the Combination
    - Selecting programs from the front panel and LCD
      - Listening to the program sound of just one timbre
    - Receiving MIDI program changes to switch timbre programs
  - Adjusting a timbres pan and volume
    - REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
    - 61
    - Adjusting the volume
      - Adjusting the volume while preserving the volume balance between timbres
  - 67REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
    - 62
- 68Detailed Editing with Combinations
  - Before you begin editing
    - Overview of Combi mode parame- ters
      - Select a program for each timbre
      - Status and MIDI settings
      - Layer, split, and velocity switch
      - Adjust the programs so that they t within the combination
      - Effects
      - Arpeggiator
        Selecting a program for each timbre
    - 63
    - Comparing (original and edited
  - 69Selecting a program for each timbre
  - Status and MIDI settings
    - Status and MIDI channel
      - Status
      - Bank Select (when status=EX2)
      - MIDI Channel
    - 64
    - MIDI lter settings
  - 70Layers, Splits, and Velocity switches
    - Layer
    - Split
    - Velocity Switch
      - Layers, Splits, and Velocity switches
    - 7165
    - Creating Key Splits and Layers
      - Key Zone Slope
    - Creating Velocity Switches
    - 66
      - Velocity Zone Slope
  - 72Altering Programs to t within a Combination
    - Specifying how the timbre will sound
      - Force OSC Mode
      - OSC Select
      - Portamento
        Altering Programs to fit within a Combination
    - 7367
    - Adjusting the pitch
      - Transpose, Detune (BPM Adjust)
      - Adjusting the BPM of multisamples
      - Specifying the range of pitch change controlled by the [PITCH] wheel
    - Delay and scale settings
      - Delay
      - Use Programs Scale
    - Editing Programs with Tone Adjust
    - 69
75Using and Editing Multi sets
- The Multi Mode setting
- MIDI considerations
  - Selecting a multi set
    - Selecting multi sets from the front panel
    - 70
    - Other ways to select a multi set
  - 76Assigning a program to a track, and setting the volume and pan
    - Selecting a track program from the X50
    - Checking the sound of a track
      - Playing the X50s keyboard to hear the sound
      - Receiving MIDI data from an external sequencer to play the X50
    - Silencing a specic track (Mute)
      - Assigning a program to a track, and setting the volume and pan
    - 7771
    - Adjusting the volume
    - Status and MIDI channel
      - Status
      - Bank select (when Status = EX2)
      - MIDI channel
    - MIDI lter settings
  - 78Copying the settings of a combination to a multi set
    - What you can do in Multi mode
    - 73
  - 79What you can do in Multi mode
    - Overview of Multi set parameters
      - Select a program for each track
      - Status and MIDI settings
      - Adjust the programs so that they t within the multi set
      - Layer, split, and velocity switch
      - Effects
      - Arpeggiator
  - 80Altering Programs to t within a Multi set
    - Layers, Splits, and Velocity Switches
  - 81Layers, Splits, and Velocity Switches
  - 82Control via MIDI
    - Parameters and performance data
      - MIDI tracks 116
      - Performance data
    - Tempo*
    - Default Settings in Multi Mode
      - Control via MIDI
    - 8377
    - Selecting a multi set
    - Switching the program assigned to a track via MIDI
    - MIDI control from the X50s control- lers
    - Other MIDI control
    - 79
85Effects settings
- Effects in each mode
  - Program mode
  - Combination mode, Multi mode
- Effect types
  - Filter and dynamics control effects
  - 8680
  - Pitch/phase modulation effects
  - Other modulation and pitch shift effects
  - Early reection and delay effects
  - Reverb effects
  - Effects that combine two mono effects connected in series
    - Effect settings for a program
  - 81
- 87Effect settings for a program
  - Routing
  - 8882
  - Selecting an insert effect, and rout- ing after the insert effect
    - Effect settings for a program
  - 8983
  - Selecting master effects, and chain settings
    - If this is Off, the output of the master effect will be muted.
  - 84
- 90Effect settings in combina- tion, and Multi
  - Routing
  - Selecting an insert effect, and rout- ing after the insert effect
    - Dynamic modulation and BPM/MIDI Sync.
  - 85
  - Specifying the MIDI channel that will control effects
    - Insert effect
    - Master effects
- 91Dynamic modulation and BPM/MIDI Sync.
  - Using dynamic modulation to con- trol effects in realtime
    - Moving the [MOD] wheel to vary the delay level via Dmod
    - Using the Dmod function and [SW1] to vary the feedback level
  - 86
  - Using the BPM/MIDI Sync. function to synchronize the delay time to arpeggiator tempo changes.
- 92Saving edited effect settings
- Bypassing the insert effect or the master effects
  - 87
93Global Mode
- How Global mode is struc- tured
- System setup 0: System
  - Basic Page
    - Tuning to another instrument/Trans- posing
    - Adjusting the way in which velocity will affect the volume or tone
    - Bypassing the effects
      - Global Mode
    - 88
    - Linking the arpeggiator to programs and combinations
  - 94Preference Page
    - Recalling the last-selected mode and page at power-on
    - Protecting the memory
  - Foot Page
    - Specifying the function of the ASSIGNABLE Switch and ASSIGN- ABLE Pedal
      - Assignable Switch
      - Assignable Pedal
        MIDI-related settings 1: MIDI
    - 89
- 95MIDI-related settings 1: MIDI
  - MIDI Setup, MIDI Filter
- Creating user scales 2: User Scale
  - Creating an original scale, and assigning it to a Program
    - Global Mode
  - 90
- 96Setting category names 3: Category Name
  - Program, Combination Category
- Saving the global settings
- Drum kit 4: DKit, Arpeggiator 5: Arp.Pattern settings
  - 91
97Arpeggiator settings
- Arpeggiator features in Program mode
  - Using the arpeggiator in Program mode
  - Arpeggio controllers
    - Arpeggiator on/off (ARP ON/OFF)
  - 9892
    - Adjusting the arpeggiator tempo (TEMPO)
    - Adjusting the length of the arpeggiated notes (ARPGATE)
    - Adjusting the level of the arpeggiated notes (ARP-VELOCITY)
    - Changing the length of the arpeggio pattern (ARP-LENGTH)
    - Saving your settings
  - Editing arpeggio settings that appear in the display
    - Arpeggiator features in Program mode
    - 99Editing in the PROG 0: Play, Arp. Play page
    - Selecting an arpeggio pattern (Pattern)
    - Changing the timing value of the arpeg- giated notes (Resolution)
    - Selecting the octave range of the arpeg- giated notes (Octave)
    - 100Selecting the playback order of the arpeggiated notes (Sort)
    - Letting the arpeggio continue playing even after you take your hand off the keyboard (Latch)
    - Synchronizing the arpeggiator to your keyboard timing or to the tempo (Key Sync.)
    - Editing in the PROG 7: EdArp/Ctrls, Setup page
    - Setting the duration of the arpeggiated notes (Gate)
      - The arpeggiator in Combination and Multi modes
  - 95
    - Setting the velocity of the arpeggiated notes (Velocity)
    - Making the arpeggio pattern shufe (Swing)
    - Editing in the PROG 7: EdArp/Ctrls, Scan- Zone page
    - Specifying the range of notes in which the arpeggiator will operate (Key Btm, Key Top)
    - Specifying the range of velocities in which the arpeggiator will operate (Vel Btm, Vel T op)
  - Writing (saving) the arpeggiator set- tings
  - Linking the arpeggiator to a program
- 101The arpeggiator in Combina- tion and Multi modes
  - Using the arpeggiators as you play in Combination mode
  - 10296
  - Editing arpeggio settings that appear in the display
    - Select the arpeggiator(s) that will run
      - Arpeggiator-A, Arpeggiator-B
    - Checking the structure of a user arpeg- gio pattern
      - The arpeggiator in Combination and Multi modes
  - 10397
  - Dual polyphonic arpeggiator set- tings
    - Arpeggiator on/off
    - Arpeggiator settings
  - 10498
    - Setting examples
      - Combination A021: Urban Nature RnB
      - Combination B071: In The Pocket
  - Writing the arpeggiator settings
  - Linking the arpeggiator to the com- bination
  - 99
- 105Creating a user arpeggio pat- tern
  - Memory structure for the arpeggio patterns
  - Changing the memory protect set- ting
  - Saving and comparing data
  - Caution when the arpeggiator is used by multiple programs or combi- nations
  - Initializing an arpeggio pattern
  - 106100
  - Editing a user arpeggio pattern in Program mode
    - 107Creating an example pattern
  - 108102
  - Other examples of creating a user arpeggio pattern
    - Chordal pattern
    - Melody pattern
    - Drum pattern
  - 104
  - Dual polyphonic arpeggiator editing in Combi and Multi modes
  - Assigning a name
- 110Saving a user arpeggio
  - Synchronizing the arpeggiator
  - 105
  - 111Synchronizing the arpeggiator
    - Synchronization between arpeggia- tors A and B
    - Synchronization with an external sequencer in Program, Combination, or Multi modes
      - When the X50 is the master
      - When the X50 is the slave
        Synchronization to external MIDI clock
        Synchronization to the MIDI Start mes- sage
    - 107
113Using Drum Kits
- What is a Drum Kit?
  - Drum Kit memory structure
  - Drum Kit Programs and Oscillator Mode
- Before you start editing
  - First, select a Drum Program
  - Match the note mapping and key position for the drum kit
  - Check the memory protect setting
    - Using Drum Kits
  - 108
  - Saving and comparing data
  - Caution when a drum kit is used by more than one program
- 114Editing Drum Kits
  - Basic Editing
  - Placing drum samples
    - Editing Drum Kits
  - 115109
  - Fine-tuning the sound of each sam- ple
  - Using Exclusive Groups
  - Using Hold
    - Using Drum Kits
  - 110
  - Controlling effects for each key
  - Setting the pan for each key
  - Assigning a name
- 116Saving a drum kit
  - 111
117Other functions
- Restoring the factory set- tings (Loading the preloaded data)
  - Loading individual banks or data items
    - Other functions
- 118Assigning a name (Rename)
  - Setting the functions of [SW1] and [SW2]
- 119Setting the functions of [SW1] and [SW2]
- Assigning functions to REAL- TIME CONTROLS B-mode knobs [1][4]
  - Other functions
- 120Adjusting the display con- trast
- Tap tempo control
- Shortcuts
  - [MENU] button + numeric buttons [0][9]
  - [MENU] button + [PAGE+], [PAGE] but- tons
  - [ENTER] button + numeric buttons [0][9]
  - [ENTER] button + keyboard
  - 115
121Appendices
- Saving data
  - Types of data that can be saved
    - Writing data into the X50
      - Data areas that you can write
      - Modes and pages in which you can write data
    - MIDI data dump
    - Using the X50 Editor/Plug-In Editor control plug-in software to save data
    - 116
  - 122About the Edit Buffer
    - About the memory in Program, Com- bination, and Multi modes
    - Memory in Global mode
      - Troubleshooting
    - 117
- 123Troubleshooting
  - Power supply
    - Power does not turn on
  - Display
  - Audio output
    - No sound
    - Notes do not stop
  - 124118
    - Noise or oscillation is heard
  - Programs and Combinations
    - Settings for oscillator 2 are not displayed
    - A combination does not play correctly after you load data
  - Multi set
    - When you loaded data, a Multi set does not sound correctly
    - A combination copied using Copy From Combi sounds different than it did in Combination mode
  - Effects
    - Effects are not applied
  - Arpeggiator
    - Arpeggiator does not start
  - Drum Kits
    - The drum samples pitch does not change
  - Audition
    - No sound when the [AUDITION] button is turned on
      - Troubleshooting
  - 125119
  - MIDI, USB
    - This instrument does not respond to incoming MIDI data
    - This instrument does not respond cor- rectly to incoming MIDI data
    - When using USB, sound processing is slow, or the tempo is unstable
  - Included CD-ROM
    - Cant install the driver included CD-ROM
    - Your software does not respond to the X50
    - Software does not operate correctly
- 126Specications and options
  - Specications
    - Operating requirements for connection to a computer
      - Quick StartIntroductionSetupProgram
      - Combination MultiEffectGlobalArpeggiatorDrum Kit
      - External control Appendices
  - 127Operating requirements for connection to a computer
    - KORG USB-MIDI Driver operating requirements X50 Editor/Plug-In Editor operating requirements
  - Options
- 128MIDI Implementation Chart
  - MIDI Implementation Chart
    - X50:
      - 124
- 130Index
  - Numerics
  - A
  - B
  - C
  - D
  - E
  - F
  - G
  - H
  - I
  - K
  - L
  - M
    - Index
  - 131125
  - N
  - O
  - P
  - R
  - S
  - T
  - U
  - V
  - W
132Operation Guide
- IMPORTANT NOTICE TO CONSUMERS

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