Roland Fantom-X8 manuals
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Roland Fantom-X8 Owner Manual
348 pages 11.39 Mb
InformationAs of January 15, 2005 (ROLAND) 03569901 05-6-6N Thank you, and congratulations on your choice of the Roland Fantom-X6/X7/X8.ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA PHILIPPINES SINGAPORE TAIWAN THAILAND VIETNAM AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU NORWAY POLAND PORTUGAL ROMANIA RUSSIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN CYPRUS IRAN ISRAEL TRINIDAD URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CZECH REP. DENMARK FINLAND GERMANY GREECE HUNGARY IRELAND ITALY JORDAN KUWAIT LEBANON OMAN QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA MIDDLE EAST NORTH AMERICA Listening to the Demo SongsPress [PLAY] to start demo song playback. To stop the performance, press [STOP]. Owners Manual Owners ManualNOTICE AVIS FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENTFOR HOME OR OFFICE USE DECLARATION OF CONFORMITY Compliance Information StatementCAUTION INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS. 2 IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS 4 IMPORTANT NOTES5 IMPORTANT NOTESCopyright Handling CD-ROMs Additional Precautions Repairs and Data Maintenance Before Using Cards Using Memory Cards 6 Contents7 8 Playing in Performance Mode ......................................................................97 9 Using the Chord Memory Function (Chord Memory)...............................133 Modifying the Sound in Real Time.............................................................121 10 11 12 Saving/Loading a song (Save/Load)..........................................................198 Playing a Phrase at the Touch of a Finger (RPS Function) .....................203 15 Main Features16 Panel Descriptions SEQUENCER ARPEGGIO / RHYTHM REALTIME CONTROL VOLUME / V-LINK EXT SOURCE D BEAM Front Panel17 Panel Descriptions DYNAMIC PAD / SAMPLING DISPLAY Panel Descriptions 18 Rear Panel 19 Getting Ready23 Listening to the Demo Songs Listening to the demo song loaded when you start up the Fantom-X Listening to the other demo songs 24 Various Performance Features Hold Pedal Octave Shift (Oct) Pitch Bend/Modulation Lever Velocity/Aftertouch Various Performance Features 25 Control Pedal Transpose (Trans) 26 Overview of the Fantom-X How the Fantom-X Is OrganizedEnvelope TVA (Time Variant Amplifier) TVF (Time Variant Filter) WG (Wave Generator) Tones The Sampler section Sequencer Section Sound Generator Section Controller Section Basic Structure Classification of Fantom-X Sound TypesTone LFO (Low Frequency Oscillator)LFO is not included in the rhythm tones (percussion instrument sounds). 27 Patches Part Rhythm Sets Performances WG (Wave Generator): 14 TVF (Time Variant Filter) TVA (Time Variant Amplifier) Envelope PatchTone 4 Tone 3 Tone 2 Tone 1 Layer Mixer Calculating the Number of Voices Being Used Voice Reserve Note Priority in Performance Mode How a Patch Sounds About Simultaneous Polyphony 28 About Memory 29 About the Onboard Effects In Patch Mode Phrase Tracks 116 In the Performance Mode How Effects Units Work in Different Modes 30 About the Sequencer What Is a Song? What Is a Track? 31 Tempo TrackFantom-X Standard MIDI File (.MID) Song File (.SVQ) Memory Card/User Memory Temporary Area Pattern Beat Track Songs and the Sound Generator Mode Positions for Storing a SongMemory Card User Memory Temporary Memory Samples Multisamples 32 About the Sampling SectionMultisample Where Samples are StoredPreset Memory User Memory Sample Memory Sampling 33 Basic Operation of the Fantom-XSwitching the Sound Generator Mode 34 About the Function Buttons Moving the Cursor 35 VALUE Dial [INC] and [DEC] When inputting a numerical value Using the pads Modifying a Value 36 Using the Pads to Specify Characters 37 Registering and recalling frequently used screen pages (Bookmark)Recalling a page Registering a page Viewing an explanation of each button (Help) Viewing the number of voices used by the sound generator (Voice Monitor) 38 Playing in Patch Mode About the Patch Play Screen Displaying Patch Play Screen Functions in the Patch Play screenGM (GM2) PR-AH (Preset AH) XP-AD (Wave Expansion Boards installed in EXP-AD Slots) 39 Selecting a Patch40 Selecting Patches by Category (Patch Finder) 41 Selecting Patches from the List Auditioning Patches (Phrase Preview) Recalling sounds 42 Creating a list of frequently used Patches and Performances (Live Setting)43 Importing a Text File (Import Text) Registering a sound Removing a registration Removing all sound registrations from a bank Changing the step at which a sound is registered Using [F1][F8] to RegisterCanceling a patch registration Registering a Favorite Patch Using the Favorite List Screen to Register 44 Selecting Favorite Patches (Favorite Patch) Using [F1][F8] to Register Registering Favorite Rhythm Sets Canceling a patch registration Using the Favorite List Screen to Register 45 Transposing the Keyboard in Octave Units (Octave Shift) 46 Transposing the Keyboard in Semitone Steps (Transpose) Selecting the Tones That Will Sound (Tone On/Off) Playing Single Notes (Monophonic) Bender and Modulation Part Select Beam Part Select 47 Creating Smooth Pitch Changes (Portamento) Specifying the Part that Will be Affected by the Controller 48 D Beam (Pad Trigger) Assigning a Parameter to a Controller 49 D Beam (Solo Synth) 50 D Beam (Assignable) 51 KnobSwitch 1/2 (Assignable Switch 12) SwitchKnob Assign 14 (Realtime Control Knob Assign 14) GM (GM2) PRST (Preset) XP-AD (Wave Expansion Boards installed in EXP-AD Slots) 52 Playing Percussion InstrumentsSelecting a Rhythm Set 53 Playing a Rhythm Set 54 Playing in Piano Mode Playing acoustic piano soundsSelecting from the Patch List Screen Selecting Patches by Category Selecting a Patch Selecting Piano Mode Adjusting the Keyboard Touch (Key Touch) Changing the Piano Sound (Open/Close) Adjusting the Depth of Resonance (Resonance) 55 Selecting electric piano effects Saving a Sound (Patch) Playing electric piano sounds 56 Creating a PatchPress [F8 (Tone Sw/Sel)] to select the tone that you want to edit. 5. How to Make Patch SettingsFour Tips for Editing Patches 57 Editing in a Graphic Display (Zoom Edit) Initializing Patch Settings (Init) 58 Cautions When Using a One-shot Copying Patch (Tone) Settings (Copy) Cautions When Selecting a Cautions When Using a Loop 59 Saving Patches Youve Auditioning the Save-Destination Patch (Compare) Settings Common to the Entire Patch 60 Functions of Patch (General)1 2 3 61 Patch Category Cutoff Offset Analog Feel (Analog Feel Depth) Patch Fine Tune Patch Coarse Tune Octave Shift Patch Priority Patch Pan Patch Level Stretch Tune Depth Resonance Offset Wave Bank Wave Group Release Time Offset Attack Time Offset Velocity Sens Offset (Velocity Sensitivity Offset) Wave No. L (Mono) (Wave Number L (Mono) Wave No. R (Wave Number R) 62 Modifying Waveforms (Wave) Wave Gain Structure Type 1 & 2, 3 & 4 FXM Depth FXM Switch Wave Tempo Sync FXM Color Phrase Loop Realtime Time Stretch FXM 63 Changing How a Tone Is Sounded (TMT) TVABooster 1&2, 3&4 (Booster Gain) Key Range Upper (Keyboard Range Upper) Key Fade Lower (Keyboard Fade Width Lower) Key Range Lower (Keyboard Range Lower) Booster WG1 WG2 65 BoosterRing Modulator 66 Key Fade Upper (Keyboard Fade Width Upper) TMT Control Sw (TMT Control Switch) Velo Fade Upper (Velocity Fade Width Upper) Velo Range Upper (Velocity Range Upper) Velo Range Lower (Velocity Range Lower) Velo Fade Lower (Velocity Fade Width Lower) TMT Velocity Control (TMT Velocity Control Switch) 67 Pitch Modifying Pitch (Pitch/Pitch Env) 68 Pitch Env 69 TVFFilter Type Cutoff Frequency Resonance Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)70 Cutoff Key follow F-Env V-Curve (TVF Envelope Velocity Curve) Cutoff V-Sens (Cutoff Velocity Sensitivity) Cutoff V-Curve (Cutoff Frequency Velocity Curve) Resonance V-Sens (Resonance Velocity F-Env V-Sens (TVF Envelope Velocity F-Env T1 V-Sens (TVF Envelope Time 1 Velocity F-Env T4 V-Sens (TVF Envelope Time 4 Velocity 71 TVF ENVLevel V-Sens (TVA Level Velocity Sensitivity) Level V-Curve (TVA Level Velocity Curve) Tone Level TVAF-Env Level 04 (TVF Envelope Level 04) F-Env Time 14 (TVF Envelope Time 14) F-Env Time KF (TVF Envelope Time Key Follow) F-Env Depth (TVF Envelope Depth) , , Adjusting the Volume (TVA/TVA Env) Alter Pan Depth (Alternate Pan Depth) Pan Key Follow Tone Pan Bias Direction Bias Position Bias Level Random Pan Depth 72 TVA Env A-Env T1 V-Sens (TVA Envelope Time 1 Velocity Sensitivity) A-Env T4 V-Sens (TVA Envelope Time 4 Velocity Sensitivity) Tone Out Assign Patch Out Assign A-Env Level 13 (TVA Envelope Level 13) A-Env Time 14 (TVA Envelope Time 14) A-Env Time KF (TVA Envelope Time Key Follow) , , 124 73 Output Tone Out Level LFO Rate (LFO1/LFO2 Rate) Waveform (LFO1/LFO2 Waveform) Tone Reverb Send (Send Level (Output=MFX)) Tone Chorus Send (Send Level (Output=MFX)) Tone Chorus Send (Send Level (Output=non MFX)) Tone Reverb Send (Send Level (Output=non MFX)) 74 LFO 1/2 Modulating Sounds (LFO) Pan Depth (LFO1/LFO2 Pan Depth) Step 116 (LFO Step 116) LFO Step Type (LFO Step Type) 76 Step LFOHow to Apply the LFO Apply the LFO gradually after the key is pressed Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect Apply the LFO gradually after the key is released 77 Solo/PortamentoPortamento Type Portamento Mode Portamento Switch Legato Retrigger (Legato Retrigger Switch) Legato Switch (Legato Switch) Mono/Poly Apply Portamento or Legato to the Sound (Solo/Porta) Portamento Portamento Start Tone Delay Mode Portamento Time 78 Miscellaneous Settings (Misc)79 Tone Delay Time Tone Rx Hold-1 (Tone Receive Hold Switch) Tone Env Mode (Tone Envelope Mode) Tone Rx Bender (Tone Receive Pitch Bend Tone Rx Expression (Tone Receive Expression Tone Delay Tone Rx Pan Mode Tone Redamper Sw (Tone Redamper Switch) 80 Matrix Control Settings (Ctrl14)Matrix Control 81 Matrix Control 14 Source Changing the TVF Envelope Changing the Pitch Envelope Applying LFO to Modulate Sounds Changing How the Effects Are Applied Changing the Volume, Pan, and Pitch Opening and Closing the Filter CTRL Destination 14 (Matrix Control Destination 14) Changing the TVF Envelope CTRL Tone 14 (Tone Control Switch 14) If youre not using Matrix Control Changing Specific Multi-Effects Parameters Splitting Tones That Are Played CTRL Sens 14 (Matrix Control Sens 14) Changing the Depth of Frequency Modulation for FXM Controlling the amount of realtime stretch/ shrink 82 Setting Effects for a Patch (Effects/ MFX/MFX Control/Chorus/Reverb) 83 Creating a Rhythm Set How to make Rhythm Set settings84 Initializing only a specific key Basic Procedure for Rhythm Tone Copy Editing in a Graphic Display (Zoom Edit) Initializing Rhythm Set Settings (Init) Copying Rhythm Tone Settings (Copy) 85 Cautions When Using a One-shot Cautions When Using a Loop Cautions When Selecting a 86 Saving Rhythm Sets Youve Auditioning the Save-Destination Rhythm Set (Compare) Rhythm Level (Rhythm Set Level) Tone Env Mode (Rhythm Tone Envelope Mode) Mute Group Assign Type Tone Name (Rhythm Tone Name) 87 Functions of Rhythm Set Making Settings Common to the Entire Rhythm Set (General)123 Tone Pitch Bend Range (Rhythm Tone Pitch Bend Range) Wave Bank Wave Group Aftertouch Time Ctrl Sens (Sensitivity) One Shot Mode Tone Receive Expression (Rhythm Tone Receive Expression Switch) Tone Receive Hold-1 (Rhythm Tone Receive Hold-1 Switch) Tone Receive Pan Mode (Rhythm Tone Receive Pan Mode) 88 Modifying Waveforms (Wave)Tips on Creating a Rhythm Tone Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R) FXM Depth FXM Color FXM Switch Wave Gain Wave Tempo Sync Wave Coarse Tune Phrase Loop Realtime Time Stretch 89 Changing How a Rhythm Tone Is Sounded (WMT)FXM Wave Fine Tune Velo Fade Upper (Velocity Fade Width Upper) Velo Range Upper (Velocity Range Upper) Velo Range Lower (Velocity Range Lower) WMT Velocity Control (Velocity Control Switch) Wave Pan Wave Level Velo Fade Lower (Velocity Fade Width Lower) Wave Rnd Pan Sw (Wave Random Pan Switch) Wave Alter Pan Sw (Wave Alternate Pan Switch) 90 Modifying Pitch (Pitch/Pitch Env) 91 Pitch Pitch Env 92 TVFResonance Filter Type Cutoff Frequency Cutoff V-Curve (Cutoff Frequency Velocity Curve) Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) 93 TVF Env 94 TVA TVA Env Adjusting the Volume (TVA/TVA Env) A-Env Level 13 (TVA Envelope Level 13) Tone Reverb Send (Send Level (Output=MFX)) Tone Chorus Send (Send Level (Output=MFX)) Tone Out Level Rhythm Out Assign Tone Out Assign 95 Output Settings (Output) Tone Chorus Send (Send Level (Output=non MFX)) Tone Reverb Send (Send Level (Output=non MFX)) 96 Setting Effects for a Rhythm Set (Effects/MFX/MFX Control/Chorus/ Reverb) 97 Playing in Performance Mode Displaying Performance Layer Screen Displaying Performance Mixer Screen 98 Functions in the PERFORMANCE Layer/Mixer ScreenMIXER2 screen MIXER1 screen LAYER screen PRST (Preset) 99 Selecting a Performance Selecting Performances from the List Creating a list of frequently used Patches and Performances (the Live Setting function) 100 Selecting Favorite Performances Using the Layer Screen Registering a Favorite Performance 101 Selecting from a list display Selecting the Sound for a Part Selecting the Part that You want to Sound (Keyboard Switch)About the keyboard switch 102 Combining and Playing Sounds Together (Layer) Playing Different Sounds in Different Areas of the Keyboard (Split) Selecting from a list display 103 Selecting the Sound for a Part Using the Mixer Screen Selecting Parts for a Layer or SplitAbout the keyboard switch 104 Selecting in the Mixer Screen Editing the Part Settings Performance Mixer2 screen Performance Mixer1 screen 105 Selecting a Part to Play Individually (Solo) Using pads to mute Parts Silencing the Playback of a Specific Part (Mute) 106 Viewing the Part Settings as a List (Performance Part View) Viewing MIDI messages for each Part (Part Information) 107 Creating a Performance Mute Switch Solo Switch Keyboard Switch Patch Number Patch Bank Patch Type [F1 (Level/Pan)] Viewing the Part Settings as a List (Performance Part View) Adjusting the Parameters of Each Part Part Level Part Reverb Send Level Part Chorus Send Level Part Output Level Part Output Assign Part Pan 108 [F2 (Output Effect)] Part Output MFX Select (Part Output Multi- Effects Select) MFX13 Source 109 [F3 (Pitch)]Part Portamento Time Part Portamento Switch Part Pitch Bend Range Part Legato Switch Part Fine Tune Part Coarse Tune Part Octave Shift Part Mono/Poly Coarse Tune and Octave Shift 110 [F4 (Offset)] [F5 (Key Range)]Part Decay Time Offset Part Attack Time Offset Part Resonance Offset Part Cutoff Offset Part Release Time Offset Keyboard Range Lower (Part Keyboard Range Lower) Keyboard Range Upper (Part Keyboard Range Upper) Part Scale Tune CB Part Vibrato Delay Part Vibrato Depth Part Vibrato Rate Part Velocity Sensitivity Offset Voice Reserve 111 [F6 (Scale Tune)] Calculating the Number of Voices Being Used 112 [F7 (External)]Ext Level (External Level) Ext Bank Select LSB (External Bank Select LSB) Receive Channel Receive Switch Ext Bank Select MSB (External Bank Select MSB) Ext Program Number (External Program Change Number) Equal Temperament Just Temperament (Tonic of C) Arabian Scale Ext Pan (External Pan) Velocity Curve Phase Lock (Phase Lock Switch) Hold-1 (Receive Hold 1 Switch) Expression (Receive Expression Switch) Pan (Receive Pan Switch) Volume (Receive Volume Switch) Modulation (Receive Modulation Switch) Pitch Bend (Receive Pitch Bend Switch) Bank Select (Receive Bank Select Switch) 113 [F8 (MIDI Filter)] MIDI Filter Program Change (Receive Program Change Channel Pressure (Receive Channel Pressure Polyphonic Key Pressure (Receive Polyphonic Key Pressure Switch) D Beam (Pad Trigger) 114 Make Settings for the Realtime Controllers and D Beam Controller (Ctrl) 115 D Beam (Solo Synth) OSC1 Sync Switch Type (Assignable Type) 116 D Beam (Assignable) 117 KnobRhythm Start/Stop: Switch 1/2 (Assignable Switch 12) SwitchKnob Assign 14 (Realtime Control Knob Assign 14) 118 TempoControl Switch Settings (Ctrl Switch)Control Pedal (Control Pedal Switch) Control Hold Pedal (Control Hold Pedal Switch) Control Aftertouch (Control Aftertouch Switch) Control Bender (Control Pitch Bend Switch) MFX 13 Control Channel MFX Ctrl Ch Control Modulation (Control Modulation Control D Beam (Control D Beam Switch) Control Knob (Control Knob Switch) 119 Changing the Settings of the Patch Assigned to a Part Initializing Performance Settings (Init) When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance 120 Saving a Performance Youve Created (Write) 121 Modifying the Sound in Real Time Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller)The usable range of the D Beam controller 122 Assignable Pad Trigger (Pad-related settings) Making Settings for the D Beam Controller 123 Solo Synth 124 Using Knobs or Buttons to Modify the Sound (Realtime Controller)125 Realtime Controller Knob SettingsTRANSPOSE DOWN Switch Assign Changing Realtime Controller Settings Assignable Switch SettingsKnob Assign 14 (Realtime Control Knob Assign 14) Control Pedal Assign Continuous Hold Pedal Hold Pedal Polarity Control Pedal Polarity 126 Using a Pedal to Modify the Sound (Control Pedal)Making Control Pedal Settings 128 Playing Arpeggios Playing Arpeggios About Arpeggio Turning Arpeggio On and OffUsing in Combination with the Chord Memory Function Determining the Tempo for Arpeggio Performances Holding an Arpeggio 129 Playing Arpeggios Along with the Sequencer Arpeggio Settings Selecting Styles for Arpeggio Performances (Arpeggio Style) Changing the Beat and Shuffle (Arp/Rhythm Grid) 130 Applying Staccato and Tenuto (Arp/Rhythm Duration) Selecting the Part that Will Play Arpeggios in Performance Mode (Arp Part) Changing the Accent Strength (Arp Accent) Hanging the Range of the Arpeggio (Oct Range) Using the Realtime Control Knobs to Edit the Arpeggio Settings 131 Creating an Arpeggio Style (Arpeggio Style Edit) Using the Dial or [INC][DEC] to Input Values 132 Saving the Styles You Have 133 Using the Chord Memory Function (Chord Memory) About the Chord Memory FunctionUsing in Combination with the Arpeggio Function Performing with the Chord Memory Function Turning Chord Memory Function On and Off Using the Chord Memory Function (Chord Memory) Changing the order in which notes are sounded Sounding a chord in the order of its notes (Rolled Chord) 134 Creating Your Own Chord Forms Saving the Chord Forms You Have Created 135 Playing Rhythms Playing Rhythm Using Rhythm Groups About Rhythm Patterns Turning Rhythm On and Off Determining the Tempo for Rhythm Pattern Performances Select the Rhythm Group Selecting Rhythm Patterns 136 Rhythm Pattern Settings137 Changing the Beat and Shuffle (Grid) Applying Staccato and Tenuity (Duration) Changing the velocity of Rhythm Pattern (Rhythm Pattern Velocity) Changing the Accent Strength (Rhythm Accent) Using the Realtime Control Knobs to Control the Rhythm 138 Creating an Rhythm Pattern (Rhythm Pattern Edit)Step-recording Using the Dial or [INC][DEC] to Input Values 139 Saving the Patterns You Have Created (Write) Creating Your Own Styles (Rhythm Group Edit) 140 Saving the Rhythm Group You Have Created (Write) 141 Sampling146 Editing a Sample Selecting a Sample (Sample List) Selecting a SampleThe sample list shows the current state of the samples. 147 Loading a Sample Deleting a Sample Loading all Samples Unloading a Sample Importing an Audio File 148 Displaying Sample Edit Screen Magnifying/Shrinking the Waveform Display (Zoom In/Out) 149 Setting the Start/End Points of the SampleUsing the knobs to edit the points About the beat When you want to reset the beat indication (Reset Grid function) 34 21 150 Making Settings for Sample (Sample Parameters) 151 Assigning Samples to a Pad (Assign To Pad)From Patch Mode From Performance Mode 152 Assigning a Sample as a Patch to a Part (Assign to Keyboard)From Performance Mode From Patch Mode Create a Rhythm Set (Create Rhythm) 153 Creating a Multisample (Create Multisample)Multisample 154 Assigning a multisample to the desired keys 155 Unloading a Sample (Unload) Removing Unwanted Portions of a Sample (Truncate) Boosting or Limiting the High-frequency Range of the Sample (Emphasis) 156 Maximizing the Volume of a Sample (Normalize) Amp Stretching or Shrinking a Sample (Time Stretch) Procedure for Dividing a Sample 157 Dividing a Sample into Notes (Chop) Automatically Dividing a Sample (Auto Chop) Deleting a Dividing Point Moving a Dividing Point Auditioning the Divided Samples 158 Joining Two or More Samples (Combine) 159 Saving a Sample 160 Using the Pads To hold two or more samples To play other sounds while holding one sound Using the Hold Function to Sustain a Sound Using the Roll Function to Play Sounds 161 Making Settings for the Pads (Pad Setting)Settings that Apply to All Pads Specify the Currently Used Sound Generator Settings You Can Make for Each Pad Using the PadsSettings for the ROLL Button Adjusting the Aftertouch Sensitivity Adjusting the Pad Sensitivity Setting the Velocity for All Sixteen Pads at Once 162 Writing the Pad Settings Exchanging the Sound of Two Pads (Pad Exchange) 164 Playing Back a Song Playing a Song Immediately (Quick Play) Playing Back Songs Consecutively (Chain Play) 165 Various Playback Methods Fast-Forward and Rewind During Playback Playing Back Correctly from the Middle of the Song (MIDI Update) Muting the Playback of a Specific Instrument 166 Changing the Playback Tempo of a SongUsing a Controller to Change the Playback Tempo Playing a Song Back at a Fixed Tempo (Muting the Tempo Track) Playing Back a S-MRC Format Song Playing Back a Song Repeatedly (Loop Play) 167 Using the D Beam Controller to Start/Stop Song Playback 168 Recording Songs Two Recording MethodsPatch/Rhythm set Overview of the Recording Process Step Recording (p. 174) Realtime Recording (p. 170) Before You Record a New Song Select the Sound to be Used for Erasing the Song/Pattern from Temporary Song (Song Clear) 169 Specifying the Time Signature of a Pattern Setting the tempo Specify the Time Signature 170 Recording Your Performance as You Play It (Realtime Recording) Basic Operation for Realtime Tempo Rec Sw (Tempo Recording Switch) Loop/Punch End Point Start Point 171 Using Auto Punch-In Recording Using Manual Punch-In Recording Recording Tempo Changes in a Song (Tempo Recording) Loop Recording and Punch-In Input Quantize Shuffle Resolution Strength (Grid Quantize Strength) Grid Resolution Rate (Shuffle Quantize Rate) 172 Correct the Timing of Your Playing as You Record (Recording Quantize) Selecting the Sequencer Data that will Be Recorded (Recording Select) 173 Erasing Unwanted Data While You Record (Realtime Erase) 174 Inputting Data One Step at a Time (Step Recording) 177 Editing Songs Loading the Song You Want to Edit178 Viewing the data within a track Using Different Sound Generators for Each Track Loading Individual Tracks/Patterns of Song Data Silencing the Playback of a Track (Mute) 179 Assigning a Locate Position Moving to a Locate Position Assigning Markers (Locate Positions) to a Song Specifying the Area of a Song that will Repeat (Loop Points) 180 Editing Sequencer Data Over the Specified Range (Track Edit) Basic Operation for Track Editing Resolution (Shuffle Quantize Resolution) Strength (Grid Quantize Strength) Resolution (Grid Quantize Resolution) Quantize Type 181 Aligning a Songs Timing (Quantize)182 Rate (Shuffle Quantize Rate) Timing (Quantize Timing) Quantize Template (Quantize Template) 183 Erasing Unwanted Performance Data (Erase)Preview Function Copy Times Copy Mode Dst Measure (Destination Measure) Dst Track/ Pattern (Destination Track/Pattern) Src Measure, For (Edit Range) Src Track / Pattern (Source Track / Pattern) 184 Deleting Unwanted Measures (Delete) Copying Phrases (Copy) 185 Inserting a Blank Measure (Insert) Transpose the Key (Transpose) 186 Changing the Velocity (Volume) (Change Velocity)If You Want to Lower the Bass Sound One Octave... When You Want to Change Percussion Sounds... Changing the MIDI Channel (Change Channel) Magnify Src Channel, Dst Channel (MIDI Channel) 187 Modifying the Length of Notes (Change Duration) Src Track / Src Pattern (Source Track) Dst Track / Pattern (Destination Track/Pattern) Src Track / Src Pattern (Source Track) Dst Track / Pattern (Destination Track/Pattern) 188 Combining Two Phrase Tracks or Patterns into One (Merge) Extracting and Moving a Part of Sequencer Data (Extract) 189 Shifting Performance Data Forward and Back (Shift Clock) Data Thin Time Data Thin Value 190 Thinning Out the Sequencer Data (Data Thin) Time Original H/M/S Time H/M/S 191 Swapping Two Phrase Tracks or Patterns (Exchange) Adjusting the Songs Playback Time (Time Fit) Deleting Blank Measures (Truncate) Editing a System Exclusive Message 192 Editing Individual Items of Sequencer Data (Micro Edit) Editing Sequencer Data (Basic Procedure in the Microscope) Note Tempo Change Polyphonic Aftertouch Pitch Bend Control Change Program Change Ptn (Pattern Call message) Tune Request System Exclusive messages Channel Aftertouch 193 Data Handled by the Tempo Track Sequencer Data Handled by a Phrase Track/Pattern 194 Data Handled by the Beat Track Inserting Sequencer Data (Create) Viewing Sequencer Data (View) 195 Erasing Sequencer Data (Erase) Copying Sequencer Data (Copy) Moving Sequencer Data (Move) 196 Changing the Tempo Midway Through the Song Changing the Time Signature Midway Through the Song 197 Assigning a Name to a Song (Song Name) 198 Saving/Loading a song (Save/Load) Data saved together with a song Basic Procedure Saving a Song (Save)Parameters included in System Setup 199 Saving a Song with Samples (Save Song+Samples) Saving a Song (Save Song) Saving Samples (Save All Samples) 200 Saving a Song as an SMF File (Save as SMF)201 Loading a Song (Load)Song Basic Procedure Loading a Song with Samples (Load Song+Samples) Loading a song (Load Song) Loading Samples (Load All Samples) 202 Importing a WAV/AIFF File (Import Audio) 203 Playing a Phrase at the Touch of a Finger (RPS Function) Settings for the RPS Function Record a Pattern Before You Use the RPS Function Playing a Phrase at the Touch of a Finger (RPS Function) 204 Using the RPS Function While You Perform Playing a Phrase at the Touch of a Finger (RPS Function) 205 Recording a Performance Using the RPS Function 206 Adding Effects Making Effect Settings Turning Effects On and Off Part Select Tone Select Patch Output Assign 207 Applying Effects in Patch Mode Specifying How the Sound Will Be Output (Routing) Signal Flow Diagram and Parameters208 Tone Output Assign Tone Reverb Send Level Tone Chorus Send Level Tone Output Level MFX Type (Multi-Effects Type) MFX Output Level (Multi-Effects Output Level) MFX Chorus Send Level (Multi-Effects Chorus Send Level) MFX Reverb Send Level (Multi-Effects Reverb Send Level) MFX Output Assign (Multi-Effects Output Assign) Chorus Type 209 Chorus Output Select Reverb Level Reverb Type Chorus Output Assign Chorus Level Reverb Output Assign Part Select Part Output Assign Part Output MFX Select (Part Output Multi- Effects Select) Part Output Level Part Chorus Send Level 210 Applying Effects in Performance Mode Specifying How the Sound Will Be Output (Routing) Signal Flow Diagram and Parameters211 Part Reverb Send Level MFX Type (Multi-Effects Type) MFX Output Level (Multi-Effects Output Level) MFX Chorus Send Level (Multi-Effects Chorus Send Level) MFX Reverb Send Level (Multi-Effects Reverb Send Level) MFX Output Assign (Multi-Effects Output Assign) Chorus Type Chorus Output Select Chorus Level Chorus Output Assign 212 Reverb Type MFX13 Source (Multi-Effects 1 Source) Reverb Output Assign Reverb Level When Patch or Rhythm Set Settings Are Type (Multi-Effects Type) Source 14 (Multi-Effects Control Source 14) 213 Making Multi-Effects Settings (MFX13) Making Multi-Effects Settings (MFX Control)214 Destination 14 (Multi-Effects Control Destination 14) Sens 14 (Multi-Effects Control Sensitivity 14) MFX Control Channel (Multi-Effects Control Channel) Multi-Effects Control Structure Type Type (Chorus Type) MFX13 TYPE 215 Specifying the multi-effect structure (MFX Structure) Making Chorus Settings (Chorus) 216 Making Reverb Settings (Reverb) ATTACK Split Frequency Low Split Frequency High RATIO THRESHOLD RELEASE 217 Mastering EffectAbout THRESHOLD and RATIO 218 Connecting to Your Computer via USB (USB Mode) About USB FunctionsSelecting MIDI Mode Selecting USB Storage Mode Switching the Storage Mode and the MIDI Mode 219 Transferring Files to or from Your Computer (Storage Mode) Specify the Connection-Destination Connections Windows Me/2000/XP Users Macintosh Users Macintosh Users Windows Me/2000/XP Users 220 Importing Audio file (Import Audio) Exiting Storage Mode Cautions Regarding Folders and Files Canceling USB Communication Examples of Using Storage Mode 221 Using a Bitmap File as a Background in the Display Importing a Bitmap File (Import BMP) Displaying text memos in the Live Setting screen (Import Text) Driver Installation and Settings 222 Exchanging MIDI Messages with Your Computer (MIDI Mode)Caution when disconnecting the USB cableWhat is the USB MIDI Driver? 223 File-Related Functions (File Utility)ROLAND TMP (User, Card) PNL SEQ SMPL SND SNG AUDIO_IMPORT BMP TEXT Basic Procedure File-Related Functions (File Utility) 224 Copying a File (Copy) Deleting a File (Delete) Moving a File (Move) Initializing a Memory Card (Card Format) 225 Settings Common to All Modes (System Function) How to Make System Function Settings Saving the System Settings (System Write) D Beam Sens (D Beam Sensitivity) Aftertouch Sens (Aftertouch Sensitivity) Keyboard Sens (Keyboard Sensitivity) Keyboard Velocity Continuous Hold Pedal Control Pedal Assign Hold Pedal Polarity Control Pedal Polarity 226 Functions of System Keyboard Pedal/D Beam Sync Mode MTC Frame Rate MTC Sync Output (MTC Sync Output Switch) MMC Output (MMC Output Switch) MMC Mode Tempo Override Sync Output (Sync Output Switch) Arpeggio/Rhythm Sync Switch 227 Sync/TempMIDI Clock and MTC MTC Offset Time Hour Beat Indicator Mode MTC Offset Time Frame MTC Offset Time Second MTC Offset Time Minute Metronome Level Metronome Mode MTC Error Level Metronome Sound Types of MTC Non-Drop Format and Drop Format 228 Metronome Fantom-X Fantom-X (External) Master Level Master Tune Local Switch 229 Sound Using the Local SwitchConnecting the Fantom-X to an external sequencer Keyboard Sequencer Local Off How Do I Adjust the Volume?When using the OUTPUT A jacks: When using the DIGITAL OUT jack: Adjusting the Master Level: method 1 Adjusting the Master Level: method 2 Sound Generator Output Gain Transmit Edit Data (Transmit Edit Data Switch) Performance Control Channel Device ID (Device ID Number) Patch Remain (Patch Remain Switch) Master Key Shift Mix/Parallel Kbd Patch Rx/Tx Ch (Keyboard Patch Receive/ Transmit Channel) Pad Patch Rx/Tx Ch (Pad Patch Receive/ Transmit Channel) Transmit Program Change (Transmit Program Change Switch) Transmit Bank Select (Transmit Bank Select Transmit Active Sensing (Transmit Active Sensing Switch) 230 MIDI 231 USB Scale Tune Switch Preview 14 Velocity Preview 14 Note Number Preview Mode Patch Scale Tune for CB 232 Scale Tune PreviewEqual Temperament Just Temperament (Tonic of C) Arabian Scale Sys Ctrl 14 Source Skip Back Time Trimming Switch Input Select Gap Time Trigger Level Pre Sample Time Screen Saver Time Screen Saver Type Background Picture Default File Type 233 System CtrlBackground Screen Saver Sampling Start up 234 System Information 235 Data Management FunctionsReset to Default Factory Settings (Factory Reset)Factory Reset Basic Procedure Backing Up User Data (User Backup) Restoring User Data that You Backed Up (User Restore) 236 Using Fantom-X Editor238 About V-LINKV-LINK Settings What is V-LINK? Connection Examples Turning the V-LINK ON/OFF About V-LINK 239 V-LINK Parameters Resetting the Image 240 Installing the Wave Expansion Board Cautions When Installing an Wave Expansion Board How to Install a Wave Expansion Board Installing the Wave Expansion Board 241 Checking the Installed Wave Expansion Boards 242 Installation de la carte dexpansion Wave(French Language for Canadian Safety Standard) Prcautions prendre lors de linstallation dune carte dexpansion Wave Installation dune carte dexpansion Wave Installation de la carte dexpansion Wave 243 Vrification des cartes dextension audio aprs installation 244 Expanding the Memory Precautions for Expanding Memory How to Expand the Memory Expanding the Memory Specifications of the expansion memory (DIMM) that can be used Removing the Memory 245 Checking that memory is installed correctly 246 Ajouter de la mmoire(French Language for Canadian Safety Standard) Prcautions prendre lors de lajout de mmoire Installation du module de mmoire Ajouter de la mmoire Spcifications des modules de mmoire (DIMM) qui peuvent tre utiliss Retrait du module de mmoire 247 Vrifier que la mmoire est installe correctement 248 Using a Memory Card Before Using the Memory Card Writing data to the card Installing the PC Card Protector 249 Troubleshooting Problems Concerning the Entire Fantom-X Issues Related to Sound 251 Issues Related to Effects Issues Related to Saving Data 252 Issues Related to Sequencer 253 Issues Related to MIDI and External Devices 254 Issues Related to Sampling Issues Related to a Memory Card 255 Parameter List Patch ParameterTMT Group (P.63) General Group (P.60) Wave Group (P.62) 256 Pitch Group (P.67) Pitch Env Group (P.68) TVF Group (P.69) TVF Env Group (P.71) TVA Group (P.71) 257 TVA Env Group (P.72) Output Group (P.73) LFO1/2 Group (P.74) Step LFO Group (P.76) Solo/Porta Group (P.77) 258 Misc Group (P.78) Effect Group (P.207) CTRL 14 Group (P.81) General Group (P.87) Pitch Group (P.91) Wave Group (P.88) WMT Group (P.89) 259 Rhythm Set Parameter260 Pitch Env Group (P.91) TVF Group (P.92) TVF Env Group (P.93) TVA Group (P.94) TVA Env Group (P.94) Output Group (P.95) 261 Effect Group (P.207) General Group (P.120) Part View Group (P.107) 262 Performance Parameter263 Control Setting Group (P.114) Pad Setting Group (P.161) 264 Arpeggio Group (P.128) Rhythm Group (P.135) Chord Memory Group (P.133) Effect Group (P.210) Rhythm Group Group (P.139) Sample Group (P.150) 265 Rhythm Group Parameter Sample Parameters Pedal/D Beam Group (P.226) Keyboard Group (P.226) Sync/Tempo Group (P.227) Metronome Group (P.228) Sound (P.229) 266 System Parameters267 MIDI Group (P.230) 268 Startup Group (P.234) System Information Group (P.234) D Beam (Solo Synth) Group (P.123) Input Setting Group (P.141) Mastering Effect Group (P.217) 269 V-LINK Group (P.239) Pad Setting Group (P.161) Switch Group (P.51) Knob Group (P.51) D Beam (Assignable) Group (P.50) 270 Effects List Multi-Effects Parameter271 01: EQUALIZER 04: LOW BOOST 02: SPECTRUM 03: ISOLATOR Isolator Low Boost Low Boost Isolator 272 05: SUPER FILTER07: ENHANCER 06: STEP FILTERThis is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound. Super Filter Super Filter Enhancer 2-Band 273 08: AUTO WAHOverdriveSpecifications of each Speaker Type 09: HUMANIZERCyclically controls a filter to create cyclic change in timbre. 10: SPEAKER SIMULATOR Adds a vowel character to the sound, making it similar to a human voice. Simulates the speaker type and mic settings used to record the speaker sound. The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Auto Wah Formant 2-Band R ou t Type Cabinet Speaker Micro- phone Speaker Speaker 11: PHASER 14: INFINITE PHASER 274 12: STEP PHASER 13: MULTI STAGE PHASER L in L out Phaser Phaser 2-Band 275 15: RING MODULATOR 18: AUTO PAN 17: TREMOLO 16: STEP RING MODULATOR 276 21: ROTARY277 23: CHORUS 24: FLANGER Step Flanger Step Flanger 278 26: HEXA-CHORUSEQ R out 3D Chorus Tremolo Chorus 29: 3D CHORUS 27: TREMOLO CHORUS 28: SPACE-D This is a chorus effect with added Tremolo (cyclic modulation of volume). Hexa Chorus Space D Space D 30: 3D FLANGER 32: 2BAND CHORUS 279 31: 3D STEP FLANGER280 33: 2BAND FLANGER 34: 2BAND STEP FLANGER 281 Pre Amp Speaker Distortion Specifications for each Speaker TypeThis is an effect that simulates the sound of a guitar amplifier. 39: GUITAR AMP SIMULATORThis is an overdrive that provides heavy distortion. 38: VS DISTORTION37: VS OVERDRIVE 36: DISTORTION 35: OVERDRIVE Creates a soft distortion similar to that produced by vacuum tube amplifiers. The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Over drive Overdrive 40: COMPRESSORWhen Feedback Mode is CROSS: 43: DELAY 41: LIMITER Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. Compresses signals that exceed a specified volume level, preventing distortion from occurring. 282 42: GATE This is a stereo delay. When Feedback Mode is NORMAL: Compressor Limiter Gate Gate 283 44: LONG DELAYDelay 2 When Feedback Mode is CROSS: 46: MODULATION DELAY 45: SERIAL DELAYA delay that provides a long delay time. Adds modulation to the delayed sound. When Feedback Mode is NORMAL: Long Delay Delay 1 284 47: 3TAP PAN DELAYRev. Delay Multi Tap Delay 1 50: REVERSE DELAYStereo location of each delay This effect has four delays. 48: 4TAP PAN DELAYProduces three delay sounds; center, left and right. 49: MULTI TAP DELAY Delay 1 Delay 2 Delay 3 Delay 4 23 4 LR Delay 1 Delay 3 Delay 4 Delay 2 Feed back 285 51: SHUFFLE DELAY3D Delay C RA stereo delay in which the delay time can be varied smoothly. 53: TIME CTRL DELAY 52: 3D DELAY Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. L 3D Delay L 3D Delay RLevel Time Ctrl Delay Time Ctrl Delay 2-Band EQ 286 54: LONG TIME CTRL DELAY56: LOFI NOISE 55: TAPE ECHO In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise. Time Control Delay Tape Echo 287 57: LOFI COMPRESS 60: PHONOGRAPH 58: LOFI RADIO 59: TELEPHONE 61: PITCH SHIFTER (Feedback Pitch Shifter) 63: STEP PITCH SHIFTER 62: 2VOICE PITCH SHIFTER 288 64: REVERBReverb 289 65: GATED REVERB FLANGER 67: OVERDRIVE CHORUS 66: OVERDRIVE 290 68: OVERDRIVE Distortion Distortion Flanger FLANGER 73: ENHANCER CHORUS 72: ENHANCER Distortion Pan Distortion Drive, Overdrive Pan The parameters are essentially the same as in 68: OVERDRIVE DELAY 71: DISTORTION Distortion Pan Distortion Drive, Overdrive Pan The parameters are essentially the same as in 67: OVERDRIVE FLANGER 70: DISTORTION Distortion Pan Distortion Drive, Overdrive Pan The parameters are essentially the same as in 66: OVERDRIVE CHORUS 69: DISTORTION DELAY CHORUS, with the exception of the following two. Overdrive Drive FLANGER, with the exception of the following two. Overdrive Drive DELAY, with the exception of the following two. Overdrive Drive 291 74: ENHANCER DELAY 75: CHORUS DELAY 76: FLANGER DELAY 292 77: CHORUS 78: SYMPATHETIC RESONANCE FLANGER When Using 3D Effects About the STEP RESET function 293 Chorus Parameters 04: LIMITER 03: COMPRESSOR 02: ENHANCERAdjusts the tone of the low-frequency and high-frequency ranges. 01: EQUALIZERThese settings allow you to select the desired type of reverb, and its characteristics. Selects the type of effect that will be applied to the external input source. Modifies the harmonic content of the high-frequency range to add sparkle to the sound. Restrains high levels and boosts low levels to make the overall volume more consistent. Compresses the sound when it exceeds a specified volume, to keep distortion from occurring. 294 Reverb Parameters Input Effect Parameters 296 Error Messages297 About MIDI MIDI THRU Connector MIDI OUT Connector About MIDI Connectors MIDI IN Connector MIDI Channels and Multi-timbral Sound GeneratorsGeneral MIDI General MIDI 2 298 MIDI ImplementationControl Change Polyphonic Key Pressure Note on Note off 1. Receive Data (Sound Source Section) RPN MSB/LSB (Controller number 100, 101) Effect 3 (Chorus Send Level) (Controller number 93) Effect 1 (Reverb Send Level) (Controller number 91) Portamento control (Controller number 84) 300 Pitch Bend Change Channel Pressure Program Change 301 System Realtime Message Channel Mode Messages Chorus Parameters Reverb Parameters Master Coarse Tuning Master Fine Tuning Master Volume GM System Off 302 Global Parameter Control Universal Realtime System Exclusive Messages Data Request 1 RQ1 Key-based Instrument Controllers Scale/Octave Tuning Adjust Controller Channel Pressure 303 Data Transmission 304 Data Entry (Controller number 6, 38) Portamento Time (Controller number 5) Breath type (Controller number 2) Modulation (Controller number 1) Bank Select (Controller number 0, 32) Control Change Polyphonic Key Pressure Note on Note off 2. Data Transmission Active Sensing POLY (Controller number 127) MONO (Controller number 126) Pitch Bend Change Channel Pressure Program Change 305 Channel Mode Messages 306 Data set 1 DT1 Data TransmissionIdentity Reply Message (Fantom-X8) Identity Reply Message (Fantom-X7) Identity Reply Message (Fantom-X6) Universal Non-realtime System Exclusive Message System Exclusive Messages 307 Channel Mode messages 3.1 Messages recorded during recording 3. Data reception (Sequencer Section) Song Position Pointer MIDI Time Code Quarter Frame Messages Tune Request System Common messagesAll notes off (Controller number 123) Local On/Off (Controller number 122) Channel mode messages System Exclusive Messages 308 3.2 Messages not recorded during recording3.3 Messages acknowledged for synchronization 309 Format2LOCATE [TARGET] LOCATE (MCP) DEFERRED PLAY (MCS) STOP (MCS) MIDI Machine Control (MMC) Stop Continue Start Timing Clock 310 Format2LOCATE [TARGET] LOCATE (MCP) DEFFERRED PLAY (MCS) STOP (MCS) MIDI Machine Control (MMC) MIDI Time code Quarter Frame Messages Stop Continue Start Timing Clock Song Position Pointer System Common Messages 4.2 Soft Thru setting 4.1 Messages transmitted during playing 4. Data transmission (Sequencer Section) 4.3 Messages that are generated and transmitted4.3.1 Messages Appearing When Synchronizing with Other Devices 311 System Common Setup Rhythm Group Chord Arpeggio Rhythm Patch Performance Temporary Patch/Rhythm System 1. Fantom-X6/X7/X8 (ModelID = 00H 6BH) 5. Parameter Address Map 312 System Controller System External Input System Mastering 313 Performance Common 314 Performance Common Chorus Performance Common MFX 315 Performance Part Performance MIDI Performance Common Reverb 316 Performance Controller Performance Zone 317 Chord Pattern Arpeggio Pattern Arpeggio Common 318 Rhythm Group 319 Patch Common 320 Patch Common MFX 321 Patch Common Reverb Patch Common Chorus 322 Patch Tone Patch TMT (Tone Mix Table) 323 Rhythm Common MFX Rhythm Common 324 Rhythm Common Reverb Rhythm Common Chorus 325 Rhythm Tone 326 2. GS (Model ID = 42H)Common Parameter System Parameter Part Parameter 327 Drum Setup Parameter 328 <Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F <Example3> EA 00 28 <Example2> CE 49 <Example1> 92 3E 5F Examples of Actual MIDI Messages<Example4> What is the nibbled expression of the decimal value 1258? <Example1> What is the decimal expression of 5AH? Decimal and Hexadecimal Table 6. Supplementary Material <Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits? <Example3> What is the decimal expression of the nibbled value 0A 03 09 0D? 329 ASCII Code TableArabian Scale Just Temperament (Tonic of C) Equal Temperament The Scale Tune Feature (address: 40 1x 40) Example of an Exclusive Message and Calculating a Checksum How to calculate the checksum (hexadecimal numbers are indicated by H) <Example> Setting CHORUS TYPE of PERFORMANCE COMMON to DELAY (DT1) 330 <Bank Select and Program Change Correspondence Chart>MSB LSB Rhythm Set Patch Group Number Bank Select Program NumberMSB LSB Group Number Bank Select Program NumberMSB LSB Group Number Bank Select Program Number (Sound Generator Section) Model Fantom-X6/X7/X8 Date : Feb. 2, 2004 Version : 1.00 331 MIDI Implementation Chart (Sequencer Section) Model Fantom-X6/X7/X8 Date : Feb. 2, 2004 Version : 1.00 332 MIDI Implementation Chart333 Specifications Others Sequencer Section Sampling Section Sound Generator Section 335 IndexB A Symbols 336 D C 337 G F E 338 L K J I H 339 M 340 P O N 341 R Q 342 S 343 T 344 V U 345 Z X W NOTICE AVIS FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENTFOR HOME OR OFFICE USE DECLARATION OF CONFORMITY Compliance Information StatementCAUTION INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS. 347 IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONSInformationAs of January 15, 2005 (ROLAND) 03569901 05-6-6N Thank you, and congratulations on your choice of the Roland Fantom-X6/X7/X8.ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA PHILIPPINES SINGAPORE TAIWAN THAILAND VIETNAM AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU NORWAY POLAND PORTUGAL ROMANIA RUSSIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN CYPRUS IRAN ISRAEL TRINIDAD URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CZECH REP. DENMARK FINLAND GERMANY GREECE HUNGARY IRELAND ITALY JORDAN KUWAIT LEBANON OMAN QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA MIDDLE EAST NORTH AMERICA Listening to the Demo SongsPress [PLAY] to start demo song playback. To stop the performance, press [STOP]. Owners Manual 348 Owners Manual
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