Roland Fantom-Xa manuals
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Roland Fantom-Xa Owner Manual
264 pages 9.83 Mb
InformationAs of August 20, 2004 (ROLAND) 03675378 04-11-3NStop To stop the song, press [EXIT]. 985 Thank you, and congratulations on your choice of the Roland Fantom-Xa.NORTH AMERICA MIDDLE EAST ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA PHILIPPINES SINGAPORE TAIWAN THAILAND VIETNAM AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU ITALY NORWAY POLAND PORTUGAL ROMANIA RUSSIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN CYPRUS IRAN TRINIDAD URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CZECH REP. DENMARK FINLAND GERMANY GREECE HUNGARY IRELAND ISRAEL JORDAN KUWAIT LEBANON QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA Listening to the Demo Song Owners Manual Owners Manual 4 IMPORTANT NOTES Additional Precautions Repairs and Data Maintenance Placement Power Supply IMPORTANT NOTES Using Memory Cards 5 Before Using CardsCopyright Handling CD-ROMs 6 Contents11 Main Features12 Panel Descriptions Front Panel1 2 15 3 4 7 11 13 14 12 10 9 6 813 Panel Descriptions Panel Descriptions 14 Rear Panel 15 Getting Ready Connections 16 Turning On/Off the Power 17 Listening to the Demo Songs18 Various Performance Features Control Pedal Hold Pedal Transpose Octave Shift Pitch Bend/Modulation Lever Velocity 19 Overview of the Fantom-Xa Envelope TVA (Time Variant Amplifier) TVF (Time Variant Filter) WG (Wave Generator) Tones Sampler section Sequencer Section Sound Generator Section Controller Section How the Fantom-Xa Is Organized Basic Structure Classification of Fantom-Xa Sound TypesTone LFO (Low Frequency Oscillator) 20 Patches Part Rhythm Sets Performances WG (Wave Generator): 14 TVF (Time Variant Filter) TVA (Time Variant Amplifier) Envelope PatchTone 4 Tone 3 Tone 2 Tone 1 Performance Calculating the Number of Voices Being Used Voice Reserve Note Priority in Performance Mode How a Patch Sounds About Simultaneous Polyphony 21 About Memory 22 About the Onboard Effects24 Tempo TrackFantom-Xa Standard MIDI File (.MID) Song File (.SVQ) Memory Card/User Memory Temporary Area Pattern Beat Track Songs and the Sound Generator Mode Positions for Storing a SongUser Memory Temporary Memory Samples Multisamples 25 About the Sampling SectionMultisample Where Samples are StoredPreset Memory User Memory Sample Memory Sampling 26 Basic Operation of the Fantom-Xa Performance ModeTo select the MIXER screen To select the LAYER screen MIXER screen LAYER/SPLIT screen Switching the Sound Generator Mode About the Function ButtonsWindow Basic Operation of the Fantom-Xa When inputting a numerical value When inputting directly Using the pads 27 Moving the Cursor Changing a Value VALUE Dial [INC] and [DEC] Basic Operation of the Fantom-XaAvailable Characters/Symbols 28 Assigning a Name Using the Pads to Specify Characters 29 Playing in Patch Mode Functions in the PATCH PLAY screen About the PATCH PLAY Keyboard Part and Pad Part Adjust the Volume of the Keyboard Part and Pad Part USER CARD (Memory Card) GM (General MIDI 2) PR-AF (Preset AF), PRST (Preset) EXP (Wave Expansion Board installed in EXP Slot) Patch/Rhythm Set Group 30 Selecting a Patch Selecting Patches from the List Canceling a patch registration Using the PATCH SELECT Screen Auditioning Patches/Rhythm Sets (Phrase Preview) 31 Selecting Favorite Patches/ Rhythm Sets (Favorite Patch) Registering a Favorite Patch/ Rhythm Set Choosing the Favorite Patch/ Rhythm Set 32 Selecting Patches by Category 33 Transposing the Keyboard in Octave Units (Octave Shift) Transposing the Keyboard in Semitone Steps (Transpose) Selecting the Tones That Will Sound (Tone On/Off) 34 Playing Single Notes (Monophonic) Creating Smooth Pitch Changes (Portamento) Playing Percussion Instruments Specifying the Part that Will be Affected by the Controller 35 Creating a Patch How to Make Patch SettingsFour Tips for Editing Patches Editing in a Graphic Display (Zoom Edit) 36 Using the REALTIME CONTROL Knobs to Change the Value Initializing Patch Settings Copying Patch (Tone) Settings 37 One-shot Waveform and Loop Waveform Tips for Using an Acoustic Instruments Waveform 38 Functions of Patch ParametersChanging How a Tone Is Sounded (Structure) 39 BoosterRing Modulator 40 [F1 (GENERAL)] [F2 (MODIFY)] Parameter Group [F1 (COMMON)] Settings Common to the Entire Patch 41 [F3 (PORTMNT)] [F4 (CTRL)] 42 [F5 (KEY RNG)] (TMT KEY RANGE) [F6 (VEL RNG)] (TMT VELO RANGE) 43 [F1 (WG PRM)] Parameter Group [F2 (WG)] Modifying Waveforms/Pitch/Pitch EnvelopePhrase Loop Realtime Time Stretch FXM 44 [F2 (PITCH)] [F3 (PCH ENV)] 45 [F1 (TVF PRM)] Parameter Group [F3 (TVF)] Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope) 46 [F2 (TVF ENV)] 47 [F1 (TVA PRM)] Parameter Group [F4 (TVA)] Adjusting the Volume (TVA/TVA Envelope) 48 [F2 (TVA ENV)] 49 [F1 (CTRL1)][F4 (CTRL4)] Parameter Group [F5 (CTRL)] Matrix Control Settings/Miscellaneous Settings 51 [F5 (MISC)] 52 [F1 (LFO 1)], [F2 (LFO 2)] Parameter Group [F6 (LFO&OUT)] Modulating Sounds/Output 53 How to Apply the LFO Apply the LFO gradually after the key is released Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect Apply the LFO gradually after the key is pressed 54 [F3 (STEP)] Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb) [F4 (OUTPUT)] 55 Creating a Rhythm Set How to Make Rhythm Set Settings56 Initializing Rhythm Set Settings Copying Rhythm Tone Settings One-shot Waveform and Loop Waveform Tips for Using an Acoustic Instruments Waveform 57 Saving Rhythm Sets Youve Created (Write) [F1 (GENERAL)] [F2 (CTRL)] [F3 (RX)] 58 Functions of Rhythm Set Parameters Parameter Group [F1 (COMMON)] Settings Common to the Entire Rhythm Set 59 [F1 (WG PRM)] Parameter Group [F2 (WG)] Modifying Waveforms/Pitch/Pitch EnvelopePhrase Loop Realtime Time Stretch FXM 60 [F2 (PITCH)] [F3 (PCH ENV)] 61 [F1 (LV/PAN)] [F2 (TUNE)] [F3 (VEL RNG)] Parameter Group [F3 (WAVE MIX)] 62 [F1 (TVF PRM)] Parameter Group [F4 (TVF)] Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope) 63 [F2 (TVF ENV)] 64 [F1 (TVA PRM)] [F2 (TVA ENV)] Parameter Group [F5 (TVA)] Adjusting the Volume (TVA/TVA Envelope) 65 Parameter Group [F6 (OUTPUT)] Output Settings Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb) 66 Playing in Performance Mode Displaying PERFORM LAYER Displaying PERFORM MIXER Functions in the PERFORMANCE LAYER/ MIXER Screen USER CARD (Memory Card) PRST (Preset) Registering a Favorite Performance 67 Selecting Favorite Performances Selecting a Performance Selecting Performances from the List Using the PATCH SELECT screen 68 Selecting the Sound for a Part Using the LAYER Screen Selecting a Part Selecting the Part that You want to Sound (Keyboard Switch)About the keyboard switch 69 Combining and Playing Sounds Together (Layer) Playing Different Sounds in Different Areas of the Keyboard (Split) Selecting the Rhythm Set Using the PATCH SELECT screen Editing the Part Settings Selecting the Sound for a Part 70 Using the MIXER Screen 71 Silencing the Playback of a Specific Part (Mute) 72 Creating a Performance Initializing Performance Settings Adjusting the Parameters of Each Part Changing the Settings of the Patch Assigned to a Part Saving a Performance Youve Created (Write) When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance [F2 (LVL PAN)] [F1 (PATCH)] 73 Functions of Parameters of Each Part (Performance Parameters)74 [F3 (PITCH)] [F4 (OUTPUT)] [F5 (FX SRC)] [F6 (OFFSET)]Coarse Tune and Octave Shift 75 [PAGE] - [F1 (VIBRATO)] [PAGE] - [F2 (KEYBORD)]Calculating the Number of Voices Being Used 76 [PAGE] - [F3 (KEY MOD)]Just Temperament (Tonic of C) [PAGE] - [F4 (S.TUNE1)] [F5 (S.TUNE2)]Equal Temperament Arabian Scale 77 [PAGE] - [F6 (EXT)] [F1 (KNOB)] [F3 (TEMPO)] [F2 (SWITCH)] [F5 (DB SYN)] [F4 (DBEAM)] 78 Settings for the Realtime Controllers and D Beam Controller Control Switch Settings [F6 (CTRL SW)] 79 MIDI Settings 80 Modifying the Sound in Real Time D Beam ControllerThe usable range of the D Beam controller 81 Solo Synth 82 Pad Trigger Assignable 83 Realtime ControllerREALTIME CONTROL Knob Settings 84 ASSIGNABLE Switch Settings 85 Control PedalControl Pedal Settings When Using a Hold Pedal Holding an Arpeggio Playing Arpeggios Along with the Sequencer 87 Arpeggio SettingsAbout Arpeggio Styles 89 Selecting Ascending/Descending Variations (Arp Motif) Using the Realtime Control Knobs to Edit the Arpeggio Settings 90 Creating an Arpeggio Style (Arpeggio Style Edit)Step-recording Using the VALUE Dial or [INC] [DEC] to Input Values 91 Saving the Styles You Have Created (Write) 92 Using the Chord Memory Function Changing the order in which notes are sounded About the Chord Memory Function Performing with the Chord Memory Function Turning Chord Memory Function On and OffUsing in Combination with the Arpeggio Function Selecting Chord Forms Sounding a chord in the order of its notes (Rolled Chord) Using the Chord Memory Function 93 Creating Your Own Chord Forms Saving the Chord Forms You Have Created 94 Playing Rhythms Turning Rhythm On and Off Playing Rhythm Using Rhythm Groups About Rhythm Patterns 97 Creating a Rhythm Pattern (Rhythm Pattern Edit) Using the VALUE Dial or [INC] [DEC] to Input Values 98 Saving the Rhythm Pattern You Have Created (Write) 99 Creating a Rhythm Group (Rhythm Group Edit) Saving the Rhythm Group You Have Created (Write) 100 Sampling Sampling Procedure Dividing a Sample During Sampling Sampling Time 101 External Input Settings Switching External Input On/Off Making Input Source Settings (Input Setting) 102 Input Effect Setup SettingsCautions when using a microphone 103 Skip Back Sampling 104 Editing a Sample Sample List Selecting a SampleThe sample list shows the current state of the samples. Loading a Sample 105 Unloading a Sample Deleting a Sample Importing an Audio File (Import Audio) Using the knobs to edit the points 106 Sample Edit Magnifying/Shrinking the Waveform Display (Zoom In/Out) Setting the Start/End Points of the Sample Making Settings for Sample (Sample Parameters) 107 Automatically calculating a samples tempo When you want to reset the beat indication (Reset Grid function) 108 Removing Unwanted Portions of a Sample (TRUNCATE) Boosting or Limiting the High- frequency Range of the Sample (EMPHASIS) 109 Maximizing the Volume of a Sample (NORMALIZE) AMP 110 Procedure for Dividing a Sample Stretching or Shrinking a Sample (TIME STRETCH) Dividing a Sample into Notes (CHOP) 111 Automatically Dividing a Sample (Auto Chop) Auditioning the Divided Samples Moving/Deleting a Dividing Point Joining Two or More Samples (COMBINE) 112 Assigning Samples to a Pad (Assign to Pad)From Patch Mode From Performance Mode 113 Assigning a Sample as a Patch to a Part (Assign to Keyboard)From Patch Mode From Performance Mode 114 Create a Rhythm Set (Create Rhythm) Creating a Multisample (Create Multisample)115 Assigning a multisample to the desired keys 116 Saving a Sample (Write) 117 Using the Pads To hold two or more samples Using the Hold Function to Sustain a Sound To play other sounds while holding one sound Making Settings for the Pads (Pad Setting) Using the Pads Quick Setup Writing the Pad Settings Exchanging the Sound of Two Pads (Pad Exchange) 118 Assigning a Pattern to a Pad (RPS Function) Using the Pads to Play Rhythms 119 Playing Back a Song Playing a Song Immediately (Quick Play) Playing Back Songs Consecutively (Chain Play) 120 Various Playback Methods Fast-Forward and Rewind During Playback Playing Back Correctly from the Middle of the Song (MIDI Update) Muting the Playback of a Specific Instrument (Part Mute) Changing the Playback Tempo of a Song 121 Playing a Song Back at a Fixed Tempo (Muting the Tempo Track) Playing Back a S-MRC Format SongUsing a Controller to Change the Playback Tempo 122 Recording Songs Two Recording MethodsPatch/Rhythm set Performance Overview of the Recording Process Step Recording (p. 128) Realtime Recording (p. 124) Before You Record a New Song Select the Sound to be Used for Erasing the Song/Pattern from Temporary Song (Song Clear) 123 Specifying the Time Signature of a Pattern (Pattern Beat) Setting the Tempo Specifying the Time Signature 124 Recording Your Performance as You Play It (Realtime Recording) Basic Operation for Realtime 125 Using Auto Punch-In Recording Using Manual Punch-In Recording Recording Tempo Changes in a Song (Tempo Recording) Loop Recording and Punch-In 126 Correct the Timing of Your Playing as You Record (Recording Quantize) 127 Selecting the Sequencer Data that will Be Recorded (Recording Select) Erasing Unwanted Data While You Record (Realtime Erase) 128 Inputting Data One Step at a Time (Step Recording) 131 Editing Songs Loading the Song You Want to Edit Viewing the Data within a Track Using Different Sound Generators for Each Track 132 Assigning a Locate Position Moving to a Locate Position Loading Individual Tracks/Patterns of Song Data Silencing the Playback of a Track (Track Mute) Assigning Markers (Locate Positions) to a Song Specifying the Area of a Song that will Repeat (Loop Points) Basic Operation for Track Editing 133 Editing Sequencer Data Over the Specified Range (Track Edit)134 Aligning a Songs Timing (Quantize) 136 Erasing Unwanted Performance Data (Erase) 137 Copying Phrases (Copy) 138 Inserting a Blank Measure (Insert) Transpose the Key (Transpose)If You Want to Lower the Bass Sound One Octave... When You Want to Change Percussion Sounds... 139 Changing the Velocity (Volume) (Change Velocity) Changing the MIDI Channel (Change Channel) 140 Changing the Length of Notes (Change Duration) Combining Two Phrase Tracks or Patterns into One (Merge) 141 Extracting and Moving a Part of Sequencer Data (Extract) 142 Shifting Performance Data Forward and Back (Shift Clock) 143 Thinning Out the Sequencer Data (Data Thin) Swapping Two Phrase Tracks or Patterns (Exchange) Adjusting the Songs Playback Time (Time Fit) Deleting Blank Measures (Truncate) 144 Editing Individual Items of Sequencer Data (Micro Edit) Editing Sequencer Data (Basic Procedure in the Microscope) Editing a System Exclusive MessageSystem Exclusive Tune Request Channel Aftertouch Poly Aftertouch Pitch Bend Control Change Program Change ) Note ( 145 Sequencer Data Handled by a Phrase Track/Pattern Pattern Call Beat Change Tempo Change 146 Viewing Sequencer Data (View) Data Handled by the Tempo Track Data Handled by the Beat Track 147 Inserting Sequencer Data (Create) Erasing Sequencer Data (Erase) Moving Sequencer Data (Move) 148 Copying Sequencer Data (Copy) Changing the Tempo Midway Through the Song Changing the Time Signature Midway Through the Song 149 Assigning a Name to a Song (Song Name) 150 Saving/Loading a Song (Save/Load) Data saved together with a song Basic Procedure Saving a Song (Save)Parameters included in System Setup Saving a Song with Samples (Save Song+Smpls) 151 Saving a Song (Save Song) Saving Samples (Save all Samples) 152 Saving a Song as an SMF File (Save as SMF)153 Loading a Song (Load)Basic Procedure Loading a Song with Samples (Load Song+Smpls) Loading a song (Load Song) Loading Samples (Load all Samples) 154 Playing a Phrase at the Touch of a Finger (RPS)155 Playing a Phrase at the Touch of a Finger (RPS) Playing a Phrase at the Touch of a Finger (RPS) 156 Using the RPS Function While You Perform Recording a Performance Using the RPS Function 157 Adding Effects Making Effect Settings Turning Effects On and Off 158 Applying Effects in Patch ModeSpecifying How the Sound Will Be Output (Routing) 160 Applying Effects in Performance ModeSpecifying How the Sound Will Be Output (Routing) 162 Making Multi-Effects Settings (MFX13) Making Multi-Effects Settings (MFX Control) 163 Specifying the Multi-Effects Structure (MFX Structure) 164 Multi-Effects Parameters165 01: EQUALIZERLow Boost Boosts the volume of the lower range, creating powerful lows. 04: LOW BOOST 02: SPECTRUMThis is a four-band stereo equalizer (low, mid x 2, high). 03: ISOLATOR 4-Band EQ 4-Band EQ Spectrum Spectrum Isolator Low Boost Low Boost Isolator 166 05: SUPER FILTER07: ENHANCER 06: STEP FILTERThis is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound. Super Filter Super Filter Enhancer 2-Band 167 08: AUTO WAHOverdriveSpecifications of each Speaker Type 09: HUMANIZERCyclically controls a filter to create cyclic change in timbre. 10: SPEAKER SIMULATOR Adds a vowel character to the sound, making it similar to a human voice. Simulates the speaker type and mic settings used to record the speaker sound. The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Auto Wah Formant 2-Band R ou t Type Cabinet Speaker Micro- phone Speaker Speaker 11: PHASER 14: INFINITE PHASER 168 12: STEP PHASER 13: MULTI STAGE PHASER L in L out Phaser Phaser 2-Band 19: STEP PANThis uses a 16-step sequence to vary the panning of the sound. 170 20: SLICER 21: ROTARY Step Pan Step Pan Slicer Slicer 22: VK ROTARY 171 23: CHORUS24: FLANGER 25: STEP FLANGER 27: TREMOLO CHORUS 172 26: HEXA-CHORUS28: SPACE-D This is a chorus effect with added Tremolo (cyclic modulation of volume). Step Flanger Step Flanger Hexa Chorus Space D Space D 29: 3D CHORUS 30: 3D FLANGER 173 31: 3D STEP FLANGER174 32: 2BAND CHORUS 33: 2BAND FLANGER 34: 2BAND STEP FLANGERDistortion Overdrive DistortionSplit This is an overdrive that provides heavy distortion. 37: VS OVERDRIVE 36: DISTORTION 175 35: OVERDRIVE 38: VS DISTORTION Creates a soft distortion similar to that produced by vacuum tube amplifiers. High Band Step Flanger Low Band Step Flanger High Band Step Flanger Low Band Step Flanger Over drive 176 39: GUITAR AMP SIMULATOR 41: LIMITERSpecifications for each Speaker TypeThis is an effect that simulates the sound of a guitar amplifier. 40: COMPRESSOR The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. Compresses signals that exceed a specified volume level, preventing distortion from occurring. Compressor Limiter 177 A delay that provides a long delay time. When Feedback Mode is CROSS: 43: DELAY 42: GATE 44: LONG DELAY This is a stereo delay. When Feedback Mode is NORMAL: Gate Gate 45: SERIAL DELAYProduces three delay sounds; center, left and right. When Feedback Mode is CROSS: 46: MODULATION DELAY Adds modulation to the delayed sound. When Feedback Mode is NORMAL: 178 47: 3TAP PAN DELAY Delay 1 Delay 2 48: 4TAP PAN DELAYRev. Delay Multi Tap Delay 1 49: MULTI TAP DELAYStereo location of each delay This effect has four delays. 179 50: REVERSE DELAY Delay 1 Delay 2 Delay 3 Delay 4 23 4 LRDelay 1 Delay 3 Delay 4 Delay 2 Feed back 51: SHUFFLE DELAYR out 3D Delay C R A stereo delay in which the delay time can be varied smoothly. 52: 3D DELAY Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. 180 53: TIME CTRL DELAY A BL 3D Delay L 3D Delay R 2-Band EQ L out Time Ctrl Delay Time Ctrl Delay 2-Band EQ 54: LONG TIME CTRL DELAY 55: TAPE ECHO 181 56: LOFI NOISE In addition to a Lo-Fi effect, this adds various types of noise such as white noise and disc noise. Time Control Delay Tape Echo 182 Radio Compressor 59: TELEPHONE 60: PHONOGRAPHIn addition to a Lo-Fi effect, this effect also generates radio noise. 58: LOFI RADIO 57: LOFI COMPRESS This is an effect that intentionally degrades the sound quality for creative purposes. Compressor Phonograph Phonograph 183 61: PITCH SHIFTER (Feedback Pitch Shifter) 63: STEP PITCH SHIFTER 184 FLANGER 67: OVERDRIVE 65: GATED REVERBAdds reverberation to the sound, simulating an acoustic space. CHORUS 66: OVERDRIVE 64: REVERB 185 68: OVERDRIVE CHORUS 72: ENHANCER FLANGER 70: DISTORTION CHORUS 69: DISTORTION DELAY 71: DISTORTION DELAY 73: ENHANCER DELAY 75: CHORUS FLANGER 186 74: ENHANCER DELAY 76: FLANGER 78: SYMPATHETIC RESONANCE DELAY 187 77: CHORUS FLANGER 189 Making Chorus Settings 190 Making Reverb Settings 192 Settings Common to All Modes (System Function) System Information How to Make System Function Settings Saving the System Settings (System Write) [F1 (COMMON)] [F2 (AUTO LD)] 193 System Menu [F1 (GENERAL)] Functions of System Parameters194 [F3 (SOUND)] [F4 (USB)] 195 System Menu [F2 (KBD/CTRL)] [F1 (KBD)] [F2 (PDL BND)] 196 [F3 (KNOB SW)] [F4 (CTRL)] 197 System Menu [F3 (MIDI)]Fantom-Xa Fantom-Xa (External) [F1 (GENERL)] Using the Local SwitchConnecting the Fantom-Xa to an external sequencer Local Off 198 [F2 (TX)] [F4 (MMC MTC)] [F3 (RX)] 200 System Menu [F4 (SEQ/TEMPO)] [F1 (METRO)] [F3 (SYNC)] [F2 (REC TRK)] 201 System Menu [F5 (D BEAM)] [F1 (GENERL)] [F3 (ASSIGN)] [F2 (TRIGGER)] 202 [F4 (DB SYN)] 203 Data Management Functions/ Reset to Factory Settings (Factory Reset) UTILITY MENU screen Backing Up User Data (User Backup) Restoring User Data that You Backed Up (User Restore) Factory Reset Initializing a Memory Card (Card Format) 204 File-Related Functions (File Utility) Basic ProcedureAUDIO_IMPORT TMP ROLAND : Not used with the Fantom-Xa (User, Card) PNL SEQ SMPL SND SNG BMP TEXT File-Related Functions (File Utility) 205 Copying a File (Copy) Deleting a File (Delete) Moving a File (Move) Initializing a Memory Card (Card Format) 206 Connecting to Your Computer via USB207 Transferring Files to or from Your Computer (Storage Mode)Specify the Connection-Destination Connections Cautions Regarding Folders and Files Driver Installation and Settings 209 Exchanging MIDI Messages with Your Computer (MIDI Mode)Caution when disconnecting the USB cableWhat is the USB MIDI Driver? 210 Using Fantom-X Editor Installing Fantom-X Editor into Your Computer Making Connections 211 Fantom-X Editor System RequirementsSystem Requirements (Windows) System Requirements (Mac OS) 212 About V-LINK Local Switch Pad Mode What is V-LINK? Connection Example About V-LINK 213 V-LINK Parameters Resetting the Image 214 Installing the Wave Expansion Board Cautions When Installing a Wave Expansion Board How to Install a Wave Expansion Board Installing the Wave Expansion Board 215 Checking the Installed Wave Expansion Board 216 Expanding the Memory Precautions for Expanding Memory How to Expand the Memory Expanding the Memory Specifications of the expansion memory (DIMM) that can be used 217 Removing the Memory 218 Using a Memory Card Writing data to the card Before Using the Memory Card Installing the PC Card Protector 219 Troubleshooting Problems Concerning the Entire Fantom-Xa Issues Related to Sound 221 Issues Related to Effects Issues Related to Saving Data 222 Issues Related to Sequencer 223 Issues Related to MIDI and External Devices 224 Issues Related to Sampling Issues Related to a Memory Card 225 Error Messages226 Performance List CARD (Card Group) USER (User Group) PRST (Preset Group) 228 PR-A (Preset A Group) PR-B (Preset B Group)CC#0 = 87, CC#32 = 64 CC#0 = 87, CC#32 = 65 229 PR-C (Preset C Group) PR-D (Preset D Group)CC#0 = 87, CC#32 = 66 CC#0 = 87, CC#32 = 67 230 PR-E (Preset E Group) PR-F (Preset F Group)CC#0 = 87, CC#32 = 68 CC#0 = 87, CC#32 = 69 231 GM (GM2 Group)Voice: number of voice LSB: Bank Select LSB (CC#32), MSB (CC#0) is all 121 PC: Program Change Number CARD (Card Group) GM2 (GM2 Group) 232 Rhythm Set List239 GM (GM2 Group) 240 GM (GM2 Group) 241 Waveform List242 Waveform List 243 Waveform List 244 Arpeggio Style List/Chord Form List Chord Form List Arpeggio Style List 245 Rhythm Group List USER (User Group) PRST (Preset Group) 246 Rhythm Pattern List247 Rhythm Pattern List Recommended Recommended Recommended Recommended 248 About MIDI MIDI THRU Connector MIDI OUT Connector MIDI IN Connector About MIDI Connectors MIDI Channels and Multi-timbral Sound GeneratorsGeneral MIDI General MIDI 2 MIDI Implementation Chart (Sound Generator Section) Model Fantom-Xa Date : Aug. 1, 2004 Version : 1.00 249 MIDI Implementation Chart MIDI Implementation Chart (Sequencer Section) Model Fantom-Xa Date : Aug. 1, 2004 Version : 1.00 250 MIDI Implementation Chart251 Specifications Sequencer Section Sampling Section Sound Generator Section 252 Others253 IndexC B A Numerics Symbols 254 F E D 255 K J I H G 256 M L 258 Q P 259 S R 260 T 261 W V U 262 Z NOTICE AVIS 263 FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENTDECLARATION OF CONFORMITY Compliance Information Statement264 InformationAs of August 20, 2004 (ROLAND) To stop the song, press [EXIT]. 985 Thank you, and congratulations on your choice of the Roland Fantom-Xa.NORTH AMERICA MIDDLE EAST ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA PHILIPPINES SINGAPORE TAIWAN THAILAND VIETNAM AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU ITALY NORWAY POLAND PORTUGAL ROMANIA RUSSIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN CYPRUS IRAN TRINIDAD URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CZECH REP. DENMARK FINLAND GERMANY GREECE HUNGARY IRELAND ISRAEL JORDAN KUWAIT LEBANON QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA Listening to the Demo Song
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