179
Adding Effects

48: 4TAP PAN DELAY

This effect has four delays.
fig.MFX-48a
fig.MFX-48b
Stereo location of each delay

49: MULTI TAP DELAY

This effect provides four delays. Each of the Delay Time parameters
can be set to a note length based on the selected tempo. You can also
set the panning and level of each delay sound.
fig.MFX-49
50: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.
fig.MFX-50
Parameter Value Explanation
Delay 1–4
Time
0–2600 ms,
note
Adjusts the time until the delay sound
is heard.
Delay 1
Feedback #
-98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Delay 1–4
Level
0–127 Volume of each delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Parameter Value Explanation
Delay 1–4
Time
0–2600 ms,
note
Adjusts the time until Delays 1–4 are
heard.
Delay 1
Feedback #
-98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
the high frequencies, set this parameter
to BYPASS.
Delay 1–4
Pan
L64–63R Stereo location of Delays 1–4
Delay 1–4
Level
0–127 Output level of Delays 1–4
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
L in
R in
L out
R out
Quadruple Tap Delay
Balance W
Balance D
Balance W
Balance D
Delay 1Delay 2Delay 3Delay 4
Feedback

1

23

4

LR

L in
R in
L out
R out
Multi Tap Delay
Balance W
Balance D
Balance W
Balance D
Delay 1Delay 3Delay 4Delay 2Feedback
2-Band
EQ
2-Band
EQ
Balance # D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
Parameter Value Explanation
Threshold 0–127 Volume at which the reverse
delay will begin to be applied
Rev Delay
Time
0–1300 ms, note Delay time from when sound
is input into the reverse delay
until the delay sound is heard
Rev Delay
Feedback #
-98– +98% Proportion of the delay sound
that is to be returned to the in-
put of the reverse delay (nega-
tive values invert the phase)
Rev Delay HF
Damp
200–8000 Hz,
BYPASS
Frequency at which the high-
frequency content of the re-
verse-delayed sound will be
cut (BYPASS: no cut)
Rev Delay Pan L64–63R Panning of the reverse delay
sound
Rev Delay
Level
0–127 Volume of the reverse delay
sound
Delay 1 – 3
Time
0–1300 ms, note Delay time from when sound
is input into the tap delay un-
til the delay sound is heard
Delay 3 Feed-
back #
-98– +98% Proportion of the delay sound
that is to be returned to the in-
put of the tap delay (negative
values invert the phase)
Delay HF
Damp
200–8000 Hz, BY-
PASS
Frequency at which the low-
frequency content of the tap
delay sound will be cut (BY-
PASS: no cut)
Delay 1 Pan’,
‘Delay 2 Pan
L64–63R Panning of the tap delay
sounds
Delay 1 Level’,
‘Delay 2 Level
0–127 Volume of the tap delay
sounds
Low Gain -15– +15 dB Amount of boost/cut for the
low-frequency range
High Gain -15– +15 dB Amount of boost/cut for the
high-frequency range
Balance # D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and delay
sound (W)
Level 0–127 Output volume
Parameter Value Explanation
Feedback
L in
R in
Rev. Delay
L out
R out
2-Band
EQ
2-Band
EQ
Rev
Delay
D2
D1
D3
Fantom-Xa_e.book 179 ページ 2004年10月22日 金曜日 午後2時3分