Using the internal sound generator
Envelope
The sound of a musical instrument changes over time from the |
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moment the note begins until it ends. Such change can be expressed |
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by the graph shown below. The shape of this change is distinctive of |
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that particular instrument, and is an important factor that allows us |
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to recognize the type of instrument. This shape is called the |
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“envelope.” |
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| Cutoff frequency | ||||||
The envelope of a musical instrument sound will |
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| A: Attack time |
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change depending on how the instrument is played. For |
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Cutoff frequency |
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| D: Decay time |
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example, when a trumpet is blown strongly, the sound |
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| R: Release time |
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will have a sharp and rapid attack, but when blown |
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| Envelope |
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gently, the attack will be softer. |
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To adjust the sharpness of the attack, you can edit the |
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Attack Time of the envelope. By adjusting the envelope |
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| Time |
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parameters in this way, you can express a wide variety |
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Level |
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of the characteristics of an instrument. |
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| Note On |
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| Note Off |
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The shape of the envelope that you specify in this way |
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will also affect the movement of the cutoff frequency. |
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If the cutoff frequency is lowered, it will rise as the envelope rises and fall as the envelope falls. | |||||||||||||
Release Time (TVF&TVA Release) [cc#72] |
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This adjusts the time from when you release the key
Attack Time (TVF&TVA Attack) [cc#73] |
This adjusts the sharpness with which the note begins.
Decay Time (TVF&TVA Decay) [cc#75] |
This adjusts the time from when the attack has been completed until the sustain level is reached (figure 1).
*For some sounds, the sustain level is 0 (figure 2). For example, this is the case for piano or
*For some sounds, adjusting the various envelope times may not make any audible difference.
figure 1
Volume
Sounds ends
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| Sustain Level |
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| Time |
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| A | D |
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Note On |
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| Note Off |
figure 2
Volume |
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| A: Attack time | |
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| D: Deacy time | ||
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| Sounds ends | R: Release time | |||
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| Time |
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| A | D |
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Note On |
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| Note Off |
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internal the Using generator sound
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