MODE ADJUST
MC-12
5-9

PRO LOGIC

• Designed for playback of Dolby Surround-encoded sources.
• Decodes four channels from Dolby Surround-encoded sources.
• Uses a mono surround channel with a high-frequency rolloff
above 7kHz.
• Available for comparison purposes, particularly with the
FILM, PLII MOVIE, and FILM listening modes.
Parameter
OUTPUT LEVELS Refer to page 5-32
CUSTOM Refer to page 5-33
Listening mode menu parameter descriptions begin on page 5-34.

FILM & MUSIC

OR
• Designed for playback of matrix-encoded digital stereo film or
music sources.
• Derive six channels when both side and rear speakers are
present (rear channels will be in parallel). Derives five channels
when only side or rear speakers are present. The LFE channel,
also referred to as the .1 channel, is generated through bass
management in the MC-12.
dts NEO:6 MUSICdts NEO:6 FILMMODE ADJUST
RR
R
@*PRO LOGICMODE ADJUST
Parameter
OUTPUT LEVELS Refer to page 5-32
CUSTOM Refer to page 5-33
Listening mode menu parameter descriptions begin on page 5-34.
Note the following:
• The listening modes cannot be selected as the
preferred listening mode for 2-channel sources. However, when
the INPUT SETUP menu 2-CH parameter is set to USE LAST, the
MC-12 will activate a listening mode if a
listening mode was activated the last time a 2-channel source
was present.
• The MC-12 will not activate a listening mode unless
a 44.1 or 48kHz PCM digital source is present. The
listening modes are not compatible with 88.2 or 96kHz, Dolby
Digital, or analog sources.
• The listening modes can be activated with the front
panel or remote control Mode buttons. In addition, the
FILM listening mode can be activated with the remote control
dts button when a 2-channel source is present.
R
R
R
R
RR
R
RR