Setting menus
SCENE FILE screen
Item/ | Description of settings | |
(display mode) | ||
| ||
|
| |
|
| |
DETAIL LEVEL | For adjusting the detail amount. | |
(Camera) | ||
|
| |
V DETAIL | For adjusting the strength of the outline | |
(Camera) | compensation in the vertical direction of the | |
| images. | |
| ||
|
| |
DTL CORING | For adjusting the level at which the noise in | |
(Camera) | the detail signals is to be eliminated. | |
| ||
| When this is adjusted in the | |
| clearer images are produced but the noise | |
| increases slightly. | |
| When it is adjusted in the “+” direction, the | |
| noise decreases. | |
|
| |
CHROMA LEVEL | For adjusting the chroma level. | |
(Camera) | ||
|
| |
CHROMA | For finely adjusting the chroma phase. | |
PHASE (Camera) | ||
|
| |
COLOUR TEMP | For finely adjusting the colour temperature | |
(Camera) | (for performing fine adjustments after the | |
| white balance has been adjusted). | |
| ||
|
| |
MASTER PED | For adjusting the black master pedestal | |
(Camera) | which serves as the video reference. | |
| ||
|
| |
A. IRIS LEVEL | For setting the auto iris target value. | |
(Camera) | ||
|
|
The underlining indicates the factory setting.
Item/ |
| Description of settings |
|
|
| |||
(display mode) |
|
|
|
| ||||
|
|
|
|
|
|
|
| |
|
|
|
|
|
| |||
|
|
|
|
|
| |||
GAMMA |
| For selecting the gamma curve. |
|
|
| |||
(Camera) |
| LOW: |
|
|
|
|
|
|
|
| Using a gamma curve with a moderate | ||||||
|
| gradient for the | ||||||
|
| images are given a calm, composed look. | ||||||
|
| A sharp touch is conveyed by the contrast. | ||||||
|
| NORM: |
|
|
|
|
|
|
|
| Standard images are produced. |
|
|
| |||
|
| HIGH: |
|
|
|
|
|
|
|
| Using a gamma curve with a sharp | ||||||
|
| gradient for the | ||||||
|
| gradations of the dark areas are | ||||||
|
| extended to make them appear brighter. | ||||||
|
| A soft touch is conveyed by the contrast. | ||||||
|
| B.PRESS: |
|
|
|
|
|
|
|
| Images giving the sense of a sharper contrast | ||||||
|
| than at the LOW setting are produced. |
|
| ||||
|
|
|
|
|
|
|
| |
|
| The gamma curve which gives the | ||||||
|
| images a | ||||||
|
| Images with less noise than at the | ||||||
|
| CINE_LIKE_D setting are produced. |
|
| ||||
|
|
|
|
|
|
|
| |
|
| The dynamic range is higher than at the | ||||||
|
| CINELIKE setting. |
|
|
|
| ||
|
|
|
|
|
|
|
| |
|
| This uses the gamma curve for finishing | ||||||
|
| the images into | ||||||
|
| priority is given to contrast. |
|
|
| |||
|
|
|
| |||||
|
| In order to make full use of the CINE- |
| |||||
|
| LIKE gamma characteristics, it is |
| |||||
|
| recommended that the lens iris be set |
| |||||
|
| lower (by approx. 1/2) than the regular |
| |||||
|
| video level. |
|
|
|
|
| |
|
|
|
| |||||
|
|
|
|
|
|
|
|
|
KNEE |
| For setting the level (knee point) at which | ||||||
(Camera) |
| the | ||||||
|
| the CCD are to be compressed in order to | ||||||
|
| minimize colour saturation in the highlights | ||||||
|
| of the image. |
|
|
|
|
| |
|
| AUTO: The knee point is set automatically in | ||||||
|
| accordance with the signals sensed. | ||||||
|
| LOW: The knee point is set on the low side | ||||||
|
| (with | compression | starting | from | |||
|
| around 80%). |
|
|
|
|
| |
|
| MID: The knee point is set at an interim value | ||||||
|
| (with compression starting from around | ||||||
| 90%). |
|
|
|
|
|
| |
|
| HIGH: The knee point is set on the high side | ||||||
|
| (with compression starting from around | ||||||
| 100%). |
|
|
|
|
| ||
|
|
|
| |||||
MATRIX |
| For selecting the matrix table and | ||||||
(Camera) |
| expressing the colours during shooting. |
|
| ||||
|
| NORM1: | Colors | suited | to | shooting | ||
|
|
| outdoors or under light sources | |||||
|
|
| using | halogen | lamps | are | ||
|
|
| expressed. |
|
|
|
| |
|
| NORM2: | More vivid colors are expressed | |||||
|
|
| than with the NORM1 setting. | |||||
|
| FLUO: | Colours | suited | to | shooting | ||
|
|
| indoors under fluorescent light | |||||
|
|
| sources are expressed. |
|
| |||
|
| |||||||
|
|
| shooting are expressed. |
|
| |||
|
|
|
|
|
|
|
|
|
40 (E)