Listening to your system | 05 |
Setting | What it does | Option(s) | |
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EQ | Switches on/off the effect of Acoustic Calibration EQ. | ON | |
(Acoustic Calibration |
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| OFF | ||
EQ) |
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S.DELAY | Some monitors have a slight delay when showing video, so | 0.0 to 9.0 (frames) | |
(Sound Delay) | the soundtrack will be slightly out of sync with the picture. | 1 second = 30 frames | |
| By adding a bit of delay, you can adjust the sound to match | (NTSC) | |
| the presentation of the video. | Default: 0.0 | |
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MIDNIGHTa | Allows you to hear effective surround sound of movies at | M/L OFF | |
| low volumes. |
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| MIDNIGHT | ||
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LOUDNESSa | Used to get good bass and treble from music sources at |
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LOUDNESS | |||
| low volumes. | ||
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S.RTVb | When audio data is removed during the WMA/MP3c | OFF | |
(Sound Retriever) | compression process, sound quality often suffers from an |
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ON | |||
| uneven sound image. The Sound Retriever feature employs | ||
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| new DSP technology that helps bring CD quality sound |
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| back to compressed |
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| pressure and smoothing jagged artifacts left over after |
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| compression. |
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DUAL MONOd | Specifies how dual mono encoded Dolby Digital | CH1 – | |
| soundtracks should be played. | Channel 1 is heard only | |
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| CH2 – | |
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| Channel 2 is heard only | |
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| CH1 CH2 – | |
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| Both channels heard | |
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| from front speakers | |
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DRC | Adjusts the level of dynamic range for movie soundtracks | AUTOe | |
(Dynamic Range | optimized for Dolby Digital, DTS, Dolby Digital Plus, Dolby |
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MAX | |||
Control) | TrueHD, | ||
| need to use this feature when listening to surround sound |
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| MID | ||
| at low volumes). | ||
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| OFF | |
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LFE ATT | Some Dolby Digital and DTS audio sources include ultra- | 0 (0 dB) | |
(LFE Attenuate) | low bass tones. Set the LFE attenuator as necessary to |
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5 | |||
| prevent the | ||
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| from the speakers. | 10 | |
| The LFE is not limited when set to 0 dB, which is the |
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| 15 | ||
| recommended value. When set to | ||
| limited by the respective degree. When OFF is selected, no |
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| 20 | ||
| sound is output from the LFE channel. | ||
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| ** (OFF) | |
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SACD G.f | Brings out detail in SACDs by maximizing the dynamic | 0 (dB) | |
(SACD Gain) | range (during digital processing). |
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+6 (dB) | |||
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HDMI | Specifies the routing of the HDMI audio signal out of this | AMP | |
(HDMI Audio) | receiver (amp) or through to a TV or flat panel TV. When |
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THRU | |||
| THRU is selected, no sound is output from this receiver. | ||
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