Chapter 9 Examples of Applications Using the XV-3080

Controlling the TMT with the LFO and Changing the Tone’s Cycle Time

When TMT (Tone Mix Table) is selected as the Matrix Control destination, you can use the Control Source controller to change the time at which Tones in a Patch are played.

Here is an example of a Patch using LFO1 as a Control Source. The time at which the Tone is played is based on the LFO1’s amplitude value.

1.Select “PR-E:043 Morph Pad” on the PATCH PLAY page.

2.In the TMT VEL RANGE page (PATCH-COMMON, p. 86), set the Lower and Upper Velocity Range values for Tones 1 and 2.

*In this case, you can use the Palette function (p. 90) to display the Velocity Range settings of four Tones in one screen, making it easier to adjust these settings.

Set the Velocity Range for both of the tones as follows.

 

L

:

U

tone = 1

1

:

64

tone = 2

65

:

127

3.In the TMT VEL RANGE page (PATCH-COMMON, set the Velocity Fade L.Fade and U.Fade settings to 10 for Tones 1 and 2.

This makes the Tones fade in and out smoothly outside their velocity ranges.

4.On the TMT VELO CONTROL page (PATCH- COMMON), set the TMT Velocity Control to OFF.

This setting disables the Velocity Range settings made in Step 2 and causes the two Tones to sound simultaneously, regardless of the velocity – the force with which keys are played – received from your MIDI keyboard or sequencer.

5.In the CTRL&BENDER page (PATCH-MIDI, p. 99), set TMT Ctrl Sw to ON.

This setting allows the TMT to be controlled by the Matrix Control Controller. The following chart shows all the relationships between the TMT Velocity Control and TMT Ctrl Sw.

 

(1)

(2)

(3)

(4)

[TMT Velocity Control]

ON

OFF

ON

OFF

[TMT Ctrl Sw]

OFF

OFF

ON

ON

(1)(3): The Velocity Control settings are enabled, and the two Tones are switched on or off according to the velocity data received from the MIDI keyboard or sequencer.

(2): The Velocity Control settings and TMT control by Matrix

Control are disabled, and the two Tones play simultaneously, regardless of the velocity data received from the MIDI keyboard or sequencer.

(4): TMT Matrix Control is enabled, and the timing of the Tones changes according to the Control Source controller data.

*The TMT Velocity Control settings are given priority when both TMT Velocity Control and TMT Ctrl Sw are set to ON.

6.Select LFO1 as the Control1 source in the MATRIX CTRL SRC page (PATCH-CONTROL, p. 100).

7.In the MATRIX CONTROL1 page (PATCH-CONTROL), set DEST1 as shown below.

Dest: TMT

Sns: +63

Tone: o o _ _ (applied to Tone 1 and 2)

8.In each Tone’s LFO1 WAVE page (PATCH-CONTROL), set the Form and Rate for each of the Tones as shown below.

tone=1 tone=2

Form:

SIN

SIN

Rate:

64

127

9.Select the Number for Tones 1 and 2 on the WAVE page ([PATCH]-[WAVE], p. 91).

*You can use the Palette function (p. 90) to display the Number for four Tones in one window, making it easier to make these settings.

10.Press [EXIT] to return to the PATCH PLAY page.

Other possible applications include synchronizing the Control Source LFO rate to the tempo, assigning Modulation and other parameters to the Control Source, and changing the Tone in realtime from a MIDI keyboard or other such device.

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Image 140
Roland XV-3080 owner manual 140, Dest TMT Sns +63, Tone=1 tone=2
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XV-3080 specifications

The Roland XV-3080 is a powerful and versatile sound module that has become a favorite among musicians, producers, and composers since its release in the late 1990s. This module is renowned for its extensive sound library, advanced synthesis capabilities, and user-friendly interface, making it a staple in studios and on stages worldwide.

One of the standout features of the XV-3080 is its impressive range of sounds. It boasts 1,024 preset sounds and 256 user patches, which can be expanded with Roland's SR-JV80 expansion boards to access even more diverse sounds. The XV-3080 is equipped with a Waveform Memory of 128 MB, providing high-quality samples and ensuring rich, detailed sound. The module also features a powerful multitimbral engine, allowing up to 16 simultaneous parts to be played, making it an ideal choice for complex arrangements and live performances.

Another key technology in the XV-3080 is its advanced SuperNATURAL technology. This innovation enhances traditional sample playback by incorporating physical modeling, enabling more expressive and nuanced tones. Musicians can take advantage of features like dynamic layering and velocity-sensitive control, adding an organic quality that is often missing in digital instruments.

The built-in effects processor is another highlight, offering a wide range of high-quality effects, including reverb, chorus, flanger, and distortion. These effects can be applied to individual parts or used globally, allowing for creative sound design and customization. The XV-3080 also supports real-time editing, letting users tweak parameters on the fly, which is particularly useful in live settings.

Connectivity is plentiful on the XV-3080, with MIDI In/Out, as well as digital and analog outputs. This allows for seamless integration with other equipment, whether it's a DAW, a keyboard controller, or an audio interface.

The XV-3080's intuitive interface, featuring a bright LCD screen and a straightforward layout, makes navigating through options quick and easy. Musicians can spend less time fumbling with settings and more time focusing on their music.

In summary, the Roland XV-3080 is a sophisticated sound module that combines cutting-edge technology with user-friendly features. Its extensive sound library, advanced synthesis capabilities, and solid effects processing make it an essential tool for any serious musician or producer looking to create professional-quality music.
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