Sw (Portamento switch) ON/OFF

Turn this switch on when you wish to use Portamento.

Time (Portamento time) 0–127

This sets the time over which one pitch will glide to the next.

Mode (Portamento mode)

Ths selects the way in which Portamento will be applied. NORMAL:Portamento will always be applied. LEGATO:Portamento will be applied only for notes played legato (i.e., when you press a second key before releasing the first.

Type (Portamento type)

This determines the way in which the pitch difference between the two notes will affect the time it takes to glide from one note to the next.

RATE:The time it takes will depend on the distance between the two pitches.

TIME:The time it takes will be constant, regardless of how far apart in pitch the notes are.

Start (Portamento start)

Portamento will begin anew if you press another key during a pitch movement. This setting specifies how the new portamento will start.

PITCH:The pitch will begin changing immediately to the new note’s pitch when its key is pressed.

Pitch

C5

D4

C4

Time

press D4 key press C5 key

press C4 key

NOTE:The pitch will begin changing to the new note’s pitch only after it has first reached its original pitch destination.

Pitch

C5

D4

C4

Time

press D4 key

press C5 key

press C4 key

Chapter 4 Creating a Patch

CTRL Rx MIDI (Tone control receive MIDI)

These settings determine each Tone’s response to received Pitch Bend, Expression, Pan, Hold1, Damper, and Envelope Mode MIDI messages.

Bender (Tone receive bender) OFF/ON

If you want the Tone to respond to Pitch Bend messages, turn this parameter on. If not, turn it off.

Expression (Tone receive expression) OFF/ON

If you want the Tone to respond to Expression messages, turn this on. If not, turn it off.

Pan Mode (Tone receive pan mode)

CONTINUOUS:Pan messages will be responded to immediately, instantly changing the stereo position of the Tone.

KEY-ON:The stereo location of the Tone will be changed only when the next note is played. If a Pan message is received while a note is sounding, its stereo location will not change.

Hold-1 (Tone receive hold 1) OFF/ON

Set this to ON if you wish the tone to respond to Hold1 messages – these messages cause sounds to continue playing when a sustain/damper pedal is pressed. Set this to OFF when you do not want the Tone to respond to Hold1 messages.

Redamper (Tone redamper switch) OFF/ON

If a Hold 1 message is received during the time between a note-off – when you release the key – and the time at which the note actually disappears, any currently sounding notes will be sustained if Redamper is set to ON. To take advantage of this feature, you must also turn on the Tone Receive Hold 1 setting.

Envelope Mode (Tone envelope mode) NO-

SUSTAIN/SUSTAIN

When a loop-type waveform is selected, it will normally continue to sound as long as a key is pressed. If you want a note to decay naturally even when the key remains pressed, set this to “NO-SUSTAIN.”

*If a one-shot type Wave is selected, it will not sustain even if this parameter is set to “SUSTAIN.”

CONTROL&BENDER (TMT control & Bender)

This sets the TMT control switch and the bend range.

Chapter 4

99

Page 98 Page 100
Page 99
Image 99
Roland XV-3080 owner manual Creating a Patch Ctrl Rx Midi Tone control receive Midi, CONTROL&BENDER TMT control & Bender
Page 98 Page 100

XV-3080 specifications

The Roland XV-3080 is a powerful and versatile sound module that has become a favorite among musicians, producers, and composers since its release in the late 1990s. This module is renowned for its extensive sound library, advanced synthesis capabilities, and user-friendly interface, making it a staple in studios and on stages worldwide.

One of the standout features of the XV-3080 is its impressive range of sounds. It boasts 1,024 preset sounds and 256 user patches, which can be expanded with Roland's SR-JV80 expansion boards to access even more diverse sounds. The XV-3080 is equipped with a Waveform Memory of 128 MB, providing high-quality samples and ensuring rich, detailed sound. The module also features a powerful multitimbral engine, allowing up to 16 simultaneous parts to be played, making it an ideal choice for complex arrangements and live performances.

Another key technology in the XV-3080 is its advanced SuperNATURAL technology. This innovation enhances traditional sample playback by incorporating physical modeling, enabling more expressive and nuanced tones. Musicians can take advantage of features like dynamic layering and velocity-sensitive control, adding an organic quality that is often missing in digital instruments.

The built-in effects processor is another highlight, offering a wide range of high-quality effects, including reverb, chorus, flanger, and distortion. These effects can be applied to individual parts or used globally, allowing for creative sound design and customization. The XV-3080 also supports real-time editing, letting users tweak parameters on the fly, which is particularly useful in live settings.

Connectivity is plentiful on the XV-3080, with MIDI In/Out, as well as digital and analog outputs. This allows for seamless integration with other equipment, whether it's a DAW, a keyboard controller, or an audio interface.

The XV-3080's intuitive interface, featuring a bright LCD screen and a straightforward layout, makes navigating through options quick and easy. Musicians can spend less time fumbling with settings and more time focusing on their music.

In summary, the Roland XV-3080 is a sophisticated sound module that combines cutting-edge technology with user-friendly features. Its extensive sound library, advanced synthesis capabilities, and solid effects processing make it an essential tool for any serious musician or producer looking to create professional-quality music.
Top Page Image Contents