*It is not possible for the settings of all Parts to total an amount greater than 128. The remaining number of available voices will be displayed to the left of this value (Rest=). Pay attention to this readout as you make set the Voice Reserve parameter.

Calculating the Number of Voices Being Used

The number of notes that the XV-3080 can sound simultaneously depends on the number of Tones in the Patches you are using and the number of keys being pressed. For example, if you play one note using a Patch that consists of only one Tone, you will use up one voice of polyphony. XV-3080 tones may use two Waves, and when Patches are composed of these tones, this doubles the two sounds. When two keys are pressed, and the Patch for each key pressed uses four tones each having two Waves, a total of sixteen voices is used.

This number is obtained by figuring (the number of tones with one Wave + the number of tones with two Waves x 2) x the number of keys pressed.

The XV-3080 is able to play up to 128 Tones simultaneously. When you are using the XV-3080 multitimbrally, keep this in mind, and adjust your Voice Reserve settings so that each Part is guaranteed at least the minimum number of voices it requires.

Editing Sounds’ Attack and

Release Time ([PART]-[PART

MODIFY])

You can determine how a Part will pay a sound by setting it to modify the sound’s programmed cutoff frequency, Resonance, Velocity Sense, and TVF and TVA Envelope attack and release time settings.

PART MODIFY

Cut (Part cutoff offset)-63–0–+63

This raises or lowers the TVF cutoff frequency settings for each of the Tones in the Part’s sound.

Res (Part resonance offset)-63–0–+63

This raises or lowers the TVF Resonance settings for each of the Tones in the Part’s sound.

Atk (Part attack time offset)

This raises or lowers the TVF/TVA attack time (T1) settings for each of the Tones in the Part’s sound.

*Patches also contain an Atk time offset setting. The final TVF/ TVA Envelope attack time value is therefore the sum of the

Chapter 5 Creating a Performance

Tone’s TVF/TVA ENVELOPE T1 setting, the Patch’s Atk time offset, and the Part’s Atk time offset. If the Patch’s Atk time offset is already set to 127, there will be no change produced by setting the Part’s Atk time offset to a positive value.

Rel (Part release time offset)

This raises or lowers the TVF/TVA release time (T4) settings for each of the Tones in the Part’s sound.

*Patches also contain a Rel time offset setting. The final TVF/ TVA Envelope release time value is therefore the sum of the Tone’s TVF/TVA ENVELOPE T4 setting, the Patch’s Rel time offset, and the Part’s Rel time offset. If the Patch’s Rel time offset is already set to 127, there will be no change produced by setting the Part’s Rel time offset to a positive value.

Velocity Sens (Part velocity sensitivity offset)

This raises or lowers the VELOCITY V-Cutoff and the TVA V-Sens settings for each of the Tones in the Part’s sound.

* Patches also contain a Velocity Sens offset setting.

A Tone’s ultimate TVF V-Cutoff and TVA V-Sens values are therefore the sum of the Tone’s TVF V-Cutoff and TVA V- Sens settings, the Patch’s Velocity Sens offset and the Part’s Velocity Sens offset . If the Patch’s Velocity Sens offset is already set to 127, there will be no change produced by setting the Part’s Velocity Sens Offset to a positive value.

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Roland XV-3080 owner manual Editing Sounds’ Attack Release Time PART-PART, Part Modify, 105
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XV-3080 specifications

The Roland XV-3080 is a powerful and versatile sound module that has become a favorite among musicians, producers, and composers since its release in the late 1990s. This module is renowned for its extensive sound library, advanced synthesis capabilities, and user-friendly interface, making it a staple in studios and on stages worldwide.

One of the standout features of the XV-3080 is its impressive range of sounds. It boasts 1,024 preset sounds and 256 user patches, which can be expanded with Roland's SR-JV80 expansion boards to access even more diverse sounds. The XV-3080 is equipped with a Waveform Memory of 128 MB, providing high-quality samples and ensuring rich, detailed sound. The module also features a powerful multitimbral engine, allowing up to 16 simultaneous parts to be played, making it an ideal choice for complex arrangements and live performances.

Another key technology in the XV-3080 is its advanced SuperNATURAL technology. This innovation enhances traditional sample playback by incorporating physical modeling, enabling more expressive and nuanced tones. Musicians can take advantage of features like dynamic layering and velocity-sensitive control, adding an organic quality that is often missing in digital instruments.

The built-in effects processor is another highlight, offering a wide range of high-quality effects, including reverb, chorus, flanger, and distortion. These effects can be applied to individual parts or used globally, allowing for creative sound design and customization. The XV-3080 also supports real-time editing, letting users tweak parameters on the fly, which is particularly useful in live settings.

Connectivity is plentiful on the XV-3080, with MIDI In/Out, as well as digital and analog outputs. This allows for seamless integration with other equipment, whether it's a DAW, a keyboard controller, or an audio interface.

The XV-3080's intuitive interface, featuring a bright LCD screen and a straightforward layout, makes navigating through options quick and easy. Musicians can spend less time fumbling with settings and more time focusing on their music.

In summary, the Roland XV-3080 is a sophisticated sound module that combines cutting-edge technology with user-friendly features. Its extensive sound library, advanced synthesis capabilities, and solid effects processing make it an essential tool for any serious musician or producer looking to create professional-quality music.
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