MIDI Implementation

*The Tone Level parameter (PATCH/TONE) of Tone 2 will change.

General Purpose Controller 7 (Controller number 82)

Status

2nd byte

3rd byte

BnH

52H

vvH

n = MIDI channel number:

0H - FH (Ch.1 - 16)

vv = Control value:

00H - 7FH (0 - 127)

*The Tone Level parameter (PATCH/TONE) of Tone 3 will change.

General Purpose Controller 8 (Controller number 83)

Status

2nd byte

3rd byte

BnH

53H

vvH

n = MIDI channel number:

0H - FH (Ch.1 - 16)

vv = Control value:

00H - 7FH (0 - 127)

*The Tone Level parameter (PATCH/TONE) of Tone 4 will change.

Portamento control (Controller number 84)

Status

2nd byte

3rd byte

BnH

54H

 

kkH

n = MIDI channel number:

0H

- FH (Ch.1 - 16)

kk = source note number:

00H

- 7FH (0 - 127)

*A Note-on received immediately after a Portamento Control message will change continuously in pitch, starting from the pitch of the Source Note Number.

*If a voice is already sounding for a note number identical to the Source Note Number, this voice will continue sounding (i.e., legato) and will, when the next Note-on is received, smoothly change to the pitch of that Note-on.

*The rate of the pitch change caused by Portamento Control is determined by the Portamento Time value.

Effect 1 (Reverb Send Level) (Controller number 91)

Status

2nd byte

3rd byte

BnH

5BH

vvH

n = MIDI channel number:

0H - FH (Ch.1 - 16)

vv = Reverb Send Level: 00H - 7FH (0 - 127)

*In Performance mode the Part Part Reverb Send Level parameter (PERFORM/PART) will change.

Effect 3 (Chorus Send Level) (Controller number 93)

Status

2nd byte

3rd byte

BnH

5DH

vvH

n = MIDI channel number:

0H - FH (Ch.1 - 16)

vv = Chorus Send Level: 00H - 7FH (0 - 127)

*In Performance mode the Part Part Chorus Send Level parameter (PERFORM/PART) will change.

RPN MSB/LSB (Controller number 100, 101)

Status

2nd byte

3rd byte

BnH

65H

mmH

BnH

64H

llH

n = MIDI channel number:

0H - FH (Ch.1 - 16)

mm= upper byte (MSB) of parameter number specified by RPN ll = lower byte (LSB) of parameter number specified by RPN

<<< RPN >>>

Control Changes include RPN (Registered Parameter Numbers), which are extended When using RPNs, first the RPN (Controller numbers 100 and 101; they can be sent in any

This device receives the following RPNs.

RPN Data entry

 

 

 

MSB, LSB

MSB, LSB

Notes

 

00H, 00H

mmH, llH

Pitch Bend Sensitivity

 

 

mm:

00H - 18H (0 - 24 semitones)

 

 

ll: ignored (processed as 00H)

 

 

Up to 2 octave can be specified in semitone steps.

 

 

* In Performance mode, the Part Pitch Bend

 

 

Range

parameter (PERFORM/PART) will

 

 

change.

00H, 01H

mmH, llH

Master Fine Tuning

 

 

mm, ll: 20 00H - 40 00H - 60 00H (-8192 x 50 /

 

 

8192 - 0 - +8192 x 50 / 8192 cent)

 

 

* In Performance mode, the Part Fine Tune

 

 

parameter (PERFORM/PART) will change.

00H, 02H

mmH, llH

Master Coarse Tuning

 

 

mm:

10H - 40H - 70H (-48 - 0 - +48 semitones)

 

 

ll:

ignored (processed as 00H)

*In Performance mode, the Part Coarse Tune parameter (PERFORM/PART) will change.

7FH, 7FH

---, ---

RPN null

RPN and NRPN will be set as "unspecified".

Once this setting has been made, subsequent

Parameter values that were previously set will not change.

mm, ll: ignored

Program Change

Status

2nd byte

CnH

ppH

n = MIDI channel number:

0H - FH (Ch.1 - 16)

pp = Program number: 00H - 7FH (prog.1 - prog.128)

*Not received in Performance mode when the Receive Program parameter (PERFORM/ MIDI) is OFF.

Channel Pressure

Status

2nd byte

 

DnH

vvH

 

n = MIDI channel number:

0H - FH (Ch.1 - 16)

vv = Channel Pressure: 00H - 7FH (0 - 127)

*Not received in Performance mode when the Receive Channel Pressure parameter (PERFORM/MIDI) is OFF.

Pitch Bend Change

Status

2nd byte

3rd byte

EnH

llH

mmH

n = MIDI channel number:

0H - FH (Ch.1 - 16)

mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

*Not received when the Tone Receive Bender parameter (PATCH/TONE) is OFF.

*Not received in Performance mode when the Receive Bender parameter (PERFORM/ MIDI) is OFF.

Channel Mode Messages

*Not received in Performance mode when the Receive Switch parameter (PERFORM/ MIDI) is OFF.

All Sounds Off (Controller number 120)

Status

2nd byte

3rd byte

BnH

78H

00H

n = MIDI channel number: 0H - FH (Ch.1 - 16)

*When this message is received, all notes currently sounding on the corresponding channel will be turned off.

Reset All Controllers (Controller number 121)

Status

2nd byte

3rd byte

BnH

79H

00H

n = MIDI channel number: 0H - FH (Ch.1 - 16)

*When this message is received, the following controllers will be set to their reset values.

Appendices

175

Page 175
Image 175
Roland XV-3080 owner manual 175

XV-3080 specifications

The Roland XV-3080 is a powerful and versatile sound module that has become a favorite among musicians, producers, and composers since its release in the late 1990s. This module is renowned for its extensive sound library, advanced synthesis capabilities, and user-friendly interface, making it a staple in studios and on stages worldwide.

One of the standout features of the XV-3080 is its impressive range of sounds. It boasts 1,024 preset sounds and 256 user patches, which can be expanded with Roland's SR-JV80 expansion boards to access even more diverse sounds. The XV-3080 is equipped with a Waveform Memory of 128 MB, providing high-quality samples and ensuring rich, detailed sound. The module also features a powerful multitimbral engine, allowing up to 16 simultaneous parts to be played, making it an ideal choice for complex arrangements and live performances.

Another key technology in the XV-3080 is its advanced SuperNATURAL technology. This innovation enhances traditional sample playback by incorporating physical modeling, enabling more expressive and nuanced tones. Musicians can take advantage of features like dynamic layering and velocity-sensitive control, adding an organic quality that is often missing in digital instruments.

The built-in effects processor is another highlight, offering a wide range of high-quality effects, including reverb, chorus, flanger, and distortion. These effects can be applied to individual parts or used globally, allowing for creative sound design and customization. The XV-3080 also supports real-time editing, letting users tweak parameters on the fly, which is particularly useful in live settings.

Connectivity is plentiful on the XV-3080, with MIDI In/Out, as well as digital and analog outputs. This allows for seamless integration with other equipment, whether it's a DAW, a keyboard controller, or an audio interface.

The XV-3080's intuitive interface, featuring a bright LCD screen and a straightforward layout, makes navigating through options quick and easy. Musicians can spend less time fumbling with settings and more time focusing on their music.

In summary, the Roland XV-3080 is a sophisticated sound module that combines cutting-edge technology with user-friendly features. Its extensive sound library, advanced synthesis capabilities, and solid effects processing make it an essential tool for any serious musician or producer looking to create professional-quality music.