Chapter 6. Creating a Rhythm Set

Setting up Individual Rhythm Tones

The parameters which can be set for each Rhythm Tone of the Rhythm Set are assigned to the function select buttons as follows.

[CONTROL]

Other Settings (p. 118)

[WAVE]

Modifying a Rhythm Tone’s Waveform and Panning (p. 113)

[PITCH]

Modifying a Rhythm Tone’s Pitch (p. 115)

[TVF]

Modifying the Brightness of a Sound with a Filter (p. 116)

[TVA]

Making the Volume Change (p. 117)

Editing Procedure:

1.Select the Rhythm Set you wish to set.

2.Press the function select button for the parameter you want to set.

3.Use [ ]/[ ] to select the page containing the parameter you want to set.

4.Use [E]–[H] to select the percussion instrument sound you wish to edit according to the key that plays it.

[E]: Selects the key one octave below the currently selected key.

[F]; Selects the key a semitone below the currently selected key.

[G]: Selects the key a semitone above the currently selected key.

[H]: Selects the key one octave above the currently selected key.

*You can also press a key on a connected MIDI keyboard to select the desired percussion instrument sound (key). (p. 110)

5.Use [ ]/[ ] to move the cursor to the parameter you want to set.

6.Turn the VALUE dial or by press [INC]/[DEC], to select the desired value.

7.Press [EXIT] to return to the RHYTHM PLAY page.

Palette Function

When editing a Rhythm Tone, you can simultaneously view the settings of all four of its Tones by pressing [PALETTE].

1.When editing a Tone, press [PALETTE] to make its indicator light.

The Palette page appears.

2.Press [ ] / [ ] to choose the Tone you wish to modify.

3.Turn the VALUE dial or press [INC] / [DEC] to raise or lower the parameter’s current value to the desired setting.

*If you make a mistake when selecting a parameter value, or if you do not like a change you have made, press [UNDO] to restore the parameter to its original value.

4.If you wish to edit other parameters, press [ ] / [ ] to select the desired parameter.

5.Repeat Steps 2–4 to adjust the parameter’s value.

6.To leave the Palette page, press [PALETTE] to turn off its indicator.

7.Press [EXIT] to return to the RHYTHM PLAY page.

Tips for Selecting Rhythm Tone Waveforms

Because the XV-3080 is designed to create completely realistic sounds, the editing process depends heavily on the complex PCM waveforms upon which Tones are based. Therefore, if you try to create a sound that is totally different from the waveform(s) you’re working with, the desired result may be difficult or impossible to achieve.

The XV-3080’s internal waveforms fall into the following two groups.

One-shot:These waveforms contain sounds that have short decays. A one-shot waveform records the initial rise and fall of its sound. Some of the XV-3080’s one-shot waveforms are sounds that are complete in themselves, such as percussive instrument sounds. The XV-3080 also contains many other one-shot waveforms that are elements of other sounds. These include attack components such as piano-hammer sounds and guitar fret noises.

Looped:These waveforms include sounds with long decays as well as sustained sounds. With looped waveforms, the latter part of the sound plays over and over for as long as the

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Roland XV-3080 Setting up Individual Rhythm Tones, Tips for Selecting Rhythm Tone Waveforms, 112, Editing Procedure
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XV-3080 specifications

The Roland XV-3080 is a powerful and versatile sound module that has become a favorite among musicians, producers, and composers since its release in the late 1990s. This module is renowned for its extensive sound library, advanced synthesis capabilities, and user-friendly interface, making it a staple in studios and on stages worldwide.

One of the standout features of the XV-3080 is its impressive range of sounds. It boasts 1,024 preset sounds and 256 user patches, which can be expanded with Roland's SR-JV80 expansion boards to access even more diverse sounds. The XV-3080 is equipped with a Waveform Memory of 128 MB, providing high-quality samples and ensuring rich, detailed sound. The module also features a powerful multitimbral engine, allowing up to 16 simultaneous parts to be played, making it an ideal choice for complex arrangements and live performances.

Another key technology in the XV-3080 is its advanced SuperNATURAL technology. This innovation enhances traditional sample playback by incorporating physical modeling, enabling more expressive and nuanced tones. Musicians can take advantage of features like dynamic layering and velocity-sensitive control, adding an organic quality that is often missing in digital instruments.

The built-in effects processor is another highlight, offering a wide range of high-quality effects, including reverb, chorus, flanger, and distortion. These effects can be applied to individual parts or used globally, allowing for creative sound design and customization. The XV-3080 also supports real-time editing, letting users tweak parameters on the fly, which is particularly useful in live settings.

Connectivity is plentiful on the XV-3080, with MIDI In/Out, as well as digital and analog outputs. This allows for seamless integration with other equipment, whether it's a DAW, a keyboard controller, or an audio interface.

The XV-3080's intuitive interface, featuring a bright LCD screen and a straightforward layout, makes navigating through options quick and easy. Musicians can spend less time fumbling with settings and more time focusing on their music.

In summary, the Roland XV-3080 is a sophisticated sound module that combines cutting-edge technology with user-friendly features. Its extensive sound library, advanced synthesis capabilities, and solid effects processing make it an essential tool for any serious musician or producer looking to create professional-quality music.
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