DFS-700/700P

Chapter 3 Basic Operation

1-35

Inserting Characters and Graphics (1) — Title Key

Adjusting the hue range for chroma keying (the “angle” setting)

If there are fluctuations in the background color in the foreground image, it may not be immediately possible to key the background image into the whole of the desired background. In this case, you can correct this by increasing the range of hues (the “angle” setting) used for chroma keying. (This means using a wider-angled sector of the hue circle.)

Angle setting (Example: using a blue background color)

Increasing the angle increases the range of hues replaced by the background image, including shades of cyan and magenta.

Decreasing the angle decreases the range of hues replaced by the background image, restricting it to closely-matching blues.

Note

If the foreground image includes a color close to the “background” color in a position not intended to be replaced by the background image, then if you make the hue range too wide this part will also be filled by the background image (key fill).

Eliminating bleeding of colors into the edge of the inserted image (color cancel function)

In a chroma key composite image, on the boundary of the inserted image, the “background” keying color in the foreground image (usually blue) tends to bleed into the boundary with the background image. In this case, by replacing the keying color in the composite image by another color (for example gray), the boundary is made to stand out less. This function is called “color cancel”.

To use the color cancel function, use the following procedure.

1 In the TITLE section of the menu control section, press the CRK button, turning it on, and display page 2 of the chroma key menu.

The following example appears when the CRK button in column 1 is lit.

T1CRK

COLCAN

Sat

Hue

FILL

Densty

2/3

ON

0-100

0-99

VIDEO

0-100

PAGE

F1

F2

F3

F4

F5

2 In the effect transition section, press the TITLE button, turning it on, then press the CUT button.

A composite of the foreground and background images appears in the program monitor.

3 Press the F1(COLCAN) button, setting the parameter to “ON”.

3-42Chapter 3 Basic Operation

4 Watching the composite image on the program monitor, turn the F3(Hue) and F2(Sat) knobs, until the boundary between the background image and foreground image provides a natural match of hue and saturation.

Creating a composite image with a semi-transparent foreground image (density function)

You can make the inserted image semi-transparent, and insert it into the background image.

Use the following procedure.

1 In the TITLE section of the menu control section, press the CRK

 

button, turning it on, to display page 2 of the chroma key menu.

 

 

The following example appears when the CRK button in column 1 is

 

 

lit.

 

 

 

 

 

Chapter3

 

T1CRK

COLCAN

Sat

Hue

FILL

Densty

 

 

 

2/3

ON

0-100

0-99

VIDEO

0-100

Basic

 

PAGE

F1

F2

F3

F4

F5

2

F5(Densty) knob, to adjust the transparency of the inserted image.

Operation

Watching the composite image on the program monitor, turn the

 

Chapter 3 Basic Operation 3-43

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Sony DFS-700P, BKDF- 702, BKDF-712, BKDF-711, 702P Adjusting the hue range for chroma keying the angle setting

702P, BKDF-711, BKDF-712, BKDF- 702, DFS-700P specifications

Sony, a leader in professional video technology, has developed a range of advanced digital field studio (DFS) products that cater to various broadcasting and production needs. The Sony DFS-700 series is particularly known for its high-quality imaging and robust features, making it a popular choice among professionals.

The Sony DFS-700 is a versatile digital signal processor designed for both field and studio use. It features high-definition video processing capabilities, supporting multiple video formats, including 1080i and 720p. This model is equipped with advanced digital signal processing technology, which ensures superior image quality through enhanced noise reduction and color correction. The DFS-700 also supports various input formats, allowing seamless integration with existing broadcast systems.

Alongside the DFS-700, the BKDF-712, BKDF-711, BKDF-702, and BKDF-702P are essential components in the Sony ecosystem. The BKDF-712 is designed for high-definition video capture and processing, featuring dual-channel capabilities that allow for simultaneous input and output. With support for both SDI and HDMI interfaces, this module provides flexibility in connecting to various video sources.

The BKDF-711 focuses on audio processing, providing high-quality audio capture and mixing capabilities. It supports a range of audio formats, ensuring compatibility with different production environments. The built-in audio delay feature is particularly useful for live broadcasts, helping synchronize audio and video seamlessly.

Next in line, the BKDF-702 is known for its advanced encoding capabilities. It features real-time encoding for different streaming formats, making it ideal for live broadcasts and on-demand streaming. The BKDF-702P, a professional version of the BKDF-702, offers enhanced features such as lower latency and higher compression efficiency, catering to the needs of high-performance streaming.

Each of these modules is designed with modularity in mind, allowing easy upgrades and customization based on specific production requirements. Together, they form a comprehensive solution for professional video and audio processing, embodying Sony's commitment to innovation and quality in the broadcasting industry.

Overall, the Sony DFS-700 and its associated modules represent a blend of technology, flexibility, and high performance, making them indispensable tools for professionals in the ever-evolving landscape of video production. With their cutting-edge features, these products continue to set benchmarks in the world of broadcasting and live event production.