1-48

Chapter 4

User Program Effects

Types of User Program Effect

There are four types of user program effects. The four types must be registered saved in the pattern number ranges shown below.

Effect type

 

Pattern number

Linear

Transition

9000 to 9009

 

Animation

9100 to 9109

Nonlinear

Transition

9200 to 9209

 

Animation

9300 to 9309

 

 

 

Linear: effects built from rotation, magnification, and movement of the x-, y-, and z-axes

For details of the modification parameters, see page 4-6.

Nonlinear: modifications of the page turn, page roll, and sphere effects, together with z-axis rotation, magnification, and movement

For details of the modification parameters, see page 4-7.

Transition effects: effects which accomplish a transition from one scene to another. After the effect completes, the background image (B) and foreground image (F) are interchanged.

F

 

 

 

B

Key frame 1

 

Key frame 2

Key frame 3

Key frame 4

 

Example of a transition user program effect

 

Modification Parameters

You can adjust key frames, using the effect control section and location section to set the parameters described on pages 4-6 and 4-7.

•If you specify a linear user program effect number, the following three pages appear in the menu display.

Page 1/3: Rot-X, Rot-Y, Rot-Z, Pers

Page 2/3: Loc-X, Loc-Y, Loc-Z, KfDur

You can control Loc-X, Loc-Y, and Loc-Z from the location section.

Page 3/3: key frame temporary storage

•If you specify a nonlinear user program effect number, the following three pages appear in the menu display.

Page 1/3: Angle, Offset, Rot-Z, Radius, FORM

Page 2/3: Loc-X, Loc-Y, Loc-Z, KfDur

You can control Loc-X, Loc-Y, and Loc-Z from the location section.

Page 3/3: key frame temporary storage

Menu display

Control knobs

Location section

Chapter 4

Advanced Operations

When you execute an effect saved as shown above in the “normal” direction (with the REV button off), the key frames go in the sequence from 4 to 1.

Animation effects: effects in which the foreground image (F) remains on the background image (B). You can vary the shape of the foreground image, or move it about the screen.

 

B

F

 

 

 

 

 

 

 

 

F

 

 

F

 

Key frame 1

Key frame 2

Key frame 3

Key frame 4

Example of an animation user program effect

When you execute an animation effect saved as shown above in the “normal” direction (with the REV button off), again the key frames go in the sequence from 4 to 1.

 

1 TITLE 2

DSK

EDGE

 

 

 

 

 

 

 

 

 

EDITOR

LUM

LUM

LUM

TRAIL

 

 

 

 

 

 

 

 

 

 

 

 

 

SHADOW

 

 

 

 

 

 

 

 

 

GPI

CRK

CRK

BORDER

BEVELD

 

 

 

 

 

 

 

 

 

 

 

 

 

EDGE

 

INITIAL

 

 

 

 

 

 

 

SET UP

MASK

MASK

MASK

SOFT

 

 

 

 

 

 

 

 

 

SHIFT

CCR

LIGHTING MATTES

BORDER

 

PATTERN

PAGE

F1

 

F2

F3

F4

F5

 

 

 

 

 

 

ADJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EFFECT

 

 

 

 

 

 

 

 

 

TRANS RATE

 

 

DSK

 

 

 

 

 

 

 

 

 

 

 

 

 

FTB

SET

 

 

CCR

TITLE 1

TITLE 2

DSK

SUPER BG FRGD 2

MEMORY

FRAME

FREEZ

MIX

EFFECT

 

AUXILIARY

 

SOURCE

SOURCE

FILL

 

 

 

 

 

 

 

 

BLACK

1

2

3

4

5

6

7

8

MEMORY

INT

 

TITLE

 

BACKGROUND

 

 

 

 

 

 

 

 

VIDEO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

BLACK

1

2

3

4

5

6

7

8

MEMORY

INT

CUT

 

VIDEO

 

FOREGROUND

 

 

 

 

 

 

 

 

 

 

 

 

BLACK

1

2

3

4

5

6

7

8

MEMORY

INT

AUTO

 

VIDEO

TRANS

 

USER PGM

SNAP SHOT

 

 

 

STATUS EDIT

 

 

 

 

 

EDIT

LEARN

 

 

 

 

 

RECALL

 

 

 

 

 

HOLD

 

LOCATION

 

 

INPUT

 

 

 

 

PATTERN NUMBER

 

 

 

 

 

 

 

 

SET

 

 

N/R

REV

DIRECT

DIRECT

DSK PVW

 

 

 

RECALL PATTERN

 

 

 

 

 

LAST X

FADE

 

7

8

9

 

TO

 

INS

BLACK

 

4

5

6

DEL

 

 

 

 

 

P IN P

DSK

 

1

2

3

RST

 

 

DOWN UP ENTER

0

PATTERN/KEY PAD

Advanced Operations

DFS-700/700P

4-4Chapter 4 Advanced Operations

Chapter 4 Advanced Operations

4-5

Page 54 Page 56
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Image 55
Sony DFS-700P, 702P User Program Effects Types of User Program Effect, Modification Parameters, Effect type Pattern number
Page 54 Page 56

702P, BKDF-711, BKDF-712, BKDF- 702, DFS-700P specifications

Sony, a leader in professional video technology, has developed a range of advanced digital field studio (DFS) products that cater to various broadcasting and production needs. The Sony DFS-700 series is particularly known for its high-quality imaging and robust features, making it a popular choice among professionals.

The Sony DFS-700 is a versatile digital signal processor designed for both field and studio use. It features high-definition video processing capabilities, supporting multiple video formats, including 1080i and 720p. This model is equipped with advanced digital signal processing technology, which ensures superior image quality through enhanced noise reduction and color correction. The DFS-700 also supports various input formats, allowing seamless integration with existing broadcast systems.

Alongside the DFS-700, the BKDF-712, BKDF-711, BKDF-702, and BKDF-702P are essential components in the Sony ecosystem. The BKDF-712 is designed for high-definition video capture and processing, featuring dual-channel capabilities that allow for simultaneous input and output. With support for both SDI and HDMI interfaces, this module provides flexibility in connecting to various video sources.

The BKDF-711 focuses on audio processing, providing high-quality audio capture and mixing capabilities. It supports a range of audio formats, ensuring compatibility with different production environments. The built-in audio delay feature is particularly useful for live broadcasts, helping synchronize audio and video seamlessly.

Next in line, the BKDF-702 is known for its advanced encoding capabilities. It features real-time encoding for different streaming formats, making it ideal for live broadcasts and on-demand streaming. The BKDF-702P, a professional version of the BKDF-702, offers enhanced features such as lower latency and higher compression efficiency, catering to the needs of high-performance streaming.

Each of these modules is designed with modularity in mind, allowing easy upgrades and customization based on specific production requirements. Together, they form a comprehensive solution for professional video and audio processing, embodying Sony's commitment to innovation and quality in the broadcasting industry.

Overall, the Sony DFS-700 and its associated modules represent a blend of technology, flexibility, and high performance, making them indispensable tools for professionals in the ever-evolving landscape of video production. With their cutting-edge features, these products continue to set benchmarks in the world of broadcasting and live event production.
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