DFS-700/700P

Adjusting Color Mattes

To copy a matte color

To copy the color matte parameters from another color matte, use the following procedure.

1 Press the MATTES button in the menu control section, to display page 2 of the MATTE menu. (Press the PAGE button to change pages.)

MATTE

FROM

TO

COPY

INTVID

PTN

2/2

INT V

BORD

EXEC

Matte

1

PAGE

F1

F2

F3

F4

F5

2 Press the F1(FROM) button, to select the color matte to be copied.

3 Press the F2(TO) button, to select the color matte to which you want to make the copy.

4 Press the F3(COPY) button, to carry out the copy.

Adjusting Image Colors — Color Correction

The color correction function allows you to adjust the overall color balance of images, or correct the white balance for different lighting color temperatures.

You can apply color correction to the signal input to any one of the primary input connectors (VIDEO INPUT 1 to 8).

Notes

•Color correction settings cannot be saved in a snapshot.

•The color correction function cannot be used for the effect patterns numbered 2261, 2264, 2267, 2269, and 2279.

Procedure

To adjust the color balance with the color correction function, use the following procedure.

Chapter 3 Basic Operation

 

3

 

 

 

 

 

 

 

 

 

 

4

 

 

 

 

1 TITLE 2

DSK

EDGE

 

 

 

 

 

 

 

 

 

 

EDITOR

LUM

LUM

LUM

TRAIL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SHADOW

 

 

 

 

 

 

 

 

 

 

GPI

CRK

CRK

BORDER

BEVELD

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EDGE

 

INITIAL

 

 

 

 

 

 

 

 

SET UP

MASK

MASK

MASK

SOFT

 

 

 

 

 

 

 

 

 

1

SHIFT

CCR

LIGHTING MATTES

BORDER

 

PATTERN

PAGE

F1

 

F2

F3

F4

F5

 

 

 

 

 

 

ADJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EFFECT

 

 

 

 

 

 

 

 

 

 

TRANS RATE

 

 

DSK

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FTB

SET

2

 

 

CCR

TITLE 1

TITLE 2

DSK

SUPER BG FRGD 2

MEMORY

FRAME

FREEZ

MIX

EFFECT

 

AUXILIARY

 

SOURCE

SOURCE

FILL

 

 

 

 

 

 

 

 

BLACK

1

2

3

4

5

6

7

8

MEMORY

INT

TITLE

 

BACKGROUND

 

 

 

 

 

 

 

 

VIDEO

 

 

 

 

BLACK

1

2

3

4

5

6

7

8

MEMORY

INT

CUT

 

 

VIDEO

 

USER PGM

SNAP SHOT

 

 

 

STATUS EDIT

 

 

 

 

 

EDIT

LEARN

 

 

 

 

 

RECALL

 

 

 

 

 

HOLD

 

LOCATION

 

 

INPUT

 

 

 

 

PATTERN NUMBER

 

 

 

 

 

 

 

 

SET

 

 

N/R

REV

DIRECT

DIRECT

DSK PVW

 

 

 

RECALL PATTERN

 

 

 

 

 

LAST X

FADE

 

7

8

9

 

TO

 

INS

BLACK

 

4

5

6

DEL

 

 

 

 

 

P IN P

DSK

 

1

2

3

RST

 

Chapter 3 Basic Operation

1-

3-58Chapter 3 Basic Operation

43

 

FOREGROUND

 

 

 

 

 

 

 

 

 

 

 

 

DOWN UP ENTER

BLACK

1

2

3

4

5

6

7

8

MEMORY

INT

AUTO

0

VIDEO

TRANS

 

PATTERN/KEY PAD

1 Press the CCR button in the delegation section, turning it on.

2 Press one of the AUXILIARY buttons, turning it on, to select the bus to which the color adjustment applies.

3 Press the CCR button in the menu control section, turning it on, to display the color correction menu (CCR).

CCR

Gain

Hue

 

Offset

HueRot

Gamma

1/1

0-100

0-99

 

0-100

0-99

0-100

PAGE

F1

 

F2

F3

F4

F5

(continued)

Chapter 3 Basic Operation 3-59

Page 49 Page 51
Page 50
Image 50
Sony BKDF- 702, DFS-700P, 702P Adjusting Image Colors Color Correction, Adjusting Color Mattes, To copy a matte color
Page 49 Page 51

702P, BKDF-711, BKDF-712, BKDF- 702, DFS-700P specifications

Sony, a leader in professional video technology, has developed a range of advanced digital field studio (DFS) products that cater to various broadcasting and production needs. The Sony DFS-700 series is particularly known for its high-quality imaging and robust features, making it a popular choice among professionals.

The Sony DFS-700 is a versatile digital signal processor designed for both field and studio use. It features high-definition video processing capabilities, supporting multiple video formats, including 1080i and 720p. This model is equipped with advanced digital signal processing technology, which ensures superior image quality through enhanced noise reduction and color correction. The DFS-700 also supports various input formats, allowing seamless integration with existing broadcast systems.

Alongside the DFS-700, the BKDF-712, BKDF-711, BKDF-702, and BKDF-702P are essential components in the Sony ecosystem. The BKDF-712 is designed for high-definition video capture and processing, featuring dual-channel capabilities that allow for simultaneous input and output. With support for both SDI and HDMI interfaces, this module provides flexibility in connecting to various video sources.

The BKDF-711 focuses on audio processing, providing high-quality audio capture and mixing capabilities. It supports a range of audio formats, ensuring compatibility with different production environments. The built-in audio delay feature is particularly useful for live broadcasts, helping synchronize audio and video seamlessly.

Next in line, the BKDF-702 is known for its advanced encoding capabilities. It features real-time encoding for different streaming formats, making it ideal for live broadcasts and on-demand streaming. The BKDF-702P, a professional version of the BKDF-702, offers enhanced features such as lower latency and higher compression efficiency, catering to the needs of high-performance streaming.

Each of these modules is designed with modularity in mind, allowing easy upgrades and customization based on specific production requirements. Together, they form a comprehensive solution for professional video and audio processing, embodying Sony's commitment to innovation and quality in the broadcasting industry.

Overall, the Sony DFS-700 and its associated modules represent a blend of technology, flexibility, and high performance, making them indispensable tools for professionals in the ever-evolving landscape of video production. With their cutting-edge features, these products continue to set benchmarks in the world of broadcasting and live event production.
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