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Tascam MMR-8 owner manual Control Track, Kcu

Models: MMR-8

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Abbreviations

 

 

and Terms

Definitions

 

Control Mode

The mode (menu 000) which sets how the MMR-8 is being controlled.

 

Control Track

The VTR speed control signal recorded onto the tape. It typically also has time

 

 

code recorded in it.

 

DF

Drop Frame. A type of time code that compensates for color video tape (which

 

 

runs at 29.97 frames per second) having 108 less frames per hour than black

 

 

and white video (which uses 30 frames per second). Since most video

 

 

productions are in color, 108 frames must be “dropped” each hour from the

 

 

audio in order to keep audio and video in sync. 29.97 DF is the normal time

 

 

code used in the majority of video applications.

 

Dubber

An audio transport that uses film sprockets as its timing device.

 

Edit

The process of modifying the tracks in a project using the EDIT key and one of

 

 

the edit functions (cut, copy, paste, clear, insert, open).

 

Error

An LCD display that indicates a problem with the MMR-8 or with the last

 

 

operator key entry.

 

Frame

Each image on a film strip is a frame. In video, a frame consists of two

 

 

interlaced fields. In film there are 24 frames per second (fps). In video there are

 

 

25 fps in the PAL and SECAM systems (European broadcasting) and 29.97 fps

 

 

in the NTSC system (USA and Japan). Older black and white video and audio-

 

 

only applications use 30 fps.

Frame Reference

The timing signal for each frame of video.

 

Groups

There are four Sync Groups in the MMR-8. This allows multiple MMR-8s to

 

 

be shared between up to four film transports or video systems.

 

HH:MM:SS:FF

SMPTE/EBU time code stated as Hours:Minutes:Seconds:Frames.

 

Head

The start of a project.

 

Input Monitor

Applies the MMR-8 track Input to the Output in lieu of the audio from the hard

 

 

drive. Typically used to check Input levels before recording.

 

Interlock

Refers to synchronizing film transports, audio dubbers and audio transports via

 

 

the biphase bus.

 

Jam Sync

When discontinuous time code is found on a tape, jam sync will ignore the gaps

 

 

to create continuous time code on another tape.

 

Jog

Also called scrub, this function uses the Wheel to manually control the speed of

 

 

forward and reverse play.

 

KCU

Keyboard Control Unit. TimeLine’s external machine controller. Provides

 

 

remote control for up to six machines (MMR-8s or tape machines).

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Tascam MMR-8 Owner’s Manual • Appendix E • Glossary

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Tascam MMR-8 owner manual Control Track, Kcu
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MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.