MIC Calibration Procedure

Follow this step-by-step procedure to calibrate the MMR-8 Input Converters (MIC).

1.Get out of the Reference Tone mode by pressing the SETUP key. Go to menu 530. Press TRIM and use the Wheel to select the Off menu selection. Press STO to turn off the tone. Press the STOP switch. Press CLR to exit Setup mode.

2.Press INPUT and turn on all channels for monitor input by pressing SEL on each track (all eight Input LEDs should be turned on).

3.Connect a cable from the audio analyzer output to MMR Input connector, channel 1, at the rear of the unit. Set the audio analyzer output to be a sine wave with a level of +4 dBu. Also connect the audio analyzer input to MMR Output channel 1. (The next step assumes the user wants a unity system gain with an input clip level of +24 dBu. The full scale (CLIP) adjustment range is from +9 dBu to

+25 dBu. )

4.While monitoring the channel 1 output level, adjust the Input board channel 1 trimpot for an output level reading of +4 dBu (+/-.05 dB). This equals 1.228 Vrms (+/-.025 Vrms) measured at XLR pin 2(+) and 3(-) pins.

5.Move the audio analyzer output and input to the next channel. Repeat step 4 for each channel

6.Turn off the power. Replace the top cover on the MMR. Remove the calibration cables.

End of the analog input level calibration procedure.

Input Converter Board

 

Output Converter Board

 

 

 

Figure 6-1: Analog Converter cards location within the MMR-8 chassis (top view).

MMR-8

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Tascam MMR-8 owner manual MIC Calibration Procedure, Input Converter Board Output Converter Board

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.