OFFSET

This display-only register represents the time difference between the MMR-8’s

(SHIFT+1)

time code and the time code being chased. When locked to the Lynx bus, this

 

equals the time difference between the MMR-8’s time code and the Lynx master

 

time code. In either case, the offset is equal to the MMR-8 time minus the time

 

code being chased.

READER

This display-only register shows the current time code being chased by the

(SHIFT+2)

MMR-8. If time code chase mode is active, whatever time code is being read is

 

displayed here. If the MMR-8 is a slave on the Lynx bus, it holds the current time

 

coming from the Lynx bus master machine.

FREE (SHIFT+3)

This display-only register shows the amount of recording time available on the

 

system default disk volume (the only volume or drive available for recording).

 

Note that this value is always displayed in “time code” format, even if the display

 

format currently is feet/frames, because it is essentially an elapsed time value, not a

 

time code. This display will recalculate and update to take into account the

 

currently selected bit resolution (16 or 24 bit) and the number of tracks currently

 

armed for recording.

OUT POINT

This register holds the “punch out” time. It is used as the end point of a record or a

(SHIFT+4)

play loop and as the end time for a track marked for editing.

TAIL (SHIFT+5)

This read-only register shows the end time of the last edit on the currently loaded

 

tracks. Tracks selected while in the EDIT track select mode govern the operation of

 

this function. If no tracks are selected in the EDIT track select mode, the MMR

 

will scan across all loaded tracks to find the last edit location. To select a single

 

track or a group of tracks for location of the last edit point location, press only the

 

desired track SEL keys while in the EDIT track select mode, then select SHIFT +

 

5. The location of the last edit point on the selected tracks will be shown.

PREVIOUS

This register represents the location of the first splice point (or start of the sound

EDIT (SHIFT+6)

event) located just previous to the current location. Each time PREV EDIT is

 

selected the register value moves “back” one event in time in the edit list, showing

 

the start point of the earlier of event.

 

Pressing SHIFT+PREV EDIT not only finds and displays this point, but also

 

performs an automatic locate function, moving the transport to that point. This is in

 

contrast to RCL+SHIFT+PREV EDIT, which will simply find and display the

 

appropriate time point in the entry register without performing a locate function

 

(also see the Recall key).

IN POINT

This register holds the “punch in” time code. It is used as the start point of a record

(SHIFT+7)

or play loop as well as the beginning time for edit operations on any track selected

 

for editing in the Edit track select mode.

56

Tascam MMR-8 Owner’s Manual • Chapter 3 • MMR-8 Operation

MMR-8

Page 61 Page 63
Page 62
Image 62
Tascam MMR-8 Offset, SHIFT+1, Reader, SHIFT+2, Free SHIFT+3, OUT Point, SHIFT+4, Tail SHIFT+5, Previous, Edit SHIFT+6
Page 61 Page 63

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.
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