Tascam MMR-8 owner manual Machine Status LEDs

Models: MMR-8

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The bottom level LED (-25) is a green presence indicator. Any time there is signal on the track there will be an indication. The next three LEDs indicate signal levels of -12, -6 and 0 VU. The next two LEDs are yellow and indicate +6 and +12 VU. The final two LEDs are red to indicate the audio peaks are at MAX (3 dB below clipping) and CLIP, which means the signal has most likely exceeded the input capability of the digital converter and may be distorted. The CLIP indicator acts as a peak-hold indicator during recording. It is only reset when the MMR-8 is stopped and put into PLAY again.

A de-facto film/video industry standard for digital device monitoring is that 0 VU should be set to indicate a signal level of -20 dBFS (decibels below full scale, i.e. 20 dB below the digital clipping level). The MMR-8 default setup follows this recommendation with the MAX LED indicator set to turn on with a signal 17 dB above the nominal 0 VU indication (just before all bits would be set true in the ADC). The CLIP indication is typically adjusted for a 3 dB hotter signal (20 dB above 0 VU). These settings can be adjusted in 1dB increments using Setup mode menu 520 (Meter Reference Level) for any dB reference level from -15 dBFS to -24 dBFS.

When the Meter Calibrate function (Menu 521) is on (for accurate field calibration of the inputs), the LED’s reference steps are changed to indicate levels above and below 0 as +/- 1/3 dB, +/-1.0 dB, and +/- 3dB steps to allow fine tuning of input calibration levels. See the Chapter 6, System Maintenance for instructions on calibrating the inputs and outputs using the meters.

Machine Status LEDs

To the left of the LCD are 12 LEDs used to indicate the status of various MMR machine states (interlock, calibrate, busy, lock, etc.), as well as the master record states (safe, destructive, 24-bit, etc.). These are described here:

The SAFE LED will light when menu 201 (All Safe) is set to On, indicating that the MMR-8 will not go into record.

The DESTRUCTIVE LED will be lit when menu 200 (Record Mode) is set to Auto-Cleanup or Tape Mode. This indicates that all recordings will be destructive (i.e. any new recording will replace audio already existing on the recorded track between the punch in & out points).

The 24-BIT REC (24-bit recording on) LED is controlled by menu 700 (Disk Encoding). When the LED is lit, all audio is recorded in 24-bit file format. When the LED is off, 16-bit file format is used.

The DIG IN LED (Digital In) will be lit when menu 500 (Input Source) is set to Digital or Rate Converter.

The TONE LED is lit when menu 530 (Reference Tone) is set to On. Pressing play when this LED is lit will cause all channels to output a 1kHz reference tone at 0 VU.

The MIDI LED is used to indicate a valid MIDI input signal (MMC) is being received.

The ERROR LED indicates an error state has occurred and must be cleared before normal operation can resume.

The BUSY LED indicates the system is occupied with a task, and the transport keys are not available until the system finishes the current task and the Busy LED goes out.

The LOCK LED indicates the system is locked to the incoming machine synchronization source (usually time code, biphase, or the MMR Bus).

The CAL LED indicates the Calibration function (Menu 521) is on.

The OFFSET LED indicates there is an offset (value other than 0) in the offset register (local MMR offset) or when there is an MMR bus offset and the unit is a slave on the MMR bus.

The INTERLOCK LED lights when the system is in Biphase Chase Control Mode.

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Tascam MMR-8 Owner’s Manual • Chapter 3 • MMR-8 Operation

MMR-8

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Tascam MMR-8 owner manual Machine Status LEDs

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.