Appendix E: MMR-8 Glossary

Abbreviations

 

and Terms

Definitions

24 frames

The standard film frame rate per second.

25 frames

The standard PAL and SECAM video frame rate per second.

29.97frames The standard NTSC video frame rate for color broadcasting per second.

30 frames The standard audio-only and black and white video frame rate per second.

AES/EBU Audio Engineering Society/European Broadcasting Union. The two main organizations that set the standards for audio production. Digital audio connections are often referred to as AES/EBU since these organizations standardized the digital audio interconnection methods.

Autolocator An analog tape function to position the transport to previously marked locations that is emulated in the MMR-8 using the LOC key and a register or memory location to instantly locate the “play head.”

Biphase The two-pulse sync signal generated by a film transport that the MMR-8 uses to generate time code or feet & frames timing. The MMR-8 can also generate biphase signals to control a film transport.

Bus Any signal that is daisy chained between multiple devices. In the case of the MMR-8, there are two main buses: the MMR bus and the Lynx Bus.

Calibrate Adjusting a signal to match a reference or standard. The MMR-8’s inputs can be calibrated so that a +4 dBu signal will correctly drive the MMR-8, and the outputs can be calibrated for a +4 dBu output from the MMR-8. In these cases the calibration references are the level meters.

Capture During play or stop saves the current time code into the bottom line of the LCD display for subsequent saving to a memory or position register.

Chase The process whereby one device controls another device to synchronize their playback. Chase implies there is both a synchronization signal as well as a device control signal.

Clear A function to remove audio between the In and Out times on one or more tracks of audio.

Clip Indicates the maximum signal level has been exceeded going into the analog- digital converter. Typically this will cause severe distortion (popping, snapping, crackling sounds) in the output signal.

Tascam MMR-8 Owner’s Manual • Appendix E • Glossary

105

Page 111
Image 111
Tascam owner manual Appendix E MMR-8 Glossary

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.