As with the Setup menu system, the Wheel and arrow keys are used to navigate through the available selections at a given level. Unlike the Setup menu system, however, descending through the hierarchy of track information is accomplished by repeatedly pressing LOAD TRACK. Pressing LOAD TRACK while at the bottom or “track” level exits the Load Track state and returns the MMR-8 to the Normal state.

When LOAD TRACK is first pressed, the LCD will show a list of all WaveFrame Projects, Pro Tools Sessions, or OMF Compositions on all mounted volumes. The wheel or arrow keys are used to scroll through the various choices (if multiple choices are available) and to display the name of each of the available files. To view the next lower level of the EDL hierarchy (Episode, Reel, Act, Dub or Track), for the currently displayed Project, Session, or Composition, press LOAD TRACK again. Repeat this procedure to reach the lowest level available for the particular EDL file type. Pro Tools Session files and OMF Compositions will exhibit only two levels – the main EDL (Session or Composition) and Track.

Once the desired Project or track is located and displayed, press the Store (STO) key to load the Project (up to eight tracks) or individual track into the MMR Track index locations. The target Track index is designated by activating the SEL key associated with the Track index (the LED above the SEL will be lit when the Track index is chosen as a target). If a track listed in the display has already been loaded into a track index, the display message will read “Move” rather than “Load”. This allows you to move an already loaded track into a different track index. Which operation is performed depends upon whether the source track file is already loaded; if it is, then a track move is performed. If the source track file is not already loaded, a track load is performed and the track file is loaded or “stored” into the target track. If track information is stored into a track location that is already occupied by a previously loaded track, the previously loaded track is automatically “unloaded.” In Load Track mode, the bottom line of the LCD shows the names of “unloaded” tracks preceded by a small box (the STOP character) in the first character of the display. Loaded tracks are preceded by their track number (indicating the track into which the sound file has been loaded).

The last target track (which defaults to Track 1 at the start of a session) is remembered for the duration of the session. A store operation (either load or move) automatically advances the target track by one, circularly advancing back to track one after track eight. The target track may be selected manually by pressing the appropriate SEL key before STO is pressed.

The Load Track key is also used to identify Projects or Tracks for Backup. Choose (scroll to) the name of the desired Project or Track, then press SHIFT + SLIP to enter the Backup state.

SHIFT + LOAD

Pressing SHIFT + LOAD TRACK deletes the currently displayed project or track

 

TRACK

file. The deletion simply removes the EDL information, not the associated sound

 

(DELETE)

file(s), so little disk drive space is reclaimed by this operation. However, sound

 

 

 

files not associated with the EDL (track) information are made available for

 

 

 

deletion by the Disk Cleanup operation accessed via Setup menu 720. This is the

 

 

 

typical method by which space on a given drive volume is reclaimed (the other

 

 

 

method is by using Destructive Record to record over existing material).

 

MMR-8

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Tascam MMR-8 owner manual Shift + Load, Delete

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.