SHIFT+EDIT

Loads the start and end of the event currently under the play head on the selected

(EVENT)

track(s) into the In point and Out point registers (also called “event capture”).

MON

Pressing this key while in the Normal state allows the SEL keys to select which

 

track(s) will be monitored through the front panel headphone monitor output. This

 

does not affect the rear panel Studio Monitor jack, which always presents a mono

 

mix of all tracks.

SHIFT+MON

Pressing SHIFT + MON puts the MMR into a Slip In/Out mode that allows for

(Slip In/Out)

slipping (or nudging) all material between the In and Out register locations on

 

selected tracks. When Slip In/Out is active, none of the status LEDs for the Track

 

Mode Select keys is lit on the MMR front panel. This is to distinguish this mode

 

from all other Track Select Modes, wherein at least one Track Select Mode status

 

LED is always lit. Upon pressing SHIFT + MON, the bottom line of the display

 

will show Slip and a time code entry field. Use the Wheel or the Up/Down arrow

 

keys to enter the amount by which the defined region (between In and Out) on the

 

selected tracks is to be slipped. This operation does not affect sync on material

 

which is not located between the In and Out register locations. Slip In/Out will

 

overwrite any existing material on the selected tracks that is at the new destination

 

location to which the material has been moved.

 

To complete the Slip In/Out operation, press SHIFT +MON again. The bottom line

 

of the display will show Slip In/Out to indicate that the slip operation has been

 

performed. To exit the Slip In/Out operation without executing the slip, press CLR.

INPUT

Pressing this key while in the Normal state allows the SEL keys to change the main

 

audio outputs from monitoring audio off the disk to monitoring the audio present at

 

the track inputs and lighting the Input LED above the meters. Note that enabling a

 

track for record automatically selects input monitoring for that track.

SHIFT + INPUT

When shifted (SHIFT+INPUT), the Input key toggles all tracks between the Input

(REP/INP)

monitor state and the Repro state. The Input LEDs above the meters and the status

 

LEDs above each track select key will light or turn off as needed to show the

 

current state. This is equivalent to engaging and disengaging all of the Select keys

 

together at the same time while in Input monitor. This feature is a convenience for

 

saving time when toggling this state for all eight tracks at once.

LOAD TRACK

Pressing this key puts the MMR-8 into the Load Track state, and is the first step to

 

loading pre-recorded material for playback or re-recording, or for deleting recorded

 

material. Information on the pre-recorded material available on the drive is

 

presented in hierarchical levels on the LCD display, according to the EDL format

 

of the material itself.

 

For WaveFrame™ or StudioFrame™ volumes, this means the material will be listed

 

in a Project / Episode / Reel / Dub / Track hierarchy, with Episode being an

 

optional element. For Pro Tools™ volumes, the material will be listed in Session /

 

Track hierarchy, and for OMF™ volumes, the material will be presented in a

 

Composition / Track hierarchy.

52

Tascam MMR-8 Owner’s Manual • Chapter 3 • MMR-8 Operation

MMR-8

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Tascam MMR-8 owner manual Mon, Input
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MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.
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