Setup Menu Details

This section contains detailed notes on the operation of some important Setup menu parameters.

Control Mode

The MMR-8 will always operate in one of seven Control modes. The default Control mode, which is how the MMR-8 starts up when the unit is first installed, is called the Local/Bus Control Mode.

To change the Control mode, select Setup menu 000 (press SETUP to display the Setup menus). Whenever the MMR-8 is powered up, the first menu displayed will always be menu 000 (“Control Mode”). Afterwards, the menu displayed when entering Setup mode is the last menu displayed. Once Setup menu 000 (“Control Mode”) is displayed, press TRIM to change the Wheel and the Up/Down arrow keys to scroll through the seven menu choices under Setup menu 000. Once the desired operating mode is displayed, press STO (the Store key) to select that choice. This immediately switches the various parameters to the new control mode, typically causing several LEDs to change status according to the new parameters. To exit Setup mode, press SETUP or the CLR (Clear) key.

Following is a more detailed description of the seven control modes that are supported by the MMR-8:

Local/Bus

In local mode (offline) the MMR-8 functions like other stand-alone digital 8-track recorder/players. No external sync signals are required. The front panel transport keys offer direct control over the audio track playback. Individual tracks can be put into record ready and then audio can be recorded to the hard drive. When placed into bus (online) mode, the MMR-8 can function as either a master or a slave to other MMR bus or Lynx bus devices, as set through Setup menu 110 (MMR Bus) and Setup menu 120 (LYNX bus).

Time Code Chase

In Time Code Chase, the MMR-8 will slave to the time code coming from one of the time code inputs on the rear panel (VITC In or Time Code In) when it is placed Online. In this mode the time code input must have valid time code in order for the MMR-8 to chase, lock, and synchronize itself to the incoming time code. Pressing any of the transport keys will take the MMR-8 off-line and allow local control at any time. Placing the MMR-8 back online will cause it to lock to and chase the selected time code once again.

Biphase Chase

In Biphase Chase, the MMR-8 chases, interlocks, and synchronizes to a biphase or tach/dir. signal on one of the four Biphase Inputs (the active input is determined by the Sync Group number set in menu 100). The system locks and plays audio at speeds from 0 to 1.5 times play speed in both forward and reverse directions. The MMR-8 can then serve as a master for other devices on the MMR or Lynx buses.

Biphase Transport

The MMR-8 functions as the master for a film projector connected to the Biphase Output. The front panel transport keys will control both the MMR-8 and the film projector (and any other devices slaved to the MMR-8 Biphase output). The MMR-8 internally chases the biphase signal so the audio functions match those of Biphase Chase mode.

MMR-8 Tascam MMR-8 Owner’s Manual • Chapter 4 • MMR-8 Setup Menus

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Tascam MMR-8 owner manual Setup Menu Details, Control Mode

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.