System Specifications

Analog Input and Output Level:+4 dBu balanced, +24 dBu clip, nominal levels trim pot adjustable Headroom:20 dB above nominal input level

Analog Input / Output Impedance: 10k, balanced / <75 ohms, balanced

Input / Output Adjustment Range: +10 dBu - +25 dBu, clipping / +18 dBu - +25 dBu, clipping THD+N:<.004 % @ 1 kHz, @ clip level -0.5 dB

Dynamic range:>104 dB (10 Hz - 22 kHz, with A-weighted filter), including Record. S/N ratio:>108 dB (10 Hz - 22 kHz, with A-weighted filter)

Crosstalk:<-85 dB (between any channels, 20 Hz - 20 kHz) Frequency Response:20 Hz - 20 kHz ±0.1 dB

Digital Conversion / Quantization:20-bit ADC and 20-bit DAC conversion Sample length, Recording:16-bit, linear or 24-bit, linear

Sample Length, Internal: 24 bit

Timing Reference sources:Internal, Internal Varispeed, Follow time code in, Follow biphase signal input (any one of four inputs), Video (either NTSC or PAL), AES/EBU digital clock input (optional), Word clock input, MMR bus, Lynx bus

Internal Sample Rates in Hz: 42294 (44x23/25), 42336 (44x24/25), 44056 (44100-), 44100, 44144 (44100+), 45938 (44x25/24), 45983 (44x25/23), 46034 (48x23/25), 46080 (48x24/25), 47952 (48000-), 48000, 48048, (48000+),50000 (48x25/24)50050 (48x25/23)

External Sample rates:32 kHz - 51 kHz (via external sync input)

Time Code Type & Rate:30 Non drop frame (NDF) @ 30 frames per second 30 Drop frame (DF) @ 30 frames per second

PAL @ 25 frames per second (PAL default setting) Film @ 24 frames per second

NTSC @ 29.97 frames per second NDF (NTSC default setting)

29.97 Drop frame(DF) @ 29.97 frames per second

Display Modes:SMPTE/EBU time code, with or without subframes

Feet & Frames, with or without subframes

Time Code Memories:ten (numbered 0 - 9)

Time Code Registers:IN (punch in point)

OUT (punch out point)

HEAD (jump to beginning of project)

TAIL (jump to end of project)

NEXT EDIT (jump to next track edit)

PREVIOUS EDIT (jump to last track edit)

TIME (for establishing 0 film feet and frames referenced to time code)

LYNX SYNC (Lynx bus offset time calculation)

OFFSET (Offset time for Lynx bus and time code chase)

READER (time code from LTC, VITC or Serial inputs)

FREE (available record time on current disk) lskdf

Tascam MMR-8 Owner’s Manual • Chapter 1 • General Information

MMR-8 15

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Tascam MMR-8 owner manual System Specifications
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MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.
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