Lexicon owner manual 960L Surround Panning Rules, Setting Levels, Avoiding Overload

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960L Owner’s Maunal

Operations in Detail

Editing, Continued

Left

Center

Center

Right

 

Left-Center Pan

Center-Right Pan

Front

Pan

Apparent

Source

Surround-Front

Location

 

Surround

LS

RS

LS-RS Pan

4-19 Panning Rules

The 960L Surround Panning Rules

The 960L does not produce a phantom center in surround modes, and no signal will appear in both the left and right output channels, no matter where you set the joystick. In other words, panning across the front is either between Left and Center or between Right and Center. For example, an output signal panned to position 1 in Figure 4-19 would appear in the left and center front channels and the left and right surrounds, but would not appear in the right front.

The 960L has true constant-power panning. As you pan a sound from one channel to the next, the sum of those channels’ output powers will not change.

Setting Levels

In Input and Output Edit modes, moving any fader changes its associated signal level. The maximum level indication is

0.0dBFS (digital full scale). You can move several faders at once.The channel assignments are grouped to facilitate this.

With outputs set to “0dB,” a +4dBu analog input will produce a -20dBFS signal. This provides 20dB of “headroom.” Optimum S/N is achieved when input levels are kept as close to digital full scale as practical.

Avoiding Overload

If all eight of the “Overload” LEDs on the LARC2’s meter bridge light, the DSP is overloading internally. (Certain combinations of parameter settings can cause this.) Reducing input levels may or may not cure the problems.

If your edits create feedback, press the MUTE MACHINE key on the LARC2’s Numeric Keypad to mute the output of the current DSP while you solve the problem.

If you’re not sure which machine is causing the problem, press the MUTE ALL key on the Numeric Keypad.

Assigning New Parameters to Faders or the Joystick Except in Edit modes, the parameter assignments of the faders and joystick make up what we call a virtual page, or V-Page. This is simply a convenient grouping of parameters to simplify operation, but you can group them any way you find convenient.

There are two ways to assign new parameters to the LARC2 controls:

Assigning parameters from the V-Page

Assigning parameters as an Edit option.

Figure 4-20 — Editing the V-Page

4-13

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Contents 960L. Digital Effects System Important Safety Instructions Table Of Contents Table Of Contents Title of Section IntroductionMainframe Rear Panel DescriptionAbout the 960L Unpacking the 960LRemote-Control Connectors Clock Card Midi Connectors Five-pin DIN femaleMains Power Switch IEC Power ConnectorFront Panel Standby Switch and IndicatorFloppy Drive ThumbscrewsCPU Card Behind the Front PanelDSP-Card Slots Mounting InstallationVentilation LocationWordclock Connections Digital Audio ConnectionsMidi Connections Navigating Typical Display Screens LARC2 RemoteUnpacking the Larc LARC2 RemoteAbout the LARC2 LARC2 Control Surface LARC2 Control SurfaceLARC2 Connections Getting What You WantA typical display screen Navigating Typical Display ScreensAbout the Faders and Joystick Mode Faders JoystickLexicon Button Audio IndicatorsFine Adjust AN Overview of the Controls Basic OperationAn Overview of the Controls Basic OperationQuick Guide to Operation Setup Control Mode960L Owner’s MaunalBasic Operations Quick Guide to Operation Program Loading Machine SelectionStoring Your Edits Editing a Program or RegisterName screen Info screens are similar Operations in Detail Control Mode CLOCKS, ConfigurationLoading Programs Loading Programs and RegistersProgramming Machines Loading RegistersAlternative Loading Techniques Wordclock Control Mode Clocks, Configuration, and System ScreensLocked and unlocked wordclock Input, Output, and Machine Configuration960L Owner’s Maunal Operations in Detail 44.1/48kHz Dual machines 5-in and 2-in Output Assignment Left Right Center Unused Surround Surround System Screen Analog and Digital I/OEditing Fine AdjustEditing Algorithms Editing With the FadersQuick Comparisons via the Lexicon Button Editing with the JoystickInput Panning Editing Inputs and OutputsOutput Panning Avoiding Overload Setting Levels960L Surround Panning Rules From the Edit Algorithm, Inputs, Outputs Options screen Using the Edit Algorithm ScreenV-Page and Parameter Reassignment 22 Edit V-Page screen programming the joystick Naming and Annotating Storing and Labeling Your EditsStoring Organizing Your Registers 25 a Register Info Options EnabledUsing the Floppy Drive Machine ModeCD-ROM Edit Tools for RegistersUsing the Reverb Programs Reverberation and Reality Using the Reverb ProgramsUsing The Reverb Program Lexicon, Inc Reverberation and Reality Msec Sound in Space a Short History of Stereo and Surround Random Hall AlgorithmsChamber Surround HallPlate & Surround Plate Ambience & Surround AmbienceInverse Ambient ChamberReverse & Surround Reverse Parameters Used in the 960L Algorithms Using The Reverb ProgramLexicon, Inc FbckR FbckLFbckLF FbckLSLvRR LvLLLvLR LvRL LvLFLFRearRvb RearRollRShape RSpreadSlope SizeSpin SpreadMidi Channel Usage Description NomenclatureMidi Channel Allocation Bank and Program Mapping Card ConfigurationBank Description Program # Description960Ls response Midi SysexIncoming Inquiry Midi Byte Description Midi Implementation Chart Specifications Specifications 48K Rack Units Connector96K Factory ProgramsLARC2 User Interface Appendix Halls Appendix Program DescriptionsAppendix B1 P4 B3 P4 B6 P2 B7 P2 B9 P9 B11 P5 Empty Mini Chamber Similar to Snare Chamber, but even smaller Lg Brite Room Random Hall Simply large and bright Echo Plate Like Flat Plate, but with echoes Stereo Bank Kitchen Chamber Can you find your disposal sound effect?