Lexicon 960L owner manual B6 P2

960L Owner’s Maunal Appendix

Appendix, continued

Surround Bank 5: *Stage + Chamber			*Surround - Chamber + Ambience
Number	Name	Algorithm	Description
B5 P1	Large + Chamber	Ambient	A Large recital hall with a stage.
		Chamber
B5 P2	Med + Chamber	Ambient	Medium-sized Ambience up front with about a 1.75 second MidRT setting, make
		Chamber	this like a 40-80 seat recital hall.
B5 P3	Small + Chamber	Ambient	Small-sized ambient reflections coupled with a chamber reverb give this Program
		Chamber	an intimate feel. Good for individual acoustic instruments.
B5 P4	Big Empty Church	Ambient	Large ambience up front, with long MidRT settings emulate a high-ceilinged altar
		Chamber	and large reverberant seating area.
B5 P5	Med Vocal	Ambient	Large ambience in front spreads out early reflections. Lends a nice "doubling"
	Church	Chamber	effect to fatten up sources. Great for choirs and back-up vocals.
B5 P6	Bright Front	Ambient	Smaller bright ambience in front with dark reverb space. Keeps attention focused
		Chamber	forward.
B5 P7	Bright Rear	Ambient	The opposite of Bright Front, this has the outputs panned so the bright ambience is
		Chamber	in the rear and the dark reverb is in the front.
B5 P8	Pulpit	Ambient	Very small ambient reflections give the immediate sound of being under the
		Chamber	canopy of a pulpit, with the reverberant space of the church around you.
B5 P9	Vocal Breeze	Ambient	Strong, large ambience with reverb gives an airy quality to vocals. Use sparingly
		Chamber	for natural effect.
B5 P0	Snare Strainer	Ambient	Useful for adding more strainer to a snare that is all "attack."
		Chamber

Surround Bank 6: *Rooms			*Surround - Rooms
Number	Name	Algorithm	Description
B6 P1	Studio C	Surround	Small room, with thin carpeting on the floor and irregular, reflective surfaces.
		Chamber
B6 P2	Rock’N Room	Surround	A medium-sized, highly reflective space.
		Chamber
B6 P3	Woomy Room	Surround	Broad and diffuse, a good chunky sound for the band.
		Chamber
B6 P4	Gated Room	Surround	Extreme setting of MidRT gives an abrupt cutoff of reverb. Use Size, Shape and
		Chamber	Spread to vary the duration and texture of the gate.
B6 P5	Small Room #2	Surround	Small, like a bedroom with bright characteristics.
		Chamber
B6 P6	Tiny Room	Ambient	Very small space with boosted ambient reflections
		Chamber
B6 P7	Ambience 4	Ambient	Trumpets, Sax, Tubas – any type of brass instruments work well with this Program –
	Horns	Chamber	especially multiple horns in sections.
B6 P8	Rock’n Echoes	Surround	Multiple echoes make this program good for dramatic effects. Also ideal for
		Chamber	screamin’ lead guitar solos.
B6 P9	Lulu’s Room	Surround	Medium-sized room with heavy early reflections. Good for Leslie cabinets. Reverb
		Ambience	adds body while ambient reflections keep source changes distinct.
B6 P0	Ziggy’s Place	Surround	Open living space, with lots of fine Italian tile and not much carpeting.
		Chamber

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