Using The Reverb ProgramLexicon, Inc.
Parameters Used in the 960L Algorithms, Continued
Size | Size is a scale factor that alters the length of most of the reverb’s delay elements. This control is |
| calibrated in units that approximate the longest dimension of the reverberant "space" in meters. |
| In practice, perception of room size is also strongly determined by Shape. Size strongly affects |
| the overall timbre of the reverberation. Values less than 25 have a noticeable "small room" |
| coloration. For the most neutral sound with the programs that have Shape and Spread controls, |
| set Size to about 30M, and the adjust the apparent size with Shape and Spread. |
Slope | Slope (Reverse algorithm only) multiplies |
| Multiply. |
Spin | Spin and Wander introduce small random variations within the reverberation, continuously |
| altering the reverb timbre to create a more natural sound. Spin controls the relative rate of |
| motion and the speed with which changes occur, expressed in arbitrary units. Wander controls |
| the amount of change. At extreme settings, these parameters can introduce slight wobbles that |
| are audible in critical material such as classical guitar or piano. |
Spread | Spread works with Shape to control the profile of initial |
| the contour of the energy growth and Spread stretches or compresses this contour in time to |
| make reflections closer together or further apart. With complex material, it may be advisable to |
| use a moderately high value for shape and a moderately low one for spread to create a bit of |
| space around the original signal. Large values of Spread and Shape can create "inverse" effects |
| (see note under Reverse algorithm). See also Contour. |
Steering | Steering (Stereo algorithms only) controls a matrix encoder that affects only the reverberant |
| tails. This provides a reverberation that will decode into surround without strong early |
| components that might trigger phase correction devices. Steering is not continuously variable, |
| but offers the following choices: |
•Mono
•Narrow
•Stereo
•Wide
•Lex
•Matrix
Wander | Wander and Spin introduce small random variations within the reverberation, continuously |
| altering the reverb timbre to create a more natural sound. Spin controls the relative rate of |
| motion and the speed with which changes occur, expressed in arbitrary units. Wander controls |
| the amount of change. At extreme settings, these parameters can introduce slight pitch wobbles |
| that are audible in critical material such as classical guitar or piano. |