Kodak ISBN 0-87985-749-8 manual 5298

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5298

Process: ECN-2

Use: EASTMAN EXR 500T Film 5298 is a camera ﬁlm intended for general motion picture production. The wide exposure latitude of this ﬁlm makes it especially suitable for indoor and outdoor photography under low-level illu- mination. The film offers the highest quality telecine transfers and is an excellent choice for blue-screen special effects.

General Properties: EASTMAN EXR 500T Film 5298 is a high-speed ﬁlm balanced for tungsten light. Enhanced shadow detail provides crisp, rich blacks and clean, white highlights. The emulsion contains a colored-coupler mask to achieve superior color reproduction when printed onto EASTMAN Color Release Print Film. This ﬁlm is charac- terized by micro-fine grain, very high sharpness, high resolving power, and wide under- and over-exposure latitude.

Illumination (Incident Light) Table for Tungsten Light (24 frames per second, 170° shutter opening)

Lens Aperture	f/1.4	f/2	f/2.8	f/4	f/5.6	f/8	f/11	f/16

Footcandles	5	10	20	40	80	160	320	640

Lighting Contrast: The suggested ratio of key-light-plus- ﬁll-light to ﬁll light is 2:1 or 3:1.

Reciprocity Characteristics EI 500 (28): You do not need to make any filter corrections or exposure adjustments for exposure times from 1/1000 to 1 second.

Handling: Total darkness

Available Roll Lengths: For information on ﬁlm roll lengths, check Kodak’s Professional Motion Imaging Price Catalog, or contact a Kodak sales representative in your country.

All rolls are identiﬁed with a product-code number and an internal product-code symbol.

9/98 MPF-23

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T Process ECN-2 5248/7248Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D Illumination Incident Light Table for Daylight 5246/7246Vision 320T Handling Total darkness 5277/7277 Vision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 Daylight- 250 25 Tungsten- 200 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film5222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 Daylight- 200* 24 Tungsten- 160 7278 16 mm, super 8 Eastman TRI-X Reversal Film7278 Daylight Incident-Light Illumination in footcandlesFilters for Black-and-White Films IntroductionTypes of Filters PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Exposure To Obtain Kodak Light Balancing FiltersKodak Wratten Neutral Density Filters No Neutral Density FiltersDaylight Page Aspect Ratios Tips and Techniques10 9/00 Protection from Physical Damage Ambient-Background Radiation effects on raw stockProcessed Film Storage Unprocessed Film Before and After ExposureShooting for Television Ditty Bag Getting ReadyTools Camera AccessoriesCamera Operator’s Meter Case Final Thought About Laboratories Flashing Camera Films to Lower ContrastExposed Film -What Now? Page Mm and 65 mm End Use Winding DesignationsPerforation Types Mm End Use Quantities -Standard PackagesOrdering RAW Stock Product and Technical Information United States of America Argentina InternationalAustralia AustriaColombia ChileCzech Republic DenmarkFrance FinlandGermany GreeceIreland IranIsrael ItalyMalaysia LuxemborgMexico NetherlandsPhilippines PeruPoland PortugalSweden SpainSwitzerland TaiwanVenezuela United StatesUruguay CAT 141