Kodak ISBN 0-87985-749-8 manual 5245/7245

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5245/7245

Process: ECN-2

Use: EASTMAN EXR 50D Film 5245/7245 is a camera film intended for general motion picture production. The wide exposure latitude of this negative film makes it especially suitable for outdoor photography under normal daylight conditions.

General Properties: EASTMAN EXR 50D Film 5245/7245 is balanced for daylight. The emulsion contains a colored-coupler mask to achieve excellent color reproduction in prints from EASTMAN Color Release Print Film. This film is characterized by very high sharpness, micro-fine grain, excellent color rendition, and underexposure latitude.

Illumination (Incident Light) Table for Daylight

(24 frames per second, 170° shutter opening)

Lens Aperture

f/1.4

f/2

f/2.8

f/4

f/5.6

f/8

f/11

f/16

 

 

 

 

 

 

 

 

 

Footcandles

50

100

200

400

800

1600

3200

6400

Lighting Contrast: The suggested ratio of key-light-plus- fill-light to fill light is 2:1 or 3:1.

Reciprocity Characteristics EI 50 (18): No exposure or filter compensation is required for exposure times from 1/1000 second to 1 second.

Handling: Total darkness

Available Roll Lengths: For information on film roll lengths, check Kodak’s Professional Motion Imaging Price Catalog, or contact a Kodak sales representative in your country.

All rolls are identified with a product-code number and an internal product-code symbol.

9/98 MPF-7

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T Process ECN-2 5248/7248Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D Illumination Incident Light Table for Daylight 5246/7246Vision 320T Handling Total darkness 5277/7277Vision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 Daylight- 250 25 Tungsten- 200 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film5222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 Daylight- 200* 24 Tungsten- 160 7278 16 mm, super 8 Eastman TRI-X Reversal Film7278 Daylight Incident-Light Illumination in footcandlesTypes of Filters IntroductionFilters for Black-and-White Films PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Exposure To Obtain Kodak Light Balancing FiltersKodak Wratten Neutral Density Filters No Neutral Density FiltersDaylight Page Aspect Ratios Tips and Techniques10 9/00 Protection from Physical Damage Ambient-Background Radiation effects on raw stockProcessed Film Storage Unprocessed Film Before and After ExposureShooting for Television Ditty Bag Getting ReadyTools Camera AccessoriesCamera Operator’s Meter Case Exposed Film -What Now? Flashing Camera Films to Lower ContrastFinal Thought About Laboratories Page Perforation Types Winding DesignationsMm and 65 mm End Use Mm End Use Quantities -Standard PackagesOrdering RAW Stock Product and Technical Information United States of America Argentina InternationalAustralia AustriaColombia ChileCzech Republic DenmarkFrance FinlandGermany GreeceIreland IranIsrael ItalyMalaysia LuxemborgMexico NetherlandsPhilippines PeruPoland PortugalSweden SpainSwitzerland TaiwanUruguay United StatesVenezuela CAT 141