Kodak ISBN 0-87985-749-8 manual 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film

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PLUS-XREVERSAL FILM

7276™ (16 mm, Super 8) EASTMAN PLUS-X Reversal Film

Exposure Indexes*: (For recommended reversal processing)

Daylight 50 (18) Tungsten 40 (17)

For negative processing in a typical negative motion picture film developer, use the following exposure indexes:

Daylight 25 (15) Tungsten20 (14)

Process: KODAK Liquid Reversal Chemicals or from bulk.

Force Processing: 1 stop (or more) with some loss in quality– check with your processing laboratory.

Use: EASTMAN PLUS-X Reversal Film 7276 is used widely for general exterior photography and for indoor photography where there is ample illumination.

General Properties: EASTMAN PLUS-X Reversal Film 7276 is a medium-speed, panchromatic, reversal motion picture film. It is characterized by a high degree of sharp- ness, good contrast, high resolving power, and excellent tonal gradation.

When processed as a reversal film, the resulting positive can be used for projection or for duplication. Processed as a negative material by conventional methods, the film will yield satisfactory results, although a print will be necessary.

*When exposed in Super 8 cameras through a KODAK WRATTEN Gelatin Filter No. 85, the effective speed is reduced to 32 for daylight. In automatic cameras, due to the cartridge speed and filter notching system, the film will be exposed as follows:

Daylight (no filter)

50

Daylight (with filter)

25

Tungsten (without filter)

40

MPF-40 9/98

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T 5248/7248 Process ECN-2Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D 5246/7246 Illumination Incident Light Table for DaylightVision 320T 5277/7277 Handling Total darknessVision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film Daylight- 250 25 Tungsten- 2005222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 7278 16 mm, super 8 Eastman TRI-X Reversal Film Daylight- 200* 24 Tungsten- 1607278 Incident-Light Illumination in footcandles DaylightTypes of Filters IntroductionFilters for Black-and-White Films PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Kodak Light Balancing Filters Exposure To ObtainNeutral Density Filters Kodak Wratten Neutral Density Filters NoDaylight Page Tips and Techniques Aspect Ratios10 9/00 Ambient-Background Radiation effects on raw stock Protection from Physical DamageUnprocessed Film Before and After Exposure Processed Film StorageShooting for Television Getting Ready Ditty BagCamera Accessories ToolsCamera Operator’s Meter Case Exposed Film -What Now? Flashing Camera Films to Lower ContrastFinal Thought About Laboratories Page Perforation Types Winding DesignationsMm and 65 mm End Use Quantities -Standard Packages Mm End UseOrdering RAW Stock Product and Technical Information United States of America Australia InternationalArgentina AustriaCzech Republic ChileColombia DenmarkGermany FinlandFrance GreeceIsrael IranIreland ItalyMexico LuxemborgMalaysia NetherlandsPoland PeruPhilippines PortugalSwitzerland SpainSweden TaiwanUruguay United StatesVenezuela CAT 141