Kodak ISBN 0-87985-749-8 manual Ektachrome 100D

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COLOR REVERSAL FILM

EKTACHROME 100D

5285™ (35 mm)

KODAK EKTACHROME 100D Color Reversal Film Daylight EI 100 (21)

Exposure Indexes and Filters

	Light Source	KODAKCamera	Exposure
	Light Source	Filters	Index (DIN)
		Filters	Index (DIN)

	Daylight 5500 K	None	100 (21)
	Metal Halide H.M.I.	None	100 (21)

	Tungsten 3000 K	WRATTENGelatin	25 (15)
		No. 80A
	Tungsten 3200 K	No. 80A	25 (15)
	Tungsten Photoﬂood 3400 K	No. 80A	25 (15)

		WRATTEN Gelatin/
	White-Flame Arcs	Color Compensating	64 (19)
		20Y + 10C

	Optima 32	WRATTENGelatin	25 (15)
		No. 80A
	Vitalite	None	100 (21)

	Fluorescent*	WRATTEN Gelatin/
	Fluorescent*	Color Compensating	80 (20)
	Cool White	Color Compensating	80 (20)
	Cool White	20M
		20M
	Fluorescent*	WRATTENGelatin	80 (20)
	Deluxe Cool White	No. 85C

*IMPORTANT: These are approximate ﬁlter requirements. When you don’t know the kind of lamp, use a CC40R ﬁlter with an index exposure of 100 (21) for a trial exposure.

MPF-26 9/00

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T 5248/7248 Process ECN-2Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D 5246/7246 Illumination Incident Light Table for DaylightVision 320T 5277/7277 Handling Total darknessVision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film Daylight- 250 25 Tungsten- 2005222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 7278 16 mm, super 8 Eastman TRI-X Reversal Film Daylight- 200* 24 Tungsten- 1607278 Incident-Light Illumination in footcandles DaylightFilters for Black-and-White Films IntroductionTypes of Filters PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Kodak Light Balancing Filters Exposure To ObtainNeutral Density Filters Kodak Wratten Neutral Density Filters NoDaylight Page Tips and Techniques Aspect Ratios10 9/00 Ambient-Background Radiation effects on raw stock Protection from Physical DamageUnprocessed Film Before and After Exposure Processed Film StorageShooting for Television Getting Ready Ditty BagCamera Accessories ToolsCamera Operator’s Meter Case Final Thought About Laboratories Flashing Camera Films to Lower ContrastExposed Film -What Now? Page Mm and 65 mm End Use Winding DesignationsPerforation Types Quantities -Standard Packages Mm End UseOrdering RAW Stock Product and Technical Information United States of America International ArgentinaAustralia AustriaChile ColombiaCzech Republic DenmarkFinland FranceGermany GreeceIran IrelandIsrael ItalyLuxemborg MalaysiaMexico NetherlandsPeru PhilippinesPoland PortugalSpain SwedenSwitzerland TaiwanVenezuela United StatesUruguay CAT 141