SFX
Process: ECN-2
Use: KODAK SFX 200T Color Negative Film is opti- mized for traveling matte shots, so foreground action photographed against a blue or green screen can be sepa- rated more cleanly from the background when it’s scanned into the digital format. In complex composite shots, this film can save time in postproduction.
General Properties: KODAK SFX 200T Color Negative Film is a medium speed film balanced for tung- sten light. It intercuts seamlessly with other KODAK Color Negative Films used to record live action footage. This film features microfine grain, unprecedented sharpness, high resolving power, wide exposure latitude and accurate tone reproduction for the most difficult compositing applications.
Illumination (Incident Light) Table for Tungsten Light (24 frames per second, 170° shutter opening)
Lens Aperture | f/1.4 | f/2 | f/2.8 | f/4 | f/5.6 | f/8 | f/11 | f/16 |
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Footcandles | 12.5 | 25 | 50 | 100 | 200 | 400 | 800 | 1600 |
Use this table for average subjects. When a subject includes only pastels, use at least 1⁄2 stop less exposure; dark colors require 1⁄2 stop more exposure.
Lighting Contrast: The suggested ratio of
Reciprocity Characteristics EI 200 (24): You do not need to make any filter corrections or exposure adjust- ments for exposure times from 1/1000 to 1/10 second.
Handling: Total darkness.
Available Roll Lengths: SFX 200T Film is a special order product from Kodak. For information on film roll lengths, contact a Kodak sales representative in your country.
All rolls are identified with a
9/98