Kodak ISBN 0-87985-749-8 manual Vision 200T

Page 16

COLOR NEGATIVE FILM

VISION 200T

5274/7274(35 mm, 65 mm/16 mm) KODAK VISION 200T Color Negative Film Tungsten EI 200 (24)

Exposure Indexes and Filters

Light Source

KODAKCamera

Exposure

Filters

Index (DIN)

 

 

 

 

Tungsten 3000 K

WRATTENGelatin

125 (22)

 

No. 82B

 

Tungsten 3200 K

None

200 (24)

Tungsten Photoflood 3400 K

None

200 (24)

 

 

 

Daylight 5500 K

WRATTENGelatin

125 (22)

 

No. 85

 

Metal Halide H.M.I.

WRATTENGelatin

125 (22)

 

No. 85

 

 

 

 

White-Flame Arcs

WRATTENGelatin

125 (22)

 

No. 85B

 

 

 

 

Optima 32

None

200 (24)

Vitalite

WRATTENGelatin

125 (22)

 

No. 85

 

 

 

 

Fluorescent*

WRATTENGelatin

80 (20)

Cool White

No. 85 + 10M

 

Fluorescent*

WRATTENGelatin

125 (22)

Deluxe Cool White

No. 85C + 10R

 

 

 

 

*IMPORTANT: These are approximate filter requirements. When you don’t know the kind of lamp, use a CC40R filter with an index exposure of 250 (25) for a trial exposure.

MPF-10 9/98

Image 16
Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T 5248/7248 Process ECN-2Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D 5246/7246 Illumination Incident Light Table for DaylightVision 320T 5277/7277 Handling Total darknessVision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film Daylight- 250 25 Tungsten- 2005222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 7278 16 mm, super 8 Eastman TRI-X Reversal Film Daylight- 200* 24 Tungsten- 1607278 Incident-Light Illumination in footcandles DaylightTypes of Filters IntroductionFilters for Black-and-White Films PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Kodak Light Balancing Filters Exposure To ObtainNeutral Density Filters Kodak Wratten Neutral Density Filters NoDaylight Page Tips and Techniques Aspect Ratios10 9/00 Ambient-Background Radiation effects on raw stock Protection from Physical DamageUnprocessed Film Before and After Exposure Processed Film StorageShooting for Television Getting Ready Ditty BagCamera Accessories ToolsCamera Operator’s Meter Case Exposed Film -What Now? Flashing Camera Films to Lower ContrastFinal Thought About Laboratories Page Perforation Types Winding DesignationsMm and 65 mm End Use Quantities -Standard Packages Mm End UseOrdering RAW Stock Product and Technical Information United States of America International ArgentinaAustralia AustriaChile ColombiaCzech Republic DenmarkFinland FranceGermany GreeceIran IrelandIsrael ItalyLuxemborg MalaysiaMexico NetherlandsPeru PhilippinesPoland PortugalSpain SwedenSwitzerland TaiwanUruguay United StatesVenezuela CAT 141