Kodak ISBN 0-87985-749-8 manual Conversion Filters for Color Films

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Conversion Filters for Color Films

These filters are intended for use whenever significant changes in the color temperature of the illumination are required (for example, daylight to artificial light). The filter may be positioned between the light source and other ele- ments of the system or over the camera lens in conven- tional photographic recording.

Filter

Filter

Exposure Increase

Conversion

Color

Number

In Stops*

in Degrees K

 

80A

2

3200 to 5500

Blue

80B

12/3

3400 to 5500

80C

1

3800 to 5500

 

 

80D

1/3

4200 to 5500

 

85C

1/3

5500 to 3800

 

85

2/3

5500 to 3400

 

85N3

12/3

5500 to 3400

Amber

85N6

22/3

5500 to 3400

85N9

32/3

5500 to 3400

 

 

85B

2/3

5500 to 3200

 

85BN3

12/3

5500 to 3200

 

85BN6

22/3

5500 to 3200

*These values are approximate. For critical work, check by accurate tests, especially if you use more than one filter.

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T 5248/7248 Process ECN-2Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D 5246/7246 Illumination Incident Light Table for DaylightVision 320T 5277/7277 Handling Total darknessVision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film Daylight- 250 25 Tungsten- 2005222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 7278 16 mm, super 8 Eastman TRI-X Reversal Film Daylight- 200* 24 Tungsten- 1607278 Incident-Light Illumination in footcandles Daylight Introduction Types of Filters Filters for Black-and-White Films PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Kodak Light Balancing Filters Exposure To ObtainNeutral Density Filters Kodak Wratten Neutral Density Filters NoDaylight Page Tips and Techniques Aspect Ratios10 9/00 Ambient-Background Radiation effects on raw stock Protection from Physical DamageUnprocessed Film Before and After Exposure Processed Film StorageShooting for Television Getting Ready Ditty BagCamera Accessories ToolsCamera Operator’s Meter Case Flashing Camera Films to Lower Contrast Exposed Film -What Now?Final Thought About Laboratories Page Winding Designations Perforation TypesMm and 65 mm End Use Quantities -Standard Packages Mm End UseOrdering RAW Stock Product and Technical Information United States of America Australia InternationalArgentina AustriaCzech Republic ChileColombia DenmarkGermany FinlandFrance GreeceIsrael IranIreland ItalyMexico LuxemborgMalaysia NetherlandsPoland PeruPhilippines PortugalSwitzerland SpainSweden TaiwanUnited States UruguayVenezuela CAT 141