Kodak ISBN 0-87985-749-8 manual 5293/7293

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5293/7293

Use: EASTMAN EXR 200T Color Negative Film 5293/7293 is intended for general motion picture production. The wide exposure latitude of this negative ﬁlm makes it especially suitable for indoor and outdoor photography under a wide variety of conditions.

General Properties: EASTMAN EXR 200T Color Negative Film 5293/7293 is a medium-speed film balanced for tungsten light and for daylight with appro- priate ﬁlters. The emulsion contains a colored-coupler mask to achieve superior color reproduction in prints from EASTMAN Color Release Print Film. This ﬁlm is characterized by very high sharpness, micro-ﬁne grain, high resolving power and underexposure latitude.

Illumination (Incident Light) Table for Tungsten Light (24 frames per second, 170° shutter opening)

Lens Aperture	f/1.4	f/2	f/2.8	f/4	f/5.6	f/8	f/11	f/16

Footcandles	12.5	25	50	100	200	400	800	1600

Reciprocity Characteristics EI 200 (24): You do not need to make any ﬁlter adjustments for exposure times from 1/1000 to 1/10 second. At an exposure time of 1 second, increase exposure by 1⁄3 stop.

Handling: Total darkness

Available Roll Lengths: For information on ﬁlm roll lengths, check Kodak’s Professional Motion Imaging Price Catalog, or contact a Kodak sales representative in your country.

All rolls are identiﬁed with a product-code number and an internal product-code symbol.

9/98 MPF-13

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T Process ECN-2 5248/7248 Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D Illumination Incident Light Table for Daylight 5246/7246Vision 320T Handling Total darkness 5277/7277Vision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 Daylight- 250 25 Tungsten- 200 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film5222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 Daylight- 200* 24 Tungsten- 160 7278 16 mm, super 8 Eastman TRI-X Reversal Film7278 Daylight Incident-Light Illumination in footcandlesTypes of Filters IntroductionFilters for Black-and-White Films PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Exposure To Obtain Kodak Light Balancing FiltersKodak Wratten Neutral Density Filters No Neutral Density FiltersDaylight Page Aspect Ratios Tips and Techniques10 9/00 Protection from Physical Damage Ambient-Background Radiation effects on raw stockProcessed Film Storage Unprocessed Film Before and After ExposureShooting for Television Ditty Bag Getting ReadyTools Camera AccessoriesCamera Operator’s Meter Case Exposed Film -What Now? Flashing Camera Films to Lower ContrastFinal Thought About Laboratories Page Perforation Types Winding DesignationsMm and 65 mm End Use Mm End Use Quantities -Standard PackagesOrdering RAW Stock Product and Technical Information United States of America Austria InternationalArgentina AustraliaDenmark ChileColombia Czech RepublicGreece FinlandFrance GermanyItaly IranIreland IsraelNetherlands LuxemborgMalaysia MexicoPortugal PeruPhilippines PolandTaiwan SpainSweden SwitzerlandUruguay United StatesVenezuela CAT 141