Kodak ISBN 0-87985-749-8 manual 5279/7279

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5279/7279

Process: ECN-2

Use: KODAK VISION 500T Color Negative Film 5279/7279 features very high sharpness, fine grain, accurate flesh-to-neutral reproduction, and wide under- and over-exposure latitude for indoor or outdoor photog- raphy. Enhanced shadow detail provides crisp, rich blacks.

General Properties: KODAK VISION 500T Color Negative Film 5279/7279 is a high-speed film balanced for tungsten light. It cuts seamlessly with other Kodak color negative motion picture films. VISION Film sets new standards for consistency —emulsion to emulsion, roll to roll, batch to batch.

Illumination (Incident Light) Table for Tungsten Light (24 frames per second, 170° shutter opening)

Lens Aperture

f/1.4

f/2

f/2.8

f/4

f/5.6

f/8

f/11

f/16

 

 

 

 

 

 

 

 

 

Footcandles

5

10

20

40

80

160

320

640

Use this table for average subjects. When a subject includes only pastels, use at least 12 stop less exposure; dark colors require 12 stop more exposure.

Lighting Contrast: The suggested ratio of key-light-plus- fill-light to fill light is 2:1, 3:1, or 4:1. At a 4:1 ratio, this film takes on a “special look.”

Reciprocity Characteristics EI 500 (28): You do not need to make any filter corrections or exposure adjust- ments for exposure times from 1/1000 to 1 second. If your exposure is in the 10-second range, increase your exposure 23 stop and use a KODAK WRATTEN Filter/Color Compensating 10Y.

Handling: Total darkness

Available Roll Lengths: For information on film roll lengths, check Kodak’s Professional Motion Imaging Price Catalog, or contact a Kodak sales representative in your country.

All rolls are identified with a product-code number and an internal product-code symbol.

9/98 MPF-21

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T Process ECN-2 5248/7248Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D Illumination Incident Light Table for Daylight 5246/7246 Vision 320T Handling Total darkness 5277/7277Vision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 Daylight- 250 25 Tungsten- 200 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film5222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 Daylight- 200* 24 Tungsten- 160 7278 16 mm, super 8 Eastman TRI-X Reversal Film7278 Daylight Incident-Light Illumination in footcandlesIntroduction Types of FiltersFilters for Black-and-White Films PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Exposure To Obtain Kodak Light Balancing FiltersKodak Wratten Neutral Density Filters No Neutral Density FiltersDaylight Page Aspect Ratios Tips and Techniques10 9/00 Protection from Physical Damage Ambient-Background Radiation effects on raw stockProcessed Film Storage Unprocessed Film Before and After ExposureShooting for Television Ditty Bag Getting ReadyTools Camera AccessoriesCamera Operator’s Meter Case Flashing Camera Films to Lower Contrast Exposed Film -What Now?Final Thought About Laboratories Page Winding Designations Perforation TypesMm and 65 mm End Use Mm End Use Quantities -Standard PackagesOrdering RAW Stock Product and Technical Information United States of America Austria InternationalArgentina AustraliaDenmark ChileColombia Czech RepublicGreece FinlandFrance GermanyItaly IranIreland IsraelNetherlands LuxemborgMalaysia MexicoPortugal PeruPhilippines PolandTaiwan SpainSweden SwitzerlandUnited States UruguayVenezuela CAT 141