Kodak ISBN 0-87985-749-8 manual 7240

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7240

Process: VNF-1 or RVNP. Force processing: 1 stop with some loss in quality; up to 2 stops with noticeable quality loss.

Use: EASTMAN EKTACHROME Film 7240 is a high- speed, color reversal camera film balanced for tungsten light and for daylight with an appropriate filter. You can use it for color news photography, nighttime sporting events, industrial photography with existing light, and for high-speed photography. The processed original film is balanced for projection at 5400 K.

The processed camera original is meant for direct projection; however, you can make color duplicates on EASTMAN EKTACHROME VN Print Film 7399 (Process VNF-1). Use shortened first developer time.

Illumination (Incident Light) Table for Tungsten Light (24 frames per second, 170° shutter opening)

Lens Aperture

f/1.4

f/2

f/2.8

f/4

f/5.6

f/8

f/11

 

 

 

 

 

 

 

 

Footcandles

16

32

64

128

256

512

1024

Lighting Contrast: The suggested ratio of key-light- plus fill-light to fill light is 2:1 or 3:1.

Reciprocity Characteristics EI 125 (22): For expo- sure times ranging from 1 to 1/10,000 second, no compensation is needed for either exposure level or color balance.

Handling: Total darkness

Available Roll Lengths: For information on film roll lengths, check Kodak's Professional Motion Imaging Price Catalog, or contact a Kodak sales representative in your country.

All rolls are identified with a film emulsion letter code.

9/98 MPF-29

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Contents Cinematographer’s Field Guide Cinematographer’s Field Guide Seventh Edition, November Contents Introduction Need Another H-2? Page Kodak Motion Picture Camera Films Color Temperature Page Kodak Motion Picture Camera Films MPF-5 50D 5245/7245 100T Process ECN-2 5248/7248Vision 200T 5274/7274 200T 5293/7293 SFX 200T SFX Vision 250D Illumination Incident Light Table for Daylight 5246/7246Vision 320T Handling Total darkness 5277/7277Vision 500T 5279/7279 500T 5298 Vision 800T 5289/7289 Ektachrome 100D 5285 7240 16 mm, Super 8 Eastman Ektachrome Film Tungsten EI 125 7240 7239 35 mm/16 mm Eastman Ektachrome Film Daylight EI 160 7239 MPF-32 9/98 7250 MPF-34 9/98 7251 5231/7231 35 mm/16 mm Eastman PLUS-X Negative Film 5231/7231 Daylight- 250 25 Tungsten- 200 5222/7222 35 mm/16 mm Eastman DOUBLE-X Negative Film5222/7222 7276 16 mm, Super 8 Eastman PLUS-X Reversal Film 7276 Daylight- 200* 24 Tungsten- 160 7278 16 mm, super 8 Eastman TRI-X Reversal Film7278 Daylight Incident-Light Illumination in footcandlesFilters for Black-and-White Films IntroductionTypes of Filters PLUS-X DOUBLE-X TRI-X Color Compensating Filters Conversion Filters for Color Films Exposure To Obtain Kodak Light Balancing FiltersKodak Wratten Neutral Density Filters No Neutral Density FiltersDaylight Page Aspect Ratios Tips and Techniques10 9/00 Protection from Physical Damage Ambient-Background Radiation effects on raw stockProcessed Film Storage Unprocessed Film Before and After ExposureShooting for Television Ditty Bag Getting ReadyTools Camera AccessoriesCamera Operator’s Meter Case Final Thought About Laboratories Flashing Camera Films to Lower ContrastExposed Film -What Now? Page Mm and 65 mm End Use Winding DesignationsPerforation Types Mm End Use Quantities -Standard PackagesOrdering RAW Stock Product and Technical Information United States of America Austria InternationalArgentina AustraliaDenmark ChileColombia Czech RepublicGreece FinlandFrance GermanyItaly IranIreland IsraelNetherlands LuxemborgMalaysia MexicoPortugal PeruPhilippines PolandTaiwan SpainSweden SwitzerlandVenezuela United StatesUruguay CAT 141