Sony DXC-D30WSP Shooting with the DSR-1/1P, Basic Procedure for Shooting, Reviewing the recording

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DXC-D30WS/P(E)/V1

Basic Procedure for Shooting

Shooting with the DSR-1/1P

Chapter 3 Shooting

8 If required, switch on the center marker and/or safety zone (basic menu page 6 and advanced menu page 4) and zebra pattern (ZEBRA switch) in the viewfinder image.

9 Adjust the white balance (page 71) and black balance (page 74).

10Turn the focusing ring so that the subject is sharply in focus. It may be convenient to use the EZ FOCUS button for the “easy focus” function (see page 12).

11Set up the VTR according to your shooting objectives, then start recording.

If a camera control unit is not connected: Press

the VTR button on the camera head or on the lens.

If a camera control unit is connected: Press the VTR’s record button to begin recording.

For details of VTR setup and operations, see your VTR’s operating instructions.

During recording, the REC/TALLY indicator(s) in the viewfinder light(s), and “REC” appears on the viewfinder screen.

Depending on the setting of the REC TIME switch (See page 13), you can display the total recording time or the length of the camera cut on the viewfinder screen.

When recording on the DSR-1/1P, you can use the AUDIO LEVEL knob on the front of the camera head to manually adjust the channel 1 audio level. To do this, you must first set up the DSR-1/1P to enable manual adjustment of the audio recording level.

For details of this operation, see the operating instructions for the DSR-1/1P.

12To pause recording, press the VTR button again.

Reviewing the recording

It is possible to review the last few seconds of the recording on the tape (recording review).

Press the VTR button to pause recording, then press the RET button on the lens.

Depending on how long the button is pressed, the tape is automatically rewound over the last two to ten seconds from the paused position, and then this part is played back in the viewfinder. If the RET button is kept pressing, about ten seconds of the recording review is possible.

The VTR then returns to the paused state.

Note

This function may not be provided by some VTRs. Refer to the instructions for the VTR.

The DXC-D30/D30P docks with the DSR-1/1P to configure the DSR-130/130P DVCAM Digital Camcorder.

The following describes how to shoot using the DSR- 130/130P’s functions.

Using the ClipLink Function

The ClipLink function can be used at all stages from shooting to editing. This function makes editing operations more efficient by automatically recording index pictures (Mark IN point images) that provide a searchable index of recorded scenes, along with other data such as time code and scene numbers.

For concept of the ClipLink function, see the supplied “ClipLink™ Guide”.

1 Dock the DSR-1/1P to the camera head and turn on the power, then perform steps 2 to 10 from “Basic Procedure for Shooting” (page 39).

2 Insert a cassette into the DSR-1/1P and set ClipLink mode to ON by menu setting.

For details of this operation, see the operating instructions for the DSR-1/1P.

The following display appears on the viewfinder screen.

T C G 1 2 : 3 4 : 5 6: 0 0

ClipLink mode indication:

 

 

 

 

A T W

CLIP M or Ca)

 

M

 

 

 

 

 

 

1 9 8

 

 

 

 

Clip remaining:

 

 

 

 

N D

Indicates the number of

9 6

0

8

2 4

 

 

2 :

2 4 PM

available Index pictures

 

 

 

 

 

 

 

(198 max.)

 

 

 

 

 

a) For details, see “Basic menu page 7” (page 54).

To record the cassette name/number

Access basic menu page 7 to specify a name or number for the inserted cassette.

For details, see “Basic menu page 7” (page 54).

3 Press the VTR button on the camera head or the lens.

The DSR-1/1P starts recording, and the REC/ TALLY indicator lights in the viewfinder. Meanwhile, the time code at the recording start point (Rec IN) is recorded (HH:MM:SS) in the DSR-1/1P’s internal memory.

4 When a shooting of the scene completes, press the VTR button on the camera head or the lens.

This pauses recording.

To continue recording the next scene, repeat steps 3 and 4. The scene number will be automatically incremented.

To set/clear NG (No Good)

If you press the NG button before you start shooting the next scene, the previous scene will be designated as “NG” (the “NG” display appears in the viewfinder).

Once NG has been set, you can cancel it by pressing the NG button again before you start shooting the next scene (the “NG” display in the viewfinder disappears, which means that the previous scene has been re-designated as “OK”). Each time you press the NG button before starting shooting the next scene, the status of the previous scene toggles between “NG” and “OK”. It is always the last selected status that will take effect and be stored in the cassette memory.

5 To finish recording, press the STOP button on the DSR-1/1P.

This stops recording.

Note

When using the ClipLink function while shooting, if you continue shooting after stopping or if you change the tape’s recording position, your subsequent shots may overwrite and erase the previously recorded ClipLink log data (time codes, scene number, etc.) or index pictures.

To avoid this problem, press the DSR-1/1P’s ClipLink CONTINUE button before restart of shooting.

For details, see the operating instructions for the DSR-1/1P.

Chapter 3 Shooting

40 Chapter 3 Shooting

Chapter 3 Shooting 41

1-27

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Contents DXC-D30WS DXC-D30WSP Varning Introducing this manual Related manuals Manual StructureTable of Contents Operating instructions Digital Video CameraTable of Contents Features Overview Advanced Menu SettingsAbout This Manual Advanced Menu Settings Video Output and Viewfinder Picture Battery Pack Operating TimesItemSettings DXC-D30WSL/D30WSPL Camera Head SpecificationsSupplied accessories Related ProductsHorizontal resolution in 43 mode SpecificationsMeasuring Horizontal Resolution Horizontal resolution in 169 modeDXC Chart of Optional Components and AccessoriesUsing Battery Packs Camera Adaptor Power Supply Using the Camcorder GripCamera Head VCL-916BYA Zoom Lens DXF-701/701CE Viewfinder Table of Contents Camera adaptor Product ConfigurationsFeatures Camera Head Location and Function of PartsLocation and Function of Parts Left and upper view Front viewVCL-916BYA Zoom Lens DXF-701/701CE Viewfinder Location and Function of Parts To remove the VTR Using the Camcorder GripFitting a VTR Attaching a camcorder grip to the DSR-1/1PAttaching a camcorder grip to the PVV-3/3P Fitting a VTRFitting the Lens If using a lens with a 6-pin connectorFitting optional filters Using the Viewfinder Using AccessoriesUsing an Optional Microphone Fitting an optional microphone Using AccessoriesAdjusting the Shoulder Pad Position Fitting to a TripodConnecting a Portable VTR Using Accessories Using the Carrying CaseConnections VTR Connecting a Number of Cameras Using a Camera Control UnitConnections Connected VTRBattery low indications Power SupplyUsing Battery Packs Battery pack operating timesFilter setting Lighting conditions Basic Procedure for ShootingPower Supply Camera Adaptor Power Supply Camera with a separate power supplyReviewing the recording Basic Procedure for ShootingUsing the ClipLink Function Shooting with the DSR-1/1PShooting with the DSR-1/1P Using the Edit Search Function While Back Space EditingSetting Mark IN/OUT points as you shoot Setting cue points as you shootViewfinder Screen Indications Using the Freeze Mix FunctionChanging the Viewfinder Display Viewfinder Screen Indications Viewfinder Normal IndicationsViewfinder Normal Indications Basic Menu Operations Contents and Settings of EachViewfinder Basic Menu Status IndicationsSetting the recording time in minutes Setting the recording time in secondsViewfinder Basic Menu To record a title Basic menu pages 8Entering the title DSR-1/1PTo return to the normal indications Viewfinder Advanced MenuAdvanced Menu Operations To changeViewfinder Advanced Menu To set the camera ID EZ mode settingsAdvanced menu pages 9 to Advanced menu pages 13To call up files recorded onto a tape when 38Setup FilesCalling up a Setup File Using the DSR-1/1PSaving File Settings Setup Files Changing File SettingsTo save setup files to a tape when using the DSR-1/1P Setup Files Using SetupNavi and SetupLog with the DSR-1/1PSetting up the camera Using Data Recorded on Tape To abort the data recording while in progress Using SetupNavi and SetupLog with the DSR-1/1PRecording the Menu Settings onto a Tape Viewing SetupLog DataSaving an Appropriate White Balance Value in Memory White Balance AdjustmentUsing the Preset White Balance Settings White Balance AdjustmentLight Sources and Color Temperature Using the ATW Auto Tracing White Balance FunctionCLS Clear Scan function 44Black Balance Adjustment Shutter SettingsSetting the shutter speed, CLS and EVS function Shutter speedsWhen shooting is finished Setting the Clock and Timestamping RecordingsShutter Settings How to set the date and time46Setting the Clock and Timestamping Recordings Viewfinder Screen AdjustmentsUsing the zebra pattern in manual adjustment mode Adjusting the LensFlange Focal Length Adjustment Iris AdjustmentsReducing the size of the image Settings for Special Cases48Adjusting the Lens Macrophotography Ending close-up shootingImportant Notes on Operation Settings for Special CasesAdjusting Color in the Specified Area Characteristics of CCD SensorsVCL-916BYA Zoom Lens DXC-D30/D30P Camera HeadVCL-915BYA/916BY/1012BY Zoom Lens Design and specifications are subject to changeDXF-701/701CE Viewfinder HoodVHS VTR 52Chart of Optional Components and AccessoriesRemoval of Cabinet Board LayoutRemoval of Side Plate Assembly Replacement of Main PartsReplacement of CCD Unit DisassemblyCN2 Connector Input/Output Signals Connectors and CablesPin Signal Specification CAMERA/CA 76P, Male Remote 10P, Female VF 20P, Female Replacement Way of ROMIC102 HOW to Handle of AT-125 BoardConnection Connector How to Attach of the Extension Board EX-591External View Check Point Voltage Value DC-DC Converter VoltageConnection Service Mode OperationService mode Menu screenStandard set value Reset object item and standard set value for setting Table2 Standing Correction 1 Reset3 Flare Adjustment 4 Pre Knee Setting8 SC adjustment 5 Component Level Adjustment6 CLP Level Adjustment 7 Chroma/VF Adjustment12 RG, SUB communication 9 Various kinds items setting10 Test Mode 11 Head Block No. information16 Knee setting 3 not in used 13 Various items setting14 Title Color setting 15 Various items setting18 Selfdiagnosis 17 Various setting20 Selfdiagnosis 19 SelfdiagnosisRC-CCR 21 SelfdiagnosisRC-PMPD RC-CYMemory DSP COM23 TG ROM Operation 22 Present unit condition indicationPattern box PTB-500 Grayscale chartPreparation Equipment Required ConnectionSwitch Setting Before Adjustment Adjustment Item Color Bar Signal Confirmation Before AdjustmentSensitivity Measurement Confirmation 3. Y/R-Y/B-Y CLP Level Adjustment Camera AdjustmentSub-Carrier Frequency Adjustment INT SC-H Phase AdjustmentLVL UP LVL 4. Y/SYNC/R-Y/B-Y Level AdjustmentCarrier Balance Adjustment Adjusting pointTo be extended ES-22 board Preparation Chroma VBS Level AdjustmentVBS Level Adjustment → SET UP on MAT Dest SmpteChroma YC Level Adjustment YC Level AdjustmentSpecification for Ntsc → CAM/DCC+ VF SYNC/BLKG Level AdjustmentSpecification a = 165 ±5 mV VF Sync → VF Blkg→ R Shad G Shad B Shad Pedestal AdjustmentShading Adjustment Test point Spec Mode VA-185 board→CAM/DCC+ Flare AdjustmentMIC LEVEL/MIC Level IND Adjustment Adjusting point Lens irisAdjusting point 1CV1/MB-785 board Specification Character Position AdjustmentTitle Adjustment Adjusting point 1CV3/MB-785 board SpecificationPage Sony Corporation

DXC-D30WS, DXC-D30WSP specifications

The Sony DXC-D30WSP and DXC-D30WS are professional broadcast cameras known for delivering exceptional image quality, reliability, and versatility. Both models are part of Sony's renowned lineup of 3-chip CCD cameras, designed to meet the high demands of television production and video broadcasting.

At the heart of the DXC-D30WSP and DXC-D30WS is a high-resolution 3CCD image sensor system. This technology allows for accurate color reproduction and enhanced sensitivity, making it suitable for various lighting conditions. The cameras produce vibrant images with low noise levels, ensuring that footage remains clear and detailed, even in challenging environments.

One of the standout features of these cameras is their adaptability. The DXC-D30WSP model is equipped with a wide range of interchangeable lenses, allowing operators to select the appropriate lens for their specific shooting needs. This flexibility is crucial for cinematographers and videographers who work on diverse projects, from documentaries to commercials.

The DXC-D30WS, which is similar in many ways to its counterpart, emphasizes ease of use with its ergonomic design and intuitive controls. This model is particularly well-suited for field work, as it is lightweight and portable, enabling easy transport without sacrificing performance. Both cameras have comprehensive connectivity options, including SDI and analog outputs, making them compatible with various production environments.

In terms of performance, the Sony DXC-D30WSP and DXC-D30WS feature enhanced digital signal processing. This technology optimizes image quality by improving sharpness, contrast, and color fidelity. In addition to standard recording formats, these cameras support multiple aspect ratios, making them versatile tools for filmmakers who want to achieve specific artistic visions.

Furthermore, both models include advanced white balance and exposure control features, allowing operators to fine-tune settings for optimal results. This precision is critical for maintaining consistent visual quality throughout a production.

In conclusion, the Sony DXC-D30WSP and DXC-D30WS are distinguished by their robust build quality, advanced imaging technologies, and user-friendly designs. They are ideal choices for professionals seeking reliable, high-performance cameras that can adapt to a wide range of shooting situations. Whether for broadcast television or independent filmmaking, these cameras remain a valuable asset in any production setup, ensuring that creators can capture stunning visuals with ease.