Sony DXC-D30WSP service manual White Balance Adjustment, Light Sources and Color Temperature

Page 47

DXC-D30WS/P(E)/V1

White Balance Adjustment

The adjustment value is automatically saved in memory A or B as selected above.

To save the white balance adjustment for different lighting conditions, repeat steps 2 to 4 above. You can save two different values for the white balance, in memories A and B.

Notes

When using a camera control unit, if the W/B BALANCE switch of the camera control unit is set to PRESET or MANUAL, it is not possible to carry out white balance adjustment on the camera.

When using a CCU-M5/M5P Camera Control Unit, make sure that the MODE switch of the CCU-M5/ M5P is in the CAM position.

To recall a white balance value from memory

Before beginning shooting, set the W. BAL switch to the A or B position. This automatically sets the

AUTO WHITE

-NG-

:C.TEMP.LOW

CHG.FILTER TRY AGAIN

AUTO WHITE

-NG-

:C.TEMP.HI

CHG.FILTER TRY AGAIN

The color temperature is too low. Try the following, in this order of precedence.

(1)If the FILTER control is in position 2, 3 or 4, change it to position 1, then retry the adjustment.

(2)Check that the subject is completely white, then retry the adjustment.

(3)The color temperature may be outside the range of the camera. Fit an appropriate color temperature conversion filter, then retry the adjustment.

The color temperature is too high. Try the following, in this order of precedence.

(1)

If the FILTER control is in position 1,

 

change it to position 2, 3 or 4, then

 

retry the adjustment.

(2)

Check that the subject is completely

 

white, then retry the adjustment.

(3)

The color temperature may be

 

outside the range of the camera. Fit

 

an appropriate color temperature

Light Sources and Color

Temperature

Adjustment of the white balance to match the light source is essential to ensure correct color rendering. The color of a light source is indicated as a color temperature in kelvins (K). It is higher for bluish light, and lower for reddish light. When the camera is shipped it is adjusted for use with video lights (halogen lamps with a color temperature of 3200 K). For use with other light sources, therefore, adjustment is required.

First use the FILTER control to set the approximate color temperature, then carry out white balance adjustment.

The following table shows typical color temperature values for different light sources.

Color temperatures of different light sources

Using the ATW (Auto Tracing White Balance) Function

The ATW function continuously adjusts the white balance automatically to adapt to changes in lighting conditions.

Note

Depending on the shooting conditions, automatic adjustment may not necessarily give optimum results. For the best possible results, use the W. BAL switch.

To use the ATW function

Press the ATW button turning the indicator on. This activates the ATW function, and the ATW indication appears in the viewfinder.

To disable the ATW function, press the ATW button again, turning the indicator off.

camera to the white balance adjustment saved in the corresponding memory.

If white balance adjustment cannot be completed automatically

The warning message “AUTO WHITE -NG-” appears in the viewfinder.

Make the necessary corrections, then carry out the process again.

WHITE:PRESET

BARS

conversion filter, then retry the

adjustment.

The W. BAL switch is in the PRESET position.

Move the W. BAL switch to the A or B position.

The camera is outputting a color bar signal.

Move the OUTPUT/DL/DCC+ switch to one of the CAM positions.

Light source

Natural

Artificial

Clear sky

 

Light cloud

 

Cloudy or rainy

 

skies

 

 

Fluorescent light

 

(daylight white)

Direct sunlight,

Mercury lighting

noon

Fluorescent light

 

Color temperature (K)

>10,000

8,000

Blue light

7,000

>6,000

5,000

.

White light

If the ATW function does not operate correctly

A warning massage appears in the viewfinder as shown in the table below.

Message

Meaning and corrections to be made

:C.TEMP.LOW

If the FILTER control is in position 2, 3 or

 

4, change it to position 1, then retry the

 

ATW operation.

:C.TEMP.HIGH

If the FILTER control is in position 1,

 

change it to position 2, 3 or 4, then retry

 

the ATW operation.

Chapter 5 Adjustments and Settings

Warning messages for white balance adjustment

Message

Meaning and corrections to be made

AUTO WHITE

Light level is too low.

-NG-

• Increase the illumination level, open

:LOW LIGHT

the iris, or use the GAIN switch to

TRY AGAIN

increase the video signal level.

 

• Check the setting of the FILTER

 

control.

 

• After these checks, retry the

 

adjustment.

AUTO WHITE

The subject is not white, or the lighting

-NG-

level is too high.

:?? • Use a white subject.

TRY AGAIN

• Lower the illumination level, stop down

 

the iris, or use the GAIN switch to

 

decrease the video signal level.

 

• Check the setting of the FILTER

 

control.

 

• After these checks, retry the

 

adjustment.

Using the Preset White Balance Settings

The camera provides two preset white balance settings, for instant shooting with approximately the correct adjustment.

There are also particular shooting conditions under which the preset values may give better results than the human eye adjustment.

1 Set the W. BAL switch to PRESET.

2 Set the FILTER control.

The white balance is automatically adjusted for 3200 K when the FILTER control is in position 1 or 2, and for 5600 K in position 3 or 4.

 

(white)

One hour after

 

sunrise or

Fluorescent light

before sunset

 

(warm white)

 

Studio lighting

 

Halogen lamps

 

and video lights

Thirty minutes

Incandescent

after sunrise or

lighting

before sunset

Sodium street-

 

 

lighting

Sunrise or

Candlelight

sunset

 

>

 

 

4,000

 

3,500

 

3,200

Yellow light

3,000

>

2,500

.

 

Red light

2,000

Chapter 5 Adjustments and Settings

72

Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

73

1-43

Image 47
Contents DXC-D30WS DXC-D30WSP Varning Introducing this manual Related manuals Manual StructureTable of Contents Operating instructions Digital Video CameraTable of Contents About This Manual Overview Advanced Menu SettingsFeatures ItemSettings Battery Pack Operating TimesAdvanced Menu Settings Video Output and Viewfinder Picture DXC-D30WSL/D30WSPL Camera Head SpecificationsSupplied accessories Related ProductsHorizontal resolution in 43 mode SpecificationsMeasuring Horizontal Resolution Horizontal resolution in 169 modeDXC Chart of Optional Components and AccessoriesCamera Head VCL-916BYA Zoom Lens DXF-701/701CE Viewfinder Using the Camcorder GripUsing Battery Packs Camera Adaptor Power Supply Table of Contents Camera adaptor Product ConfigurationsFeatures Camera Head Location and Function of PartsLocation and Function of Parts Left and upper view Front viewVCL-916BYA Zoom Lens DXF-701/701CE Viewfinder Location and Function of Parts To remove the VTR Using the Camcorder GripFitting a VTR Attaching a camcorder grip to the DSR-1/1PAttaching a camcorder grip to the PVV-3/3P Fitting a VTRFitting optional filters If using a lens with a 6-pin connectorFitting the Lens Using an Optional Microphone Using AccessoriesUsing the Viewfinder Fitting an optional microphone Using AccessoriesAdjusting the Shoulder Pad Position Fitting to a TripodConnections Using Accessories Using the Carrying CaseConnecting a Portable VTR VTR Connecting a Number of Cameras Using a Camera Control UnitConnections Connected VTRBattery low indications Power SupplyUsing Battery Packs Battery pack operating timesFilter setting Lighting conditions Basic Procedure for ShootingPower Supply Camera Adaptor Power Supply Camera with a separate power supplyReviewing the recording Basic Procedure for ShootingUsing the ClipLink Function Shooting with the DSR-1/1PShooting with the DSR-1/1P Using the Edit Search Function While Back Space EditingSetting Mark IN/OUT points as you shoot Setting cue points as you shootChanging the Viewfinder Display Using the Freeze Mix FunctionViewfinder Screen Indications Viewfinder Screen Indications Viewfinder Normal IndicationsViewfinder Normal Indications Basic Menu Operations Contents and Settings of EachViewfinder Basic Menu Status IndicationsViewfinder Basic Menu Setting the recording time in secondsSetting the recording time in minutes To record a title Basic menu pages 8Entering the title DSR-1/1PTo return to the normal indications Viewfinder Advanced MenuAdvanced Menu Operations To changeViewfinder Advanced Menu To set the camera ID EZ mode settingsAdvanced menu pages 9 to Advanced menu pages 13To call up files recorded onto a tape when 38Setup FilesCalling up a Setup File Using the DSR-1/1PTo save setup files to a tape when using the DSR-1/1P Setup Files Changing File SettingsSaving File Settings Setting up the camera Using Data Recorded on Tape Using SetupNavi and SetupLog with the DSR-1/1PSetup Files To abort the data recording while in progress Using SetupNavi and SetupLog with the DSR-1/1PRecording the Menu Settings onto a Tape Viewing SetupLog DataSaving an Appropriate White Balance Value in Memory White Balance AdjustmentUsing the Preset White Balance Settings White Balance AdjustmentLight Sources and Color Temperature Using the ATW Auto Tracing White Balance FunctionCLS Clear Scan function 44Black Balance Adjustment Shutter SettingsSetting the shutter speed, CLS and EVS function Shutter speedsWhen shooting is finished Setting the Clock and Timestamping RecordingsShutter Settings How to set the date and time46Setting the Clock and Timestamping Recordings Viewfinder Screen AdjustmentsUsing the zebra pattern in manual adjustment mode Adjusting the LensFlange Focal Length Adjustment Iris AdjustmentsReducing the size of the image Settings for Special Cases48Adjusting the Lens Macrophotography Ending close-up shootingImportant Notes on Operation Settings for Special CasesAdjusting Color in the Specified Area Characteristics of CCD SensorsVCL-916BYA Zoom Lens DXC-D30/D30P Camera HeadVCL-915BYA/916BY/1012BY Zoom Lens Design and specifications are subject to changeDXF-701/701CE Viewfinder HoodVHS VTR 52Chart of Optional Components and AccessoriesRemoval of Side Plate Board LayoutRemoval of Cabinet Assembly Replacement of Main PartsReplacement of CCD Unit DisassemblyCN2 Pin Signal Specification Connectors and CablesConnector Input/Output Signals CAMERA/CA 76P, Male Remote 10P, Female VF 20P, Female Replacement Way of ROMIC102 HOW to Handle of AT-125 BoardConnection Connector How to Attach of the Extension Board EX-591External View Check Point Voltage Value DC-DC Converter VoltageConnection Service Mode OperationService mode Menu screenStandard set value Reset object item and standard set value for setting Table2 Standing Correction 1 Reset3 Flare Adjustment 4 Pre Knee Setting8 SC adjustment 5 Component Level Adjustment6 CLP Level Adjustment 7 Chroma/VF Adjustment12 RG, SUB communication 9 Various kinds items setting10 Test Mode 11 Head Block No. information16 Knee setting 3 not in used 13 Various items setting14 Title Color setting 15 Various items setting18 Selfdiagnosis 17 Various setting20 Selfdiagnosis 19 SelfdiagnosisRC-CCR 21 SelfdiagnosisRC-PMPD RC-CYMemory DSP COM23 TG ROM Operation 22 Present unit condition indicationPattern box PTB-500 Grayscale chartPreparation Equipment Required ConnectionSwitch Setting Before Adjustment Adjustment Item Sensitivity Measurement Confirmation Before AdjustmentColor Bar Signal Confirmation 3. Y/R-Y/B-Y CLP Level Adjustment Camera AdjustmentSub-Carrier Frequency Adjustment INT SC-H Phase AdjustmentLVL UP LVL 4. Y/SYNC/R-Y/B-Y Level AdjustmentCarrier Balance Adjustment Adjusting pointTo be extended ES-22 board Preparation Chroma VBS Level AdjustmentVBS Level Adjustment → SET UP on MAT Dest SmpteSpecification for Ntsc YC Level AdjustmentChroma YC Level Adjustment → CAM/DCC+ VF SYNC/BLKG Level AdjustmentSpecification a = 165 ±5 mV VF Sync → VF Blkg→ R Shad G Shad B Shad Pedestal AdjustmentShading Adjustment Test point Spec Mode VA-185 board→CAM/DCC+ Flare AdjustmentMIC LEVEL/MIC Level IND Adjustment Adjusting point Lens irisAdjusting point 1CV1/MB-785 board Specification Character Position AdjustmentTitle Adjustment Adjusting point 1CV3/MB-785 board SpecificationPage Sony Corporation

DXC-D30WS, DXC-D30WSP specifications

The Sony DXC-D30WSP and DXC-D30WS are professional broadcast cameras known for delivering exceptional image quality, reliability, and versatility. Both models are part of Sony's renowned lineup of 3-chip CCD cameras, designed to meet the high demands of television production and video broadcasting.

At the heart of the DXC-D30WSP and DXC-D30WS is a high-resolution 3CCD image sensor system. This technology allows for accurate color reproduction and enhanced sensitivity, making it suitable for various lighting conditions. The cameras produce vibrant images with low noise levels, ensuring that footage remains clear and detailed, even in challenging environments.

One of the standout features of these cameras is their adaptability. The DXC-D30WSP model is equipped with a wide range of interchangeable lenses, allowing operators to select the appropriate lens for their specific shooting needs. This flexibility is crucial for cinematographers and videographers who work on diverse projects, from documentaries to commercials.

The DXC-D30WS, which is similar in many ways to its counterpart, emphasizes ease of use with its ergonomic design and intuitive controls. This model is particularly well-suited for field work, as it is lightweight and portable, enabling easy transport without sacrificing performance. Both cameras have comprehensive connectivity options, including SDI and analog outputs, making them compatible with various production environments.

In terms of performance, the Sony DXC-D30WSP and DXC-D30WS feature enhanced digital signal processing. This technology optimizes image quality by improving sharpness, contrast, and color fidelity. In addition to standard recording formats, these cameras support multiple aspect ratios, making them versatile tools for filmmakers who want to achieve specific artistic visions.

Furthermore, both models include advanced white balance and exposure control features, allowing operators to fine-tune settings for optimal results. This precision is critical for maintaining consistent visual quality throughout a production.

In conclusion, the Sony DXC-D30WSP and DXC-D30WS are distinguished by their robust build quality, advanced imaging technologies, and user-friendly designs. They are ideal choices for professionals seeking reliable, high-performance cameras that can adapt to a wide range of shooting situations. Whether for broadcast television or independent filmmaking, these cameras remain a valuable asset in any production setup, ensuring that creators can capture stunning visuals with ease.