Sony DXC-D30WSP Advanced menu pages 9 to, Advanced menu pages 13, To set the camera ID

Page 41
Chapter 4 Viewfinder Screen Indications and Menus
60
EXIT MENU (YESm4)
2 Press the MENU/STATUS switch to move the text entry arrow.
Press the MENU/STATUS switch upward to move the cursor to the right or downward to move it to the left.
3 Press the UP/ON button or DOWN/OFF button to enter the desired characters.
The displayed character changes each time the UP/ ON button is pressed. It changes in reverse order each time the DOWN/OFF button is pressed.
4 Return to step 2 and repeat the text entry procedure.
5 When you have finished entering the text, move the cursor to the parenthesis position.
This clears the displayed menu and returns to the normal indications.

DXC-D30WS/P(E)/V1

Viewfinder Advanced Menu

To set the camera ID

1 Press the MENU/STATUS switch to move the cursor to ID SET.

The cursor () changes to the text entry arrow ().

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AUDIO

IND:ON

Current camera ID

TAPE

IND:ON

TC

IND:ON

 

ID

IND:OFF

 

ID

SET:µ

 

 

 

(ABC

)

Advanced menu page 7

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mEZ MODE:CUSTOMa) A.IRIS-AGC:F2.8 A.IRIS-AE:F5.6 AGC LIMIT:18dB A.IRIS:STD

EXIT MENU (YESm4)

a) At shipping, the EZ MODE is set to STD.

EZ mode settings

The following settings are set for the camera head when EZ mode has been selected.

Item

Setting

 

 

STD

CUSTOM

Setup file

STD

Selectable

Detail level

±0

Setting of selected

 

 

file

Master black

±0

Setting of selected

 

 

file

Black stretch

±0

Setting of selected

 

 

file

Advanced menu page 8

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CLOCK IND:OFF mCLOCK SET:(STARTm4)

EXIT MENU (YESm4)

Item

Settings

EZ MODE

STD (normal value):

When the EZ MODE button

Changes settings to

has been set to EZ mode

standard settings.

ON, this selects whether or

CUSTOM: Changes only

not to change the settings of

some settings to standard

other switches and menus to

settings.

the standard settings. (The

For details of the settings

EZ mode function cannot be

when STD or CUSTOM is

used during remote

specified, see “EZ mode

operation.)

settings” on the next page.

Skin detail

OFF

OFF

Shutter

OFF (AE mode)

OFF (AE mode)

Freeze mix

OFF

OFF

Gain

AGC mode

AGC mode

Hyper gain

OFF

OFF

Iris control method

Automatic

Automatic

Auto iris control

STD

STD

mode

 

 

Iris override

±0

Selectable

Item

CLOCK IND

Selects whether or not to display the date/time on the normal indications.

CLOCK SET

Sets date/time.

Setting

OFF (normal value): Not display.

CAM: Displays.

BARS: Displays only when color bars are displayed.

See “Setting the Clock and Timestamping Recordings” (page 77).

Chapter 4 Viewfinder Screen Indications and Menus

A.IRIS-AGC

F1.8, F 2.8 (normal value),

Selects auto iris adjustment

F4, F5.6

which sets an F-stop value

 

that can be switched to AGC

 

(displayed only when the EZ

 

MODE is set to CUSTOM).

 

A.IRIS-AE

F5.6 , F8, F11, F16 (normal

Selects auto iris adjustment

value)

which sets an F-stop value

 

that can be switched to AE

 

(displayed only when the EZ

 

MODE is set to CUSTOM).

 

AGC LIMIT

0 dB, 3 dB, 6 dB, 9 dB, 12

Sets an upper limit value for

dB (normal value)

AGC adjustment (displayed

 

only when the EZ MODE is

 

set to CUSTOM).

 

A.IRIS

STD (normal value):

Selects between standard

Standard

method and intelligent

AI: “Intelligent” method:

method for auto iris control

Enables selection of an

(displayed only when the EZ

appropriate adjustment value

MODE is set to CUSTOM).

when shooting a dark subject

 

against a bright background

 

or a bright subject against a

 

dark background.

Color bar output

Not output

Not output

AGC upper limit

12dB

Selectable

AGC’s F stop value

F2.8

Selectable

AE’s F stop value

F16

Selectable

ATW

ON

ON

DynaLatitude

OFF

OFF

DCC+

ON

ON

F-stop value

ON

ON

indication

 

 

Filter indication

ON

ON

Clock indication

OFF

OFF

Advanced menu pages 9 to 12

These pages are displayed only when the SET UP switch has been set to FILE.

For details of this operation, see “Setup Files” (page 62).

Advanced menu pages 13 and 14

These pages are displayed only when a DSR-1/1P has been connected.

For details of this operation, see “Using SetupNavi and SetupLog with the DSR-1/1P” (page 67).

Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus 61

1-37

Image 41
Contents DXC-D30WS DXC-D30WSP Varning Introducing this manual Related manuals Manual StructureTable of Contents Operating instructions Digital Video CameraTable of Contents About This Manual Overview Advanced Menu SettingsFeatures ItemSettings Battery Pack Operating TimesAdvanced Menu Settings Video Output and Viewfinder Picture Supplied accessories SpecificationsRelated Products DXC-D30WSL/D30WSPL Camera HeadMeasuring Horizontal Resolution SpecificationsHorizontal resolution in 169 mode Horizontal resolution in 43 modeDXC Chart of Optional Components and AccessoriesCamera Head VCL-916BYA Zoom Lens DXF-701/701CE Viewfinder Using the Camcorder GripUsing Battery Packs Camera Adaptor Power Supply Table of Contents Camera adaptor Product ConfigurationsFeatures Camera Head Location and Function of PartsLocation and Function of Parts Left and upper view Front viewVCL-916BYA Zoom Lens DXF-701/701CE Viewfinder Location and Function of Parts Fitting a VTR Using the Camcorder GripAttaching a camcorder grip to the DSR-1/1P To remove the VTRAttaching a camcorder grip to the PVV-3/3P Fitting a VTRFitting optional filters If using a lens with a 6-pin connectorFitting the Lens Using an Optional Microphone Using AccessoriesUsing the Viewfinder Adjusting the Shoulder Pad Position Using AccessoriesFitting to a Tripod Fitting an optional microphoneConnections Using Accessories Using the Carrying CaseConnecting a Portable VTR Connections Connecting a Number of Cameras Using a Camera Control UnitConnected VTR VTRUsing Battery Packs Power SupplyBattery pack operating times Battery low indicationsPower Supply Camera Adaptor Power Supply Basic Procedure for ShootingCamera with a separate power supply Filter setting Lighting conditionsUsing the ClipLink Function Basic Procedure for ShootingShooting with the DSR-1/1P Reviewing the recordingSetting Mark IN/OUT points as you shoot Using the Edit Search Function While Back Space EditingSetting cue points as you shoot Shooting with the DSR-1/1PChanging the Viewfinder Display Using the Freeze Mix FunctionViewfinder Screen Indications Viewfinder Screen Indications Viewfinder Normal IndicationsViewfinder Normal Indications Viewfinder Basic Menu Contents and Settings of EachStatus Indications Basic Menu OperationsViewfinder Basic Menu Setting the recording time in secondsSetting the recording time in minutes Entering the title Basic menu pages 8DSR-1/1P To record a titleAdvanced Menu Operations Viewfinder Advanced MenuTo change To return to the normal indicationsViewfinder Advanced Menu Advanced menu pages 9 to EZ mode settingsAdvanced menu pages 13 To set the camera IDCalling up a Setup File 38Setup FilesUsing the DSR-1/1P To call up files recorded onto a tape whenTo save setup files to a tape when using the DSR-1/1P Setup Files Changing File SettingsSaving File Settings Setting up the camera Using Data Recorded on Tape Using SetupNavi and SetupLog with the DSR-1/1PSetup Files Recording the Menu Settings onto a Tape Using SetupNavi and SetupLog with the DSR-1/1PViewing SetupLog Data To abort the data recording while in progressSaving an Appropriate White Balance Value in Memory White Balance AdjustmentLight Sources and Color Temperature White Balance AdjustmentUsing the ATW Auto Tracing White Balance Function Using the Preset White Balance SettingsSetting the shutter speed, CLS and EVS function 44Black Balance Adjustment Shutter SettingsShutter speeds CLS Clear Scan functionShutter Settings Setting the Clock and Timestamping RecordingsHow to set the date and time When shooting is finished46Setting the Clock and Timestamping Recordings Viewfinder Screen AdjustmentsFlange Focal Length Adjustment Adjusting the LensIris Adjustments Using the zebra pattern in manual adjustment mode48Adjusting the Lens Macrophotography Settings for Special CasesEnding close-up shooting Reducing the size of the imageAdjusting Color in the Specified Area Settings for Special CasesCharacteristics of CCD Sensors Important Notes on OperationVCL-916BYA Zoom Lens DXC-D30/D30P Camera HeadDXF-701/701CE Viewfinder Design and specifications are subject to changeHood VCL-915BYA/916BY/1012BY Zoom LensVHS VTR 52Chart of Optional Components and AccessoriesRemoval of Side Plate Board LayoutRemoval of Cabinet Replacement of CCD Unit Replacement of Main PartsDisassembly AssemblyCN2 Pin Signal Specification Connectors and CablesConnector Input/Output Signals CAMERA/CA 76P, Male Remote 10P, Female VF 20P, Female Connection Connector HOW to Handle of AT-125 BoardHow to Attach of the Extension Board EX-591 Replacement Way of ROMIC102External View Check Point Voltage Value DC-DC Converter VoltageService mode Service Mode OperationMenu screen ConnectionStandard set value Reset object item and standard set value for setting Table3 Flare Adjustment 1 Reset4 Pre Knee Setting 2 Standing Correction6 CLP Level Adjustment 5 Component Level Adjustment7 Chroma/VF Adjustment 8 SC adjustment10 Test Mode 9 Various kinds items setting11 Head Block No. information 12 RG, SUB communication14 Title Color setting 13 Various items setting15 Various items setting 16 Knee setting 3 not in used18 Selfdiagnosis 17 Various setting20 Selfdiagnosis 19 SelfdiagnosisRC-PMPD 21 SelfdiagnosisRC-CY RC-CCRMemory DSP COM23 TG ROM Operation 22 Present unit condition indicationPreparation Grayscale chartEquipment Required Connection Pattern box PTB-500Switch Setting Before Adjustment Adjustment Item Sensitivity Measurement Confirmation Before AdjustmentColor Bar Signal Confirmation Sub-Carrier Frequency Adjustment Camera AdjustmentINT SC-H Phase Adjustment 3. Y/R-Y/B-Y CLP Level AdjustmentCarrier Balance Adjustment 4. Y/SYNC/R-Y/B-Y Level AdjustmentAdjusting point LVL UP LVLVBS Level Adjustment Chroma VBS Level Adjustment→ SET UP on MAT Dest Smpte To be extended ES-22 board PreparationSpecification for Ntsc YC Level AdjustmentChroma YC Level Adjustment Specification a = 165 ±5 mV VF SYNC/BLKG Level AdjustmentVF Sync → VF Blkg → CAM/DCC+Shading Adjustment Pedestal AdjustmentTest point Spec Mode VA-185 board → R Shad G Shad B ShadMIC LEVEL/MIC Level IND Adjustment Flare AdjustmentAdjusting point Lens iris →CAM/DCC+Title Adjustment Character Position AdjustmentAdjusting point 1CV3/MB-785 board Specification Adjusting point 1CV1/MB-785 board SpecificationPage Sony Corporation

DXC-D30WS, DXC-D30WSP specifications

The Sony DXC-D30WSP and DXC-D30WS are professional broadcast cameras known for delivering exceptional image quality, reliability, and versatility. Both models are part of Sony's renowned lineup of 3-chip CCD cameras, designed to meet the high demands of television production and video broadcasting.

At the heart of the DXC-D30WSP and DXC-D30WS is a high-resolution 3CCD image sensor system. This technology allows for accurate color reproduction and enhanced sensitivity, making it suitable for various lighting conditions. The cameras produce vibrant images with low noise levels, ensuring that footage remains clear and detailed, even in challenging environments.

One of the standout features of these cameras is their adaptability. The DXC-D30WSP model is equipped with a wide range of interchangeable lenses, allowing operators to select the appropriate lens for their specific shooting needs. This flexibility is crucial for cinematographers and videographers who work on diverse projects, from documentaries to commercials.

The DXC-D30WS, which is similar in many ways to its counterpart, emphasizes ease of use with its ergonomic design and intuitive controls. This model is particularly well-suited for field work, as it is lightweight and portable, enabling easy transport without sacrificing performance. Both cameras have comprehensive connectivity options, including SDI and analog outputs, making them compatible with various production environments.

In terms of performance, the Sony DXC-D30WSP and DXC-D30WS feature enhanced digital signal processing. This technology optimizes image quality by improving sharpness, contrast, and color fidelity. In addition to standard recording formats, these cameras support multiple aspect ratios, making them versatile tools for filmmakers who want to achieve specific artistic visions.

Furthermore, both models include advanced white balance and exposure control features, allowing operators to fine-tune settings for optimal results. This precision is critical for maintaining consistent visual quality throughout a production.

In conclusion, the Sony DXC-D30WSP and DXC-D30WS are distinguished by their robust build quality, advanced imaging technologies, and user-friendly designs. They are ideal choices for professionals seeking reliable, high-performance cameras that can adapt to a wide range of shooting situations. Whether for broadcast television or independent filmmaking, these cameras remain a valuable asset in any production setup, ensuring that creators can capture stunning visuals with ease.