Kolpak DA-98 Rhsl F 1 key and indicator, Auto Punch F 2 key Indicator, Clear F 3 key, Memo 1 F

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LOC 1
INPUT MONI-

Section 2 – Front Panel controls

The ballistics and peak hold times are selectable

function keys are used as number keys, this key is

(see 8.8, “Meter modes”).

used as a “sign-change” key.

[9]RHSL (F 1) key and indicator

This key and indicator allow selection of the rehearsal mode in auto punch-in and out (see 6.6, “Punch-in and punch-out”).

When the SHIFT key [24] is pressed, this key becomes a function key.

[10]AUTO PUNCH (F 2) key and

indicator

This key and indicator allow automatic punch-in and punch out following rehearsal (see 6.6, “Punch-in and punch-out”).

When the SHIFT key [24] is pressed, this key becomes a function key.

[11]CLEAR (F 3) key

This key defeats the rehearsal and auto modes dur- ing auto punch-in and out (see 6.6, “Punch-in and punch-out”). It is also used to cancel a format operation (see 6.1, “Formatting a tape”).

When the SHIFT key [24] is pressed, this key becomes a function key.

[12]AUTO PLAY (F 4) key and indicator

When this key is pressed (the indicator will light), the DA-98 will automatically start playing as soon as a preset location point has been reached (see 8.2.4, “Location and playback”).

When the SHIFT key [24] is pressed, this key becomes a function key.

[13]MEMO 1 (F 5)

When pressed, this key stores the current tape position into a memory location point which can

be accessed using the key [22]. The loca- tion can be “nudged” using the menu functions (see 8.1.2, “Checking, editing and manually enter- ing MEMO 1 and MEMO 2”).

When the SHIFT key [24] is pressed, this key becomes a function key.

[14] MEMO 2 (+/–)

When pressed, this key stores the current tape position into a memory location point which can be accessed using the LOC 2 key [23]. When the

[15]DIGITAL IN switch and indicator

This switch controls the input to the DA-98. When on (indicator lights), the input is through the DIGI- TAL I/O (TDIF-1) connector on the rear panel, oth- erwise it is through the ANALOG INPUT connector.

[16]CHASE switch and indicator

The CHASE switch controls whether the DA-98’s transport is to “chase” a master machine (indicator is lit when chasing or flashing when preparing to chase) or to operate independently. The chase mode may be either timecode or ABS based (see 10.1, “ABS and SMPTE/EBU timecode”).

[17]CONFIDENCE MODE switch and indicator

The DA-98 features a confidence replay mode which allows off-tape monitoring. This switch and its associated indicator allow selection and view- ing of the status of this monitoring mode.

For a full explanation of confidence monitoring, see 7.2, “Confidence mode”.

[18]ALL INPUT (F 6) key and indicator

When this key is pressed, the indicator will light, and, regardless of the transport mode, all outputs will be switched to the signals derived from the inputs. This is primarily for alignment purposes, and is equivalent to pressing all the

TOR switches ([29]) together.

For a full treatment of monitoring modes on the DA-98, see 7, “Monitoring modes”

When the SHIFT key [24] is pressed, this key becomes a function key.

[19]AUTO MON (F 7) key and indicator

When this key is pressed (the indicator will light), the monitoring system of the DA-98 automatically changes between input and off-tape monitoring, depending on the transport mode.

For a full treatment of monitoring modes on the DA-98, see 7, “Monitoring modes”

When the SHIFT key [24] is pressed, this key becomes a function key.

2-2 – 1.00 – 06/97

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Contents DA-98 Important Safety Precautions Important Safety Instructions Front Panel controls Rear Panel connectorsTable of Contents Introduction to the DA-98Operations related to timecode Table of Contents Monitoring modesAdvanced operations Synchronization with other Dtrs unitsOptions, specifications and reference Table of Contents Menu and parameter referenceExample setups Maintenance and memory setupsTOC-4 1.00 06/97 Features Introduction to the DA-98Unpacking Confidence replay Using this manualPrecautions and recommendations Clock source in a digital studioCondensation Installing the DA-98Environmental conditions Electrical considerationsTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Digital in switch and indicator Rhsl F 1 key and indicatorAuto Punch F 2 key Indicator Auto Play F 4 key and indicatorShift key and indicator Shtl MON F 8 key and indicatorRepeat F 9 key and indicator LOC 2 Preset keyStop key Front Panel controls TC REC switch and indicatorREW key FWD keyMeter Unit MU-8824 Rear Panel connectorsTime Code in and OUT 40 RS-422Rear Panel connectors Connections Audio connectionsSynchronization connections Word clock connections 1 RS-422 connectorMidi connectors in , OUT and Thru Control connectionsIndirect word sync Connection to other Tascam unitsParallel control Multiple Dtrs unitsConnections Menus Menu operationsBlanking the screen display Resetting a menu valueFunctionFunctionkey modes Changing menu values fastShift key and function keys PressLothecaFt5e0key1Pm13rien-0r5oslelc Assigning menus to function keysTo assign a menu screen to a key Recalling an assigned menu functionThreaded, the tape counters will show Basic operationsFormatting a tape Aborting the format processWrite-protecting cassettes Recording the first tracksPreparing to record Recording while formattingReplaying the first tracks OverdubbingTrack bouncing Punch-in and punch-outAt the point where you want to punch out, press Play Automatic punch point settingSetting punch points on the fly At the point where the punch is to occur, pressSetting punch points using the menus Basic operations Editing the pre-roll and post-roll timesPress Escape to re urn to menu group Rehearsing the punch-in Interrupting a rehearsal or punch recordingRecording the punch-in To replay the punch-in, press the Play key Exiting punch-in modePress the Auto MON key so that the indicator goes out Replaying the punched materialBasic operations Auto MON Monitoring modesMonitoring controls ALL Input 18 and Input MonitorMonitoring modes Shuttle monitoring Confidence modeUsing confidence mode Arming tracks in pairsTo leave confidence mode, press Monitoring modes Checking, editing and manually entering Memo 1 and Memo Setting Memo 1 and Memo 2 on the flySetting the location pre-roll time Advanced operations AutolocationPr ss Enter Press the LOC 2/PRESET keyMoving to Memo 1 and Memo Editing function key memoriesLocation and playback Locating to a function key memoryRepeat function To start repeat playTrack delay Crossfade timesPress the Enter key Press Enter Use the UP and Down keys to adjust the crossfade timeVari speed pitch control Shuttle operationsUse the UP and Down keys to select between Reference levelsShuttle muting LevelEnter m nuAdvanc d operations Meter ballistics Keys to set the value for the peak signal level hold timeMeter modes Sine oscillatorSelecting word length Digital recordingRouting digital inputs Changing between digital and analog inputsDither REC Mute recording silenceLecting dither settings Setting the power-on messageMachine ID and master/ slave settings Synchronization with other Dtrs unitsDifferences between Dtrs models Ing machine offset Setting mac ne IDMachine offset Offset +00Cancelling machine offset Setting machine On the flyAn example of setting offsets Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units Tape timecode Operations related to timecodeABS and SMPTE/EBU timecode ABS timeABS setting Tape timecode modeLocation point settings TcTrack settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input Selecting the frame rateTimecode input and output Pull up and pull down Fs shiftTimecode output Timecode output formatTimecode output timing Selecting the timecode source Using Midi Time Code MTCRecording timecode using the generator Recording timecodeFrame rate Press the TC REC switch10.1.3, Sele ting TC or ABS timing Select a frame rate see 10.3, SelectingStart playing the tape Menu see 10.2.1, TcTrack settingAssembling timecode External timecode sourcesWhen recording timecode from an analog When recording timecode from a timecodeWhen recording timecode from another Dtrs When recording timecode from a digital sourceMachine ID and timecode Video resolutionChasing to timecode Checking external timecodeSetting timecode offset Cancelling timecode offsetSectionOffset10 Operations related to timecode Play the timecode master Automatic park position settingPark position Absolute and relative differenceRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 Pro oc Record delayExternal control Use with 9-pin external controlCue-up tally Fast wind speedStill Track mapping Timecode track mappingTr k mapping and press Enter Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsResetting the memory Software upgradesChecking version Options, specifications and reference Options for the DA-98 Remote control RC-84815.1.1 RM-98 Rack Mount Adaptor Control I/O connector pinout Digital audio convertorsCables Digital recording characteristics SpecificationsPhysical specifications Power specificationsOptions, specifications and reference Tape transport Audio specifications Inputs and outputs15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98