Kolpak DA-98 manual Video resolution, Chasing to timecode, Checking external timecode

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VIDEO IN

Section 10 – Operations related to timecode

source in fast wind mode, the tape counter will flash.

If the timecode source is not clock-synchronized with the DA-98, a warning will be shown on the display screen. In this case, although you can record timecode, it is not recommended, as this will probably cause problems later on.

5)Stop the external timecode source, and rewind or reset it to a point prior to where you want recording to begin.

The tape counter will now start to flash.

6)Restart the source.

The tape counter will display received timecode.

7)Press and hold down PLAY and press RECORD. Timecode will now be recorded from the external source onto the timecode track.

If the tape counter was flashing when the TC REC indicator was flashing (the timecode track was armed), the tape counter will now show all hyphens, and nothing will be recorded.

10.5.7 Checking external timecode

There is another way you can check external time- code, as described below. This method is useful for checkingExtTCthe frame rateAbofsincomDiffng timecode, if youTapeTCRelare not sure what frame rate has been recordedGenor is being generat d by the timecode

1) ExtTCGo o menu group E, and move the cursor to

source01:02:48.:1730ND

2)Incoming timecode will be displayed on the bottom line, together with the frame rate of the timecode.

10.6 Video resolution

As explained above, if the DA-98 is to be synchro- nized with a VTR, all units must share a common video reference for the digital audio clocks, gener- ated either by the VTR or from a sync generator.

As well as the sample clock, the timecode can be referenced to a video clock (i.e. the start of each timecode frame is synchronized with each frame

boundary received at theterminal) or can be independent of the received frame clock.

Additionally, in a similar way to timecode rechase mode (page 10-13), the DA-98 can be set to rechaseVidtheeoRvideoeframesolsyncve(muting playback output as it rechas ), or to run freely once sync is achie eon/, ignoringffany breaksMoindtheereceived video sig alof.fre

1) RslvGo to m nu group 5, mo the cursor to Vid

(Video esolve) and pr ss ENTER:

2)Use the LEFT and RIGHT k ys to s lect the frame synchronization mode (on/off) and

the UP and DOWN keys to toggle it a d off.

3)Use the LEFT and RIGHT k ys to s lect the video rechase mode (either freeor re-sync).

10.7 Chasing to timecode

The following sections describe the operation of the DA-98 when chasing to external timecode.

The operation of the CHASE switch is similar to the way the CHASE switch is used when synchro- nizing DTRS units (see 9.2.3, “Master/slave set- tings (CHASE mode)”), but in this case, the machine ID is not used.

10.7.1 Machine ID and timecode

Since a DA-98 with machine ID set to 1 is always a master unit as regards DTRS sync operation, there is no need to make any setting on such a machine if it is to be a timecode slave. As long as timecode is received at the TIME CODE IN connec- tor [37] (the EXT TC indicator is lit), a unit whose machine ID is set to 1 will automatically enter timecode chase mode when the CHASE key is pressed.

However, when a DA-98 unit has its machine ID set to a value other than 1, there is a conflict when

10-10 – 1.00 – 06/97

Image 65 Kolpak DA-98 manual Video resolution, Chasing to timecode, Checking external timecode, Machine ID and timecode
Contents DA-98 Important Safety Precautions Important Safety Instructions Table of Contents Rear Panel connectorsIntroduction to the DA-98 Front Panel controlsAdvanced operations Table of Contents Monitoring modesSynchronization with other Dtrs units Operations related to timecodeExample setups Table of Contents Menu and parameter referenceMaintenance and memory setups Options, specifications and referenceTOC-4 1.00 06/97 Unpacking FeaturesIntroduction to the DA-98 Precautions and recommendations Using this manualClock source in a digital studio Confidence replayEnvironmental conditions Installing the DA-98Electrical considerations CondensationTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Auto Punch F 2 key Indicator Rhsl F 1 key and indicatorAuto Play F 4 key and indicator Digital in switch and indicatorRepeat F 9 key and indicator Shtl MON F 8 key and indicatorLOC 2 Preset key Shift key and indicatorREW key Front Panel controls TC REC switch and indicatorFWD key Stop keyTime Code in and OUT Rear Panel connectors40 RS-422 Meter Unit MU-8824Rear Panel connectors Synchronization connections ConnectionsAudio connections Midi connectors in , OUT and Thru 1 RS-422 connectorControl connections Word clock connectionsParallel control Connection to other Tascam unitsMultiple Dtrs units Indirect word syncConnections Menus Menu operationsFunctionFunctionkey modes Resetting a menu valueChanging menu values fast Blanking the screen displayShift key and function keys To assign a menu screen to a key Assigning menus to function keysRecalling an assigned menu function PressLothecaFt5e0key1Pm13rien-0r5oslelcFormatting a tape Basic operationsAborting the format process Threaded, the tape counters will showPreparing to record Recording the first tracksRecording while formatting Write-protecting cassettesTrack bouncing OverdubbingPunch-in and punch-out Replaying the first tracksSetting punch points on the fly Automatic punch point settingAt the point where the punch is to occur, press At the point where you want to punch out, press PlayPress Escape to re urn to menu group Setting punch points using the menusBasic operations Editing the pre-roll and post-roll times Recording the punch-in Rehearsing the punch-inInterrupting a rehearsal or punch recording Press the Auto MON key so that the indicator goes out Exiting punch-in modeReplaying the punched material To replay the punch-in, press the Play keyBasic operations Monitoring controls Monitoring modesALL Input 18 and Input Monitor Auto MONMonitoring modes Shuttle monitoring Confidence modeTo leave confidence mode, press Using confidence modeArming tracks in pairs Monitoring modes Setting the location pre-roll time Setting Memo 1 and Memo 2 on the flyAdvanced operations Autolocation Checking, editing and manually entering Memo 1 and MemoMoving to Memo 1 and Memo Press the LOC 2/PRESET keyEditing function key memories Pr ss EnterRepeat function Locating to a function key memoryTo start repeat play Location and playbackPress the Enter key Track delayCrossfade times Vari speed pitch control Use the UP and Down keys to adjust the crossfade timeShuttle operations Press EnterShuttle muting Reference levelsLevelEnter m nu Use the UP and Down keys to select betweenMeter modes Keys to set the value for the peak signal level hold timeSine oscillator Advanc d operations Meter ballisticsRouting digital inputs Digital recordingChanging between digital and analog inputs Selecting word lengthDither REC Mute recording silenceLecting dither settings Setting the power-on messageDifferences between Dtrs models Machine ID and master/ slave settingsSynchronization with other Dtrs units Machine offset Setting mac ne IDOffset +00 Ing machine offsetAn example of setting offsets Cancelling machine offsetSetting machine On the fly Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units ABS and SMPTE/EBU timecode Operations related to timecodeABS time Tape timecodeLocation point settings Tape timecode modeTcTrack setting ABS settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input and output Selecting the frame ratePull up and pull down Fs shift Timecode inputTimecode output timing Timecode outputTimecode output format Recording timecode using the generator Using Midi Time Code MTCRecording timecode Selecting the timecode source10.1.3, Sele ting TC or ABS timing Press the TC REC switchSelect a frame rate see 10.3, Selecting Frame rateAssembling timecode Menu see 10.2.1, TcTrack settingExternal timecode sources Start playing the tapeWhen recording timecode from another Dtrs When recording timecode from a timecodeWhen recording timecode from a digital source When recording timecode from an analogChasing to timecode Video resolutionChecking external timecode Machine ID and timecodeSectionOffset10 Operations related to timecode Setting timecode offsetCancelling timecode offset Park position Automatic park position settingAbsolute and relative difference Play the timecode masterRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 External control Record delayUse with 9-pin external control Pro ocStill Cue-up tallyFast wind speed Tr k mapping and press Enter Track mappingTimecode track mapping Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsChecking version Resetting the memorySoftware upgrades 15.1.1 RM-98 Rack Mount Adaptor Options, specifications and reference Options for the DA-98Remote control RC-848 Cables Control I/O connector pinoutDigital audio convertors Physical specifications SpecificationsPower specifications Digital recording characteristics15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference Tape transportAudio specifications Inputs and outputs Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98