Kolpak DA-98 manual Digital recording, Routing digital inputs, Selecting word length

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DIGITAL I/O
DIGITAL I/O

Section 8 – Advanced operations

8.10 Digital recording

The DA-98 is able to accept (and output) digital signals at the DIGITAL I/O connector [45] in TDIF-

1format. The IF-88AE and IF-88SD interface units provide conversion to and from AES/EBU (and SP-DIF) and SDIF-2 formats.

The DA-98 should be connected to other TDIF-1 equipment using a PW-88D or PW-88DL connec- tor cable.

WARNING

Only use a TASCAM digital cable when making digital audio connections to the DA-98. Other types of cable may cause damage to the system, and the warranty will be voided if such damage is caused by use of the wrong cables.

The DA-98 should be set to be either a word clock master or a word clock slave when connected to other digital equipment. There can only be one word clock master in a setup.

Since the TDIF-1 format carries a word clock as part of the interface, there is no need to make a word clock connection when recording through

theconnector.

8.10.1Changing between digital and analog inputs

To change between digital and analog inputs, sim- ply press the DIGITAL IN switch [15]. The DIGITAL IN indicator will light.

NOTE

If you attempt to record digitally from a digital source which has a different frequency from that previously recorded as the DA-98’s tape format, the Fs indicator corresponding to the tapes sampling frequency will start to flash. This indicates a frequency mismatch.

Recording with different sampling frequencies is not recommended – problems will certainly occur on replay of such a recording.

8.10.2 Selecting word length

When data is accepted through the

connector, the word length of the incoming data must be set. This can be selected from between

16-bit, 20-bit or 24-bit. To set the word length:

1)SelectTDmenuIFW2,omoverdL16theebcursornigtthto WordLen, and press ENTER:

2)Use the UP and DOWN keys to change the value between 16, 20and 24bits.

We suggest that you experiment with the dither settings (see 8.13, “Dither”) if you find you are recording quantization noise at low levels when the input word length is set to 20 or 24 bits. Though you will lose a little in the signal-to-noise ratio, total harmonic distortion figures will be improved.

NOTE

If you are dubbing tracks from a DA-88, this value must always be set to 16 bits.

8.11 Routing digital inputs

When recording analog signals, it’s usual to route them through a console’s sub-grouping system or if the number of groups is not sufficient, through an external patchbay.

Neither of these is an easy option with digital sig- nals, and so the DA-98 provides a kind of internal patchbay in the form of the Track Copy function (see 8.11.1, “Track Copy (channel-to-track rout- ing)”).

The default setting for this feature is “straight through”, as shown below.

11 22 33 44 55 66 77 88 Inputs

11 22 33 44 55 66 77 88 Tapetracks

Track Copy

Input 12345678 (Dig)

Tape

Track 12345678 on

8-8 – 1.00 – 06/97

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Contents DA-98 Important Safety Precautions Important Safety Instructions Front Panel controls Rear Panel connectorsTable of Contents Introduction to the DA-98Operations related to timecode Table of Contents Monitoring modesAdvanced operations Synchronization with other Dtrs unitsOptions, specifications and reference Table of Contents Menu and parameter referenceExample setups Maintenance and memory setupsTOC-4 1.00 06/97 Unpacking FeaturesIntroduction to the DA-98 Confidence replay Using this manualPrecautions and recommendations Clock source in a digital studioCondensation Installing the DA-98Environmental conditions Electrical considerationsTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Digital in switch and indicator Rhsl F 1 key and indicatorAuto Punch F 2 key Indicator Auto Play F 4 key and indicatorShift key and indicator Shtl MON F 8 key and indicatorRepeat F 9 key and indicator LOC 2 Preset keyStop key Front Panel controls TC REC switch and indicatorREW key FWD keyMeter Unit MU-8824 Rear Panel connectorsTime Code in and OUT 40 RS-422Rear Panel connectors Synchronization connections ConnectionsAudio connections Word clock connections 1 RS-422 connectorMidi connectors in , OUT and Thru Control connectionsIndirect word sync Connection to other Tascam unitsParallel control Multiple Dtrs unitsConnections Menus Menu operationsBlanking the screen display Resetting a menu valueFunctionFunctionkey modes Changing menu values fastShift key and function keys PressLothecaFt5e0key1Pm13rien-0r5oslelc Assigning menus to function keysTo assign a menu screen to a key Recalling an assigned menu functionThreaded, the tape counters will show Basic operationsFormatting a tape Aborting the format processWrite-protecting cassettes Recording the first tracksPreparing to record Recording while formattingReplaying the first tracks OverdubbingTrack bouncing Punch-in and punch-outAt the point where you want to punch out, press Play Automatic punch point settingSetting punch points on the fly At the point where the punch is to occur, pressPress Escape to re urn to menu group Setting punch points using the menusBasic operations Editing the pre-roll and post-roll times Recording the punch-in Rehearsing the punch-inInterrupting a rehearsal or punch recording To replay the punch-in, press the Play key Exiting punch-in modePress the Auto MON key so that the indicator goes out Replaying the punched materialBasic operations Auto MON Monitoring modesMonitoring controls ALL Input 18 and Input MonitorMonitoring modes Shuttle monitoring Confidence modeTo leave confidence mode, press Using confidence modeArming tracks in pairs Monitoring modes Checking, editing and manually entering Memo 1 and Memo Setting Memo 1 and Memo 2 on the flySetting the location pre-roll time Advanced operations AutolocationPr ss Enter Press the LOC 2/PRESET keyMoving to Memo 1 and Memo Editing function key memoriesLocation and playback Locating to a function key memoryRepeat function To start repeat playPress the Enter key Track delayCrossfade times Press Enter Use the UP and Down keys to adjust the crossfade timeVari speed pitch control Shuttle operationsUse the UP and Down keys to select between Reference levelsShuttle muting LevelEnter m nuAdvanc d operations Meter ballistics Keys to set the value for the peak signal level hold timeMeter modes Sine oscillatorSelecting word length Digital recordingRouting digital inputs Changing between digital and analog inputsDither REC Mute recording silenceLecting dither settings Setting the power-on messageDifferences between Dtrs models Machine ID and master/ slave settingsSynchronization with other Dtrs units Ing machine offset Setting mac ne IDMachine offset Offset +00An example of setting offsets Cancelling machine offsetSetting machine On the fly Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units Tape timecode Operations related to timecodeABS and SMPTE/EBU timecode ABS timeABS setting Tape timecode modeLocation point settings TcTrack settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input Selecting the frame rateTimecode input and output Pull up and pull down Fs shiftTimecode output timing Timecode outputTimecode output format Selecting the timecode source Using Midi Time Code MTCRecording timecode using the generator Recording timecodeFrame rate Press the TC REC switch10.1.3, Sele ting TC or ABS timing Select a frame rate see 10.3, SelectingStart playing the tape Menu see 10.2.1, TcTrack settingAssembling timecode External timecode sourcesWhen recording timecode from an analog When recording timecode from a timecodeWhen recording timecode from another Dtrs When recording timecode from a digital sourceMachine ID and timecode Video resolutionChasing to timecode Checking external timecodeSectionOffset10 Operations related to timecode Setting timecode offsetCancelling timecode offset Play the timecode master Automatic park position settingPark position Absolute and relative differenceRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 Pro oc Record delayExternal control Use with 9-pin external controlStill Cue-up tallyFast wind speed Tr k mapping and press Enter Track mappingTimecode track mapping Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsChecking version Resetting the memorySoftware upgrades 15.1.1 RM-98 Rack Mount Adaptor Options, specifications and reference Options for the DA-98Remote control RC-848 Cables Control I/O connector pinoutDigital audio convertors Digital recording characteristics SpecificationsPhysical specifications Power specifications15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference Tape transportAudio specifications Inputs and outputs Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98