Kolpak DA-98 manual Bus protocol, Midi Machine Control

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MIDI IN

Section 11 – Extern control

2) enableUse the UP and DOWN k ys to select between

nd

.

If you choosedisable, the track referred to by

the controller’s comma

d signals as “analog 3”

will be the audio track designated as “analog 3” in the TrackMappingmenu above. If you choose enable, the DA-98’s timecode track will be mapped to the track referred to by the controller’s command signals as “analog 3”.

11.1.8 Remote track arming

You may sometimes want to disable the arming of tracks from the remote system (either TASCAM bus, MIDI or 9-pin).

Since many video editors, etc. only provide for the controlRemofoteTfour tracks,rathisckmeansArmthatinyougcannot control the eight tracks of the DA-98 from the edi- to , and so remote t ack arming should be dis- abled, all wing younto ontrolethe tracks locally.

1) ArmGo to enu group 3, move the cursor to Trk

, and pr ss ENTER:

2)enableUse the UP and DOWN k ys to select between

and disable.

11.2 Bus protocol

If Bus protocol is selected (see 11.0.1, “Selecting the control source (protocol)”), the DA-98 can be controlled by controllers such as the TASCAM ES-61.

Each DA-98 must be assigned a unique number between 1 and 127, as described below.

11.2.1Assigning a MIDI and Bus ID to the DA-98

A MIDI ID is used in a MIDI Machine Control setup to identify each unit in the MIDI chain. The same number is also used as a Bus identifier.

One (and only one) of up to 127 units can be des- ignated as the MIDI Timecode Master for the whole chain.

This MIDI ID is not the same as a MIDI Channel numberD(even/BthoughusIDsome units’ manuals may refer to it as a “channel number”), and is not con- nected with the Machine ID (see 9.2, “Machine ID and master slave ettings”). To set the 0MIDI01ID:

1) MIDIIDGo to menu group 7, move the cursor to , and press ENTER:

2)Use the UP and DOWN keys to s lect a value between 001and 127, making sure that this

ID is unique in your setup.

You can also use the function k ys as number keys (see 5.2.2, “Using the function k ys as number keys”) to enter the MIDI ID dir ctly.

You can also select the value ReceiveAll, which allows the DA-98 to accept all MMC com- mands transmitted over the MIDI network (this setting has no effect if Bus is selected).

11.3 MIDI Machine Control

As well as control from the 9-pin RS-422 port, the DA-98 can also accept commands received at the

port (page 3-1) using the MIDI Machine Control protocol.

Set the MIDI ID using the method described immediately above.

The MMC commands used by the DA-98 are listed in see 15, “Options, specifications and refer- ence”.

The control source must be set to MIDI(see 11.0.1, “Selecting the control source (protocol)”) for this to be effective.

The implementation of the MIDI Machine Control protocol and the commands which are available are described in 15.3, “MMC Bit Map Array”.

11.3.1MMC commands and the DA-98

An example of a MIDI sequencer being used to control a DA-98 (using the auto-punch of the sequencer to punch in and out on the DA-98

11-4 – 1.00 – 06/97

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Contents DA-98 Important Safety Precautions Important Safety Instructions Table of Contents Rear Panel connectorsIntroduction to the DA-98 Front Panel controlsAdvanced operations Table of Contents Monitoring modesSynchronization with other Dtrs units Operations related to timecodeExample setups Table of Contents Menu and parameter referenceMaintenance and memory setups Options, specifications and referenceTOC-4 1.00 06/97 Introduction to the DA-98 FeaturesUnpacking Precautions and recommendations Using this manualClock source in a digital studio Confidence replayEnvironmental conditions Installing the DA-98Electrical considerations CondensationTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Auto Punch F 2 key Indicator Rhsl F 1 key and indicatorAuto Play F 4 key and indicator Digital in switch and indicatorRepeat F 9 key and indicator Shtl MON F 8 key and indicatorLOC 2 Preset key Shift key and indicatorREW key Front Panel controls TC REC switch and indicatorFWD key Stop keyTime Code in and OUT Rear Panel connectors40 RS-422 Meter Unit MU-8824Rear Panel connectors Audio connections ConnectionsSynchronization connections Midi connectors in , OUT and Thru 1 RS-422 connectorControl connections Word clock connectionsParallel control Connection to other Tascam unitsMultiple Dtrs units Indirect word syncConnections Menus Menu operationsFunctionFunctionkey modes Resetting a menu valueChanging menu values fast Blanking the screen displayShift key and function keys To assign a menu screen to a key Assigning menus to function keysRecalling an assigned menu function PressLothecaFt5e0key1Pm13rien-0r5oslelcFormatting a tape Basic operationsAborting the format process Threaded, the tape counters will showPreparing to record Recording the first tracksRecording while formatting Write-protecting cassettesTrack bouncing OverdubbingPunch-in and punch-out Replaying the first tracksSetting punch points on the fly Automatic punch point settingAt the point where the punch is to occur, press At the point where you want to punch out, press PlayBasic operations Editing the pre-roll and post-roll times Setting punch points using the menusPress Escape to re urn to menu group Interrupting a rehearsal or punch recording Rehearsing the punch-inRecording the punch-in Press the Auto MON key so that the indicator goes out Exiting punch-in modeReplaying the punched material To replay the punch-in, press the Play keyBasic operations Monitoring controls Monitoring modesALL Input 18 and Input Monitor Auto MONMonitoring modes Shuttle monitoring Confidence modeArming tracks in pairs Using confidence modeTo leave confidence mode, press Monitoring modes Setting the location pre-roll time Setting Memo 1 and Memo 2 on the flyAdvanced operations Autolocation Checking, editing and manually entering Memo 1 and MemoMoving to Memo 1 and Memo Press the LOC 2/PRESET keyEditing function key memories Pr ss EnterRepeat function Locating to a function key memoryTo start repeat play Location and playbackCrossfade times Track delayPress the Enter key Vari speed pitch control Use the UP and Down keys to adjust the crossfade timeShuttle operations Press EnterShuttle muting Reference levelsLevelEnter m nu Use the UP and Down keys to select betweenMeter modes Keys to set the value for the peak signal level hold timeSine oscillator Advanc d operations Meter ballisticsRouting digital inputs Digital recordingChanging between digital and analog inputs Selecting word lengthDither REC Mute recording silenceLecting dither settings Setting the power-on messageSynchronization with other Dtrs units Machine ID and master/ slave settingsDifferences between Dtrs models Machine offset Setting mac ne IDOffset +00 Ing machine offsetSetting machine On the fly Cancelling machine offsetAn example of setting offsets Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units ABS and SMPTE/EBU timecode Operations related to timecodeABS time Tape timecodeLocation point settings Tape timecode modeTcTrack setting ABS settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input and output Selecting the frame ratePull up and pull down Fs shift Timecode inputTimecode output format Timecode outputTimecode output timing Recording timecode using the generator Using Midi Time Code MTCRecording timecode Selecting the timecode source10.1.3, Sele ting TC or ABS timing Press the TC REC switchSelect a frame rate see 10.3, Selecting Frame rateAssembling timecode Menu see 10.2.1, TcTrack settingExternal timecode sources Start playing the tapeWhen recording timecode from another Dtrs When recording timecode from a timecodeWhen recording timecode from a digital source When recording timecode from an analogChasing to timecode Video resolutionChecking external timecode Machine ID and timecodeCancelling timecode offset Setting timecode offsetSectionOffset10 Operations related to timecode Park position Automatic park position settingAbsolute and relative difference Play the timecode masterRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 External control Record delayUse with 9-pin external control Pro ocFast wind speed Cue-up tallyStill Timecode track mapping Track mappingTr k mapping and press Enter Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsSoftware upgrades Resetting the memoryChecking version Remote control RC-848 Options, specifications and reference Options for the DA-9815.1.1 RM-98 Rack Mount Adaptor Digital audio convertors Control I/O connector pinoutCables Physical specifications SpecificationsPower specifications Digital recording characteristicsAudio specifications Inputs and outputs Options, specifications and reference Tape transport15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98