Kolpak DA-98 manual Automatic punch point setting, Setting punch points on the fly

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AUTO MON

Section 6 – Basic operations

and edited to frame accuracy, either from a cue list or “on-the-fly” in real time.

The DA-98 provides a rehearsal mode which sim- ulates the punching process, allowing the artists to perfect the timing of the new material.

The mechanics of punching on a digital recorder appear to the operator to be the same as on an ana- log recorder.

Crossfading, however, is an important and useful function on digital recorders, to ensure continuity between original and punched material. In the case of the DA-98, this crossfade time is adjust- able from 10 milliseconds to 200 milliseconds (see 8.4, “Crossfade times”).

Themode is essential here: in both rehearsal and punch modes, the material prior to the punch point is monitored off tape. The moni- toring of armed tracks changes to source while rehearsals and punching are carried out and then changes to off-tape again after the punch-out point.

Pre-roll

Punch-in

Punch-out Post-roll

point

point

point

 

 

point

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pre-roll time

 

 

Post-roll time

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rehearsal learn

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TAPE

 

SOURCE

 

 

TAPE

 

 

 

 

 

 

 

 

Rehearsal

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TAPE

 

SOURCE

 

 

TAPE

 

 

 

 

 

 

 

 

AUTO PUNCH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TAPE

 

SOURCE

 

 

TAPE

 

 

 

 

 

 

 

 

Replay check

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TAPE

 

TAPE

 

 

TAPE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

NOTE

Though you can perform punch recording in either the confidence mode (see 7.2, “Confidence mode”) or the ALL INPUT mode (see 7.1.1, “ALL INPUT [18] and INPUT MONITOR [29]”) , the monitoring in these modes does not make it easy to perform accurate punch operations. We suggest that you turn these modes off if you want to perform punch-ins.

6.6.1 Automatic punch point setting

Whenever recording takes place, the time when recording begins is automatically stored as a

punch-in time, and the time when recording stops is stored as a punch-out time.

This is not usually the way in which you will want to set the punch points, however. There are several alternative ways in which you can set these points, as described below:

6.6.2Setting punch points “on the fly”

This method demands sharp reflexes (but you can edit the punch points later as we show below).

1)Press the AUTO MON key [19] (the indicator will light).

2)Arm the track(s) on which you will be recording (use REC FUNCTION).

3)Press the RHSL (rehearsal) key [9].

The indicator will flash, showing that the DA-98 is in “rehearsal learn” mode.

4)Rewind the tape to before where the punch is to occur.

5)Start playing the tape (press PLAY).

You will monitor the off-tape signals.

6) At the point where the punch is to occur, press

RECORD.

The RECORD key will flash, and the REC FUNC- TION indicator of any armed tracks will light steadily.

The INPUT MONITOR indicator of any armed tracks will light and monitoring will change to input source recording for these tracks.

At any time when the rehearsal key is lit or flash- ing, this means that recording will not actually be carried out, even if the RECORD key and/or the REC FUNCTION indicators are lit.

7)At the point where you want to punch out, press PLAY.

The REC FUNCTION indicator of any armed tracks will start flashing again. The RECORD key will go out.

The INPUT MONITOR indicator of any armed tracks will go out, and monitoring of these tracks will return to off-tape status.

6-4 – 1.00 – 06/97

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Contents DA-98 Important Safety Precautions Important Safety Instructions Front Panel controls Rear Panel connectorsTable of Contents Introduction to the DA-98Operations related to timecode Table of Contents Monitoring modesAdvanced operations Synchronization with other Dtrs unitsOptions, specifications and reference Table of Contents Menu and parameter referenceExample setups Maintenance and memory setupsTOC-4 1.00 06/97 Introduction to the DA-98 FeaturesUnpacking Confidence replay Using this manualPrecautions and recommendations Clock source in a digital studioCondensation Installing the DA-98Environmental conditions Electrical considerationsTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Digital in switch and indicator Rhsl F 1 key and indicatorAuto Punch F 2 key Indicator Auto Play F 4 key and indicatorShift key and indicator Shtl MON F 8 key and indicatorRepeat F 9 key and indicator LOC 2 Preset keyStop key Front Panel controls TC REC switch and indicatorREW key FWD keyMeter Unit MU-8824 Rear Panel connectorsTime Code in and OUT 40 RS-422Rear Panel connectors Audio connections ConnectionsSynchronization connections Word clock connections 1 RS-422 connectorMidi connectors in , OUT and Thru Control connectionsIndirect word sync Connection to other Tascam unitsParallel control Multiple Dtrs unitsConnections Menus Menu operationsBlanking the screen display Resetting a menu valueFunctionFunctionkey modes Changing menu values fastShift key and function keys PressLothecaFt5e0key1Pm13rien-0r5oslelc Assigning menus to function keysTo assign a menu screen to a key Recalling an assigned menu functionThreaded, the tape counters will show Basic operationsFormatting a tape Aborting the format processWrite-protecting cassettes Recording the first tracksPreparing to record Recording while formattingReplaying the first tracks OverdubbingTrack bouncing Punch-in and punch-outAt the point where you want to punch out, press Play Automatic punch point settingSetting punch points on the fly At the point where the punch is to occur, pressBasic operations Editing the pre-roll and post-roll times Setting punch points using the menusPress Escape to re urn to menu group Interrupting a rehearsal or punch recording Rehearsing the punch-inRecording the punch-in To replay the punch-in, press the Play key Exiting punch-in modePress the Auto MON key so that the indicator goes out Replaying the punched materialBasic operations Auto MON Monitoring modesMonitoring controls ALL Input 18 and Input MonitorMonitoring modes Shuttle monitoring Confidence modeArming tracks in pairs Using confidence modeTo leave confidence mode, press Monitoring modes Checking, editing and manually entering Memo 1 and Memo Setting Memo 1 and Memo 2 on the flySetting the location pre-roll time Advanced operations AutolocationPr ss Enter Press the LOC 2/PRESET keyMoving to Memo 1 and Memo Editing function key memoriesLocation and playback Locating to a function key memoryRepeat function To start repeat playCrossfade times Track delayPress the Enter key Press Enter Use the UP and Down keys to adjust the crossfade timeVari speed pitch control Shuttle operationsUse the UP and Down keys to select between Reference levelsShuttle muting LevelEnter m nuAdvanc d operations Meter ballistics Keys to set the value for the peak signal level hold timeMeter modes Sine oscillatorSelecting word length Digital recordingRouting digital inputs Changing between digital and analog inputsDither REC Mute recording silenceLecting dither settings Setting the power-on messageSynchronization with other Dtrs units Machine ID and master/ slave settingsDifferences between Dtrs models Ing machine offset Setting mac ne IDMachine offset Offset +00Setting machine On the fly Cancelling machine offsetAn example of setting offsets Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units Tape timecode Operations related to timecodeABS and SMPTE/EBU timecode ABS timeABS setting Tape timecode modeLocation point settings TcTrack settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input Selecting the frame rateTimecode input and output Pull up and pull down Fs shiftTimecode output format Timecode outputTimecode output timing Selecting the timecode source Using Midi Time Code MTCRecording timecode using the generator Recording timecodeFrame rate Press the TC REC switch10.1.3, Sele ting TC or ABS timing Select a frame rate see 10.3, SelectingStart playing the tape Menu see 10.2.1, TcTrack settingAssembling timecode External timecode sourcesWhen recording timecode from an analog When recording timecode from a timecodeWhen recording timecode from another Dtrs When recording timecode from a digital sourceMachine ID and timecode Video resolutionChasing to timecode Checking external timecodeCancelling timecode offset Setting timecode offsetSectionOffset10 Operations related to timecode Play the timecode master Automatic park position settingPark position Absolute and relative differenceRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 Pro oc Record delayExternal control Use with 9-pin external controlFast wind speed Cue-up tallyStill Timecode track mapping Track mappingTr k mapping and press Enter Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsSoftware upgrades Resetting the memoryChecking version Remote control RC-848 Options, specifications and reference Options for the DA-9815.1.1 RM-98 Rack Mount Adaptor Digital audio convertors Control I/O connector pinoutCables Digital recording characteristics SpecificationsPhysical specifications Power specificationsAudio specifications Inputs and outputs Options, specifications and reference Tape transport15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98