Kolpak DA-98 Recording timecode from external sources, When recording timecode from a timecode

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Section 10 – Operations related to timecode

together, keeping a strict relationship between the audio and timecode tracks.

In all other cases, we suggest using either the DA- 98’s internal generator or timecode from tape. If you use these as sources, there will be no jitter problems, and any problems of synchronization with the digital audio clock are eliminated.

NOTE

When recording timecode from an external digital source, make sure the digital clock of the DA-98 and that of the external source are synchronized, as explained in 4.2.3, “Word clock connections” and 4.2.2, “Video connections”. A warning message will appear if the timecode source and the DA-98 are not synchro- nized, but timecode can still be recorded. However, the resulting timecode recording will probably cause syn- chronization problems in the future.

When recording timecode from a timecode

generator, make sure that there is a common video reference for both the DA-98 and the gener- ator (set the CLOCK of the DA-98 to VIDEO).

When recording timecode from another DTRS

unit, synchronize the two units using ABS chase (setting the timecode/audio source unit to be a slave unit as described in 9.2.3, “Master/slave set- tings (CHASE mode)”). After the two units have been synchronized in this way, timecode and audio can be transferred together.

When recording timecode from a digital source

(audio or video), make sure that the DA-98 and the other unit are locked to a common word (audio recorder) or video (video recorder) clock refer- ence. After the two machines have been synchro- nized in this way, timecode and audio can be transferred together.

When recording timecode from an analog

recorder, feed the analog recorder or its external synchronizer and the DA-98 with a common video source, and use the video resolve function of the analog recorder or synchronizer, if this is provided.

If the analog recorder has no video resolve func- tion, it may have a timecode chase function, which can be driven by any timecode source from the following list:

timecode already recorded on an audio track of the DA-98

timecode recorded on other DTRS units, using ABS chase with the DA-98

timecode recorded on any other recorders syn- chronized with the DA-98

a timecode generator, video-synchronized with the DA-98.

NOTE

Do not use any timecode recorded on the DA-98’s dedi- cated subcode track as the timecode master when trans- ferring timecode from an analog recorder.

If your analog recorder cannot chase to external timecode, you must first record the timecode from the analog recorder on an audio track of the DA- 98 and then transfer the timecode to the dedicated timecode track.

Timecode recorded on the audio track in this way is synchroniz d to the audio clock, and can subse- quently be transferred (through patching) to the timecode track.

10.5.6Recording timecode from external sources

1)Set the TimeModeto TC(see 10.1.3, “Selecting TC or ABS timing”).

2)TCSet the timecode record source to External

(see 10.5.1, “Selecting the timecode source”).

3)Press the TC REC switch to arm the timecode track.

4)Start the external source to check the status of the external timecode.

If no external timecode has been received since the DA-98 has been switched on, the tape counter will show all hyphens.

If external timecode has been received since the DA-98 has been switched on, but is not currently being received, the tape counter will flash.

If the external timecode is currently being received at normal (play) speed, the tape counter will show the value of the timecode currently being received. If the external timecode is being received from a

06/97 – 1.00 – 10-9

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Contents DA-98 Important Safety Precautions Important Safety Instructions Rear Panel connectors Table of ContentsIntroduction to the DA-98 Front Panel controlsTable of Contents Monitoring modes Advanced operationsSynchronization with other Dtrs units Operations related to timecodeTable of Contents Menu and parameter reference Example setupsMaintenance and memory setups Options, specifications and referenceTOC-4 1.00 06/97 Introduction to the DA-98 FeaturesUnpacking Using this manual Precautions and recommendationsClock source in a digital studio Confidence replayInstalling the DA-98 Environmental conditionsElectrical considerations CondensationRecommended tapes Tape brandsAvailable recording and playback time Introduction to the DA-98 Front Panel controls Rhsl F 1 key and indicator Auto Punch F 2 key IndicatorAuto Play F 4 key and indicator Digital in switch and indicatorShtl MON F 8 key and indicator Repeat F 9 key and indicatorLOC 2 Preset key Shift key and indicatorFront Panel controls TC REC switch and indicator REW keyFWD key Stop keyRear Panel connectors Time Code in and OUT40 RS-422 Meter Unit MU-8824Rear Panel connectors Audio connections ConnectionsSynchronization connections 1 RS-422 connector Midi connectors in , OUT and ThruControl connections Word clock connectionsConnection to other Tascam units Parallel controlMultiple Dtrs units Indirect word syncConnections Menu operations MenusResetting a menu value FunctionFunctionkey modesChanging menu values fast Blanking the screen displayShift key and function keys Assigning menus to function keys To assign a menu screen to a keyRecalling an assigned menu function PressLothecaFt5e0key1Pm13rien-0r5oslelcBasic operations Formatting a tapeAborting the format process Threaded, the tape counters will showRecording the first tracks Preparing to recordRecording while formatting Write-protecting cassettesOverdubbing Track bouncingPunch-in and punch-out Replaying the first tracksAutomatic punch point setting Setting punch points on the flyAt the point where the punch is to occur, press At the point where you want to punch out, press PlayBasic operations Editing the pre-roll and post-roll times Setting punch points using the menusPress Escape to re urn to menu group Interrupting a rehearsal or punch recording Rehearsing the punch-inRecording the punch-in Exiting punch-in mode Press the Auto MON key so that the indicator goes outReplaying the punched material To replay the punch-in, press the Play keyBasic operations Monitoring modes Monitoring controlsALL Input 18 and Input Monitor Auto MONConfidence mode Monitoring modes Shuttle monitoringArming tracks in pairs Using confidence modeTo leave confidence mode, press Monitoring modes Setting Memo 1 and Memo 2 on the fly Setting the location pre-roll timeAdvanced operations Autolocation Checking, editing and manually entering Memo 1 and MemoPress the LOC 2/PRESET key Moving to Memo 1 and MemoEditing function key memories Pr ss EnterLocating to a function key memory Repeat functionTo start repeat play Location and playbackCrossfade times Track delayPress the Enter key Use the UP and Down keys to adjust the crossfade time Vari speed pitch controlShuttle operations Press EnterReference levels Shuttle mutingLevelEnter m nu Use the UP and Down keys to select betweenKeys to set the value for the peak signal level hold time Meter modesSine oscillator Advanc d operations Meter ballisticsDigital recording Routing digital inputsChanging between digital and analog inputs Selecting word lengthREC Mute recording silence DitherSetting the power-on message Lecting dither settingsSynchronization with other Dtrs units Machine ID and master/ slave settingsDifferences between Dtrs models Setting mac ne ID Machine offsetOffset +00 Ing machine offsetSetting machine On the fly Cancelling machine offsetAn example of setting offsets Digital dubbing Start playing the master DA-98Synchronized formatting On the master machine, hold down Record and press PlaySynchronization with other Dtrs units Operations related to timecode ABS and SMPTE/EBU timecodeABS time Tape timecodeTape timecode mode Location point settingsTcTrack setting ABS settingABS-13 and ABS-23 settings Checking tapeTCTrackSelecting the frame rate Timecode input and outputPull up and pull down Fs shift Timecode inputTimecode output format Timecode outputTimecode output timing Using Midi Time Code MTC Recording timecode using the generatorRecording timecode Selecting the timecode sourcePress the TC REC switch 10.1.3, Sele ting TC or ABS timingSelect a frame rate see 10.3, Selecting Frame rateMenu see 10.2.1, TcTrack setting Assembling timecodeExternal timecode sources Start playing the tapeWhen recording timecode from a timecode When recording timecode from another DtrsWhen recording timecode from a digital source When recording timecode from an analogVideo resolution Chasing to timecodeChecking external timecode Machine ID and timecodeCancelling timecode offset Setting timecode offsetSectionOffset10 Operations related to timecode Automatic park position setting Park positionAbsolute and relative difference Play the timecode master10.7.10Bypassing timecode errors Rechasing timecode10-14 1.00 06/97 Record delay External controlUse with 9-pin external control Pro ocFast wind speed Cue-up tallyStill Timecode track mapping Track mappingTr k mapping and press Enter Bus protocol Midi Machine ControlMidi 11-6 1.00 06/97 Menu and parameter reference Menu groups Menu groupMenu and parameter FerenceErrBypass OutTcSrcTapeTC Menu and parameter Refe enceTrkMapCueupTly SectionStop 12.1.10Menu group12.1.11Menu group E 12.1.12Menu group FArkPsition Menu item indExample setups An all-DA-98 setupPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 Maintenance and memory setups Head and transport cleaning To c ean he heads and transportChecking error rates Checking head timeUser setups Saving user setupsSoftware upgrades Resetting the memoryChecking version Remote control RC-848 Options, specifications and reference Options for the DA-9815.1.1 RM-98 Rack Mount Adaptor Digital audio convertors Control I/O connector pinoutCables Specifications Physical specificationsPower specifications Digital recording characteristicsAudio specifications Inputs and outputs Options, specifications and reference Tape transport15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference MMC Bit Map Array SYS. MAS15-7 1.00 06/97 Midi Implementation Chart MidiIndex BERIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98